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Author: Richard Bartholomew
Publisher:
ISBN: 9789350673652
Category : Art criticism
Languages : en
Pages : 639
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Book Description
Author: Richard Bartholomew
Publisher:
ISBN: 9789350673652
Category : Art criticism
Languages : en
Pages : 639
Get Book Here
Book Description
Author: Aveek Sen
Publisher:
ISBN:
Category : India
Languages : en
Pages : 103
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Book Description
Author: Aveek Sen
Publisher:
ISBN: 9788190391160
Category : India
Languages : en
Pages : 103
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Book Description
Reproductions of the creative photographs of an Indian photographer.
Author: Matthew Quick
Publisher: Harper Collins
ISBN: 1443425877
Category : Fiction
Languages : en
Pages : 182
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Book Description
For almost four decades, Bartholomew Neil has done nothing but live with his mom. When she begins calling him Richard—for reasons unknown—and then dies, Bartholomew is woefully unprepared.” A clue comes in the form of a “Free Tibet” letter he finds in his mother’s underwear drawer, and so Bartholomew awkwardly starts his new life, writing Richard Gere a series of highly intimate fan letters. Jung’s theory of synchronicity, the mystery of women, the Dalai Lama’s teachings, alien abduction, cat telepathy and the Catholic Church are all explored in depth by Bartholomew’s epistles—but mostly the letters outline one man’s heartbreakingly earnest attempt to assemble a family of his own. A struggling priest, a “girlbrarian,” her foul-mouthed brother and Richard Gere (well, sort of) join the quest. In a rented Ford Focus, they travel to Canada in search of Bartholomew’s biological father and end up finding so much more.
Author: Saloni Mathur
Publisher: Duke University Press
ISBN: 1478003383
Category : Art
Languages : en
Pages : 152
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Book Description
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
Author: Dr. Sangeeta
Publisher: Notion Press
ISBN: 1947697315
Category : Art
Languages : en
Pages : 292
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Book Description
Any artistic creation, be it a painting or sculpture, initiates a reaction within us, invoking within us a desire to analyse or evaluate it. The criticism of art definitely has its presence. But the question is—in what form and of what relevance is it? Art criticism is exclusively presented in the written form—it does not consist of descriptions of pictures, interpretations, or re-creations; but of something new and autonomous, related to the piece of art in some way. Criticism always gives us novel ideas for modern art, which in turn, enriches the Indian heritage. Art has been part of our life since ancient times. Traditionally, Indian art writing was mainly composed of commentaries on courtly art conventions and on the poetic texts that inspired paintings and sculptures. Since the 20th century, there has been a breakdown of established conceptions of meaning in the all streams of arts and several rapid changes in artistic style. This book will help readers understand the journey of modern art criticism since Indian independence. It formulates as precisely as possible, the basic principles and norms that will enrich artistically sensitive laymen and critics alike.
Author: Sanjukta Sunderason
Publisher: Stanford University Press
ISBN: 1503613003
Category : History
Languages : en
Pages : 386
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Book Description
Partisan Aesthetics explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, Sanjukta Sunderason argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents. She analyzes largely unknown and dispersed archives—drawings, diaries, posters, periodicals, and pamphlets, alongside paintings and prints—and insists that art as archive is foundational to understanding modern art's socialist affiliations during India's long decolonization. By bringing together expanding fields of South Asian art, global modernisms, and Third World cultures, Partisan Aesthetics generates a new narrative that combines political history of Indian modernism, social history of postcolonial cultural criticism, and intellectual history of decolonization.
Author: Natasha Ginwala
Publisher:
ISBN: 9783791384757
Category :
Languages : en
Pages : 376
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Book Description
This illustrated monograph looks at the multimedia work of Jitish Kallat, one of India's most prominent and irreverent young artists. One of South Asia's most compelling artists, Jitish Kallat has built an immersive practice, ranging from ideas of time, recursion, and historical recall, to deliberations on the cosmopolis and the intertwined spheres of ecology and cosmology. The curator of the Kochi-Muziris Biennale in 2014, his work has been exhibited widely at museums and institutions worldwide. His vast oeuvre-- spanning painting, photography, sculptural installation, and video--reveals his commitment to unveiling the meditative concerns of the self, often simultaneously situating the metropolis while also relating to the cosmic. This specially commissioned monograph commemorates a retrospective exhibition at the National Gallery of Modern Art, New Delhi, in 2017. Illustrations map Kallat's expansive collection of artworks, exhibition displays, and found imagery. In addition, this book explores the visual culture which inspires and influences Kallat's wide-ranging works.
Author: Sonal Khullar
Publisher: Univ of California Press
ISBN: 0520283678
Category : Art
Languages : en
Pages : 368
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Book Description
The purpose of art, the Paris-trained artist Amrita Sher-Gil wrote in 1936, is to "create the forms of the future” by “draw[ing] its inspiration from the present.” Through art, new worlds can be imagined into existence as artists cultivate forms of belonging and networks of association that oppose colonialist and nationalist norms. Drawing on Edward Said’s notion of “affiliation” as a critical and cultural imperative against empire and nation-state, Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists—Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan, and Bhupen Khakhar—situating their careers within national and global histories of modernism and modernity. Through a close analysis of original artwork, archival materials, artists’ writing, and period criticism, Khullar provides a vivid historical account of the state and stakes of artistic practice in India from the late colonial through postcolonial periods. She discusses the shifting terms of Indian artists’ engagement with the West—an urgent yet fraught project in the wake of British colonialism—and to a lesser extent with African and Latin American cultural movements such as Négritude and Mexican muralism. Written in a lucid and engaging style, this book links artistic developments in India to newly emerging histories of modern art in Asia, Africa, and Latin America. Drawing on original research in the twenty-first-century art world, Khullar shows the persistence of modernism in contemporary art from India and compares its function to Walter Benjamin’s ruin. In the work of contemporary artists from India, modernism is the ground from which to imagine futures. This richly illustrated study juxtaposes little-known, rarely seen, or previously unpublished works of modern and contemporary art with historical works, popular or mass-reproduced images, and documentary photographs. Its innovative art program renders newly visible the aesthetic and political achievements of Indian modernism.
Author: Linda Weintraub
Publisher: Univ of California Press
ISBN: 0520273613
Category : Art
Languages : en
Pages : 380
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Book Description
This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.
