Ribera in the Collection of the Hispanic Society of America PDF Download
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Author: Hispanic Society of America
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
Author: Hispanic Society of America
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
Author: José de RIBERA (called Spagnoletto.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
![Ribera in the collection of The Hispanic Society of America New York-[The Hispanic Society of America] PDF](https://books.google.com/books/content/images/frontcover/qGOCNQEACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 19
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Book Description
Author: José de Ribera
Publisher:
ISBN:
Category :
Languages : pt-BR
Pages : 19
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Book Description
Author: Hispanic Society of America
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 19
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Book Description
Author: Elizabeth Du Gué Trapier
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 19
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Book Description
Author: Edward Payne
Publisher: Giles
ISBN: 9781911282327
Category : Art
Languages : en
Pages : 0
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Book Description
Explores the representation of highly realistic and violent subjects in the paintings, prints and drawings of Jusepe de Ribera (1591-1652).
Author: Todd P. Olson
Publisher: Penn State Press
ISBN: 0271098015
Category : Art
Languages : en
Pages : 265
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Book Description
The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as “Lo Spagnoletto,” or “the Little Spaniard.” Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Ribera’s Repetitions, art historian Todd P. Olson sheds new light on the complexity of Ribera’s artwork and artistic methods and their connections to the Spanish imperial project. Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Ribera’s work in a broad context. He examines how Ribera’s techniques, including rotation, material decay (through etching), and repetition, influenced the artist’s drawings and paintings. Many of Ribera’s works featured scenes of physical suffering—from Saint Jerome’s corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Ribera’s art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Ribera’s material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire. Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Ribera’s art anew.
