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Author: Jonathan Reok
Publisher:
ISBN: 9780578592671
Category :
Languages : en
Pages : 106
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Book Description
Author: Jonathan Reok
Publisher:
ISBN: 9780578592671
Category :
Languages : en
Pages : 106
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Book Description
Author: David A. Noebel
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 360
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Book Description
Author: David Newell
Publisher: Debolsillo
ISBN:
Category : Music
Languages : en
Pages : 228
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Book Description
Author: David Hackett Fischer
Publisher: Oxford University Press, USA
ISBN: 9780195121216
Category : Business & Economics
Languages : en
Pages : 556
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Book Description
Fischer has examined price records in many nations, and finds that great waves of rising prices in the 13th-, 16th-, 18th-, and 20th centuries were all marked by price swings of increasing volatility, falling wages, a growing gap between rich and poor, and an increase in violent crime, family disintegration, and cultural despair. 109 graphs & charts. 7 maps.
Author: Russell Hartenberger
Publisher: Cambridge University Press
ISBN: 1108492924
Category : Music
Languages : en
Pages : 371
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Book Description
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
Author: Andrea Davis Pinkney
Publisher: Macmillan
ISBN: 1596439734
Category : Juvenile Nonfiction
Languages : en
Pages : 177
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Book Description
See:
Author: Paul D. Miller
Publisher: MIT Press
ISBN: 0262261006
Category : Music
Languages : en
Pages : 67
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Book Description
The art of the mix creates a new language of creativity. "Once you get into the flow of things, you're always haunted by the way that things could have turned out. This outcome, that conclusion. You get my drift. The uncertainty is what holds the story together, and that's what I'm going to talk about."—Rhythm Science The conceptual artist Paul Miller, also known as Dj Spooky that Subliminal Kid, delivers a manifesto for rhythm science—the creation of art from the flow of patterns in sound and culture, "the changing same." Taking the Dj's mix as template, he describes how the artist, navigating the innumerable ways to arrange the mix of cultural ideas and objects that bombard us, uses technology and art to create something new and expressive and endlessly variable. Technology provides the method and model; information on the web, like the elements of a mix, doesn't stay in one place. And technology is the medium, bridging the artist's consciousness and the outside world. Miller constructed his Dj Spooky persona ("spooky" from the eerie sounds of hip-hop, techno, ambient, and the other music that he plays) as a conceptual art project, but then came to see it as the opportunity for "coding a generative syntax for new languages of creativity." For example: "Start with the inspiration of George Herriman's Krazy Kat comic strip. Make a track invoking his absurd landscapes...What do tons and tons of air pressure moving in the atmosphere sound like? Make music that acts a metaphor for that kind of immersion or density." Or, for an online "remix" of two works by Marcel Duchamp: "I took a lot of his material written on music and flipped it into a DJ mix of his visual material—with him rhyming!" Tracing the genealogy of rhythm science, Miller cites sources and influences as varied as Ralph Waldo Emerson ("all minds quote"), Grandmaster Flash, W. E. B Dubois, James Joyce, and Eminem. "The story unfolds while the fragments coalesce," he writes. Miller's textual provocations are designed for maximum visual and tactile seduction by the international studio COMA (Cornelia Blatter and Marcel Hermans). They sustain the book's motifs of recontextualizing and relayering, texts and images bleed through from page to page, creating what amount to 2.5 dimensional vectors. From its remarkable velvet flesh cover, to the die cut hole through the center of the book, which reveals the colored nub holding in place the included audio CD, Rhythm Science: Excerpts and Allegories from the Sub Rosa Archives, this pamphlet truly lives up to Editorial Director Peter Lunenfeld's claim that the Mediawork Pamphlets are "theoretical fetish objects...'zines for grown-ups."
Author: Robin D. Moore
Publisher: Univ of California Press
ISBN: 0520247108
Category : Art
Languages : en
Pages : 734
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Book Description
Annotation A history of Cuban music during the Castro regime (1950s to the present.
Author: Mike Alleyne
Publisher:
ISBN: 9781626619906
Category : Popular music
Languages : en
Pages : 270
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Book Description
The essay collection Rhythm Revolution provides a compact but detailed analysis of significant genres, artists, and trends characterizing popular music's evolution after the emergence of rock & roll. It addresses the creative, economic, social, and political contexts of key creative and commercial transitions in the recording industry. Primarily focused on events between the 1960s and 1980s, the book's chronological structure highlights interconnected histories of the pop, rock, soul, funk, jazz/rock fusion, reggae, and punk rock genres that were major features of the American musical soundscape. The text also discusses the expanding role of televised music in its chapter on the 1980s. In addition, the anthology provides a wealth of detail on topics not typically covered, including the history of the album cover, the roots of reggae, and the formation and impact of significant record labels. Rhythm Revolution is ideal for teachers who want to engage their students in a detailed examination of pivotal eras. It can be used as a stand-alone text, or as a supplemental reader to standard textbooks on popular music history. Mike Alleyne earned his Ph.D. in English and cultural studies at the University of West Indies, Barbados. Currently, Dr. Alleyne is a professor in the Department of Recording Industry at Middle Tennessee State University, Murfreesboro. He has published extensively in the field, presented at international conferences and taught popular music classes in the Caribbean, England, Sweden, and Germany. Dr. Alleyne is the author of The Encyclopedia of Reggae: The Golden Age of Roots Reggae, a member of the International Association for the Study of Popular Music, and an editorial board member of Popular Music and Society.
Author: Christina D. Abreu
Publisher: UNC Press Books
ISBN: 1469620855
Category : Social Science
Languages : en
Pages : 322
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Book Description
Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha cha. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers. Keeping in view the wider context of the domestic and international entertainment industries, Abreu underscores how the racially diverse musicians in her study were also migrants and laborers. Her focus on the Cuban presence in New York City and Miami before the Cuban Revolution of 1959 offers a much needed critique of the post-1959 bias in Cuban American studies as well as insights into important connections between Cuban migration and other twentieth-century Latino migrations.
