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Author: Irina Mikhaĭlovna I͡Asinskai͡a
Publisher: Penguin Putnam
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Author: Irina Mikhaĭlovna I͡Asinskai͡a
Publisher: Penguin Putnam
ISBN:
Category : Art
Languages : en
Pages : 116
Get Book Here
Book Description
Author: Sarah E. Braddock
Publisher: Thames & Hudson
ISBN: 9780500280966
Category : Crafts & Hobbies
Languages : en
Pages : 192
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Book Description
Explores advances in textile technology, discusses recently developed engineered fibers and fabrics, and showcases the creations of leading fashion designers in the United States, Europe, and Japan.
Author: Irina Michajlovna Jasinskaja
Publisher:
ISBN:
Category : Textile design
Languages : en
Pages : 106
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Book Description
Author: I. Yasinskaya
Publisher:
ISBN:
Category : Textile design
Languages : en
Pages : 106
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Book Description
Author: Marie O'Mahony
Publisher:
ISBN: 9780500510865
Category : Design
Languages : en
Pages : 192
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Book Description
Covering not only sportswear's revolutionary fabrics and futuristic designs, this book also details its enormous influence on fashion and lifestyle today.
Author: Tamasin Doe
Publisher:
ISBN: 9781584235330
Category : Digital printing
Languages : en
Pages : 0
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Book Description
The sudden flurry of color and rapid spread of busy prints is the result of the new ease of computer printing in fabric design. Pioneered by Brazilian/British design duo Basso & Brooke, the hyper-real digital technique has spread not just among the small experimental studios, but also to household name design houses like Chanel and Armani, and has been featured on popular television shows such as Project Runway. Following a discussion of how the current techniques have revolutionized hundreds of years of screen-printing, The Print Revolution is organized by an A-Z of keynote designers operating at this cutting edge of fashion. Highlights include selections from Lee Alexander McQueens last full show, a look at Mary Katrantzous innovative and exciting designs, the elegant work of celebrity favorite Prabal Gurung, and Erdem Moralioglus feminine and romantic designs. Accompanied by fashion photography, catwalk imagery, and close-up details of prints and patterns, and crucially supplemented by the designers own notebooks, impressions, quotations and influences, the book is an invaluable reference as well as a visual delight of the inspirations and creations that have given rise to the current explosion of interest in textile design. Tamasin Doe began her career as deputy fashion editor at the Evening Standard. She later became the fashion director of InStyle magazine and coauthored Patrick Cox: Wit, Irony, and Footwear.
Author: Regina Lee Blaszczyk
Publisher: MIT Press
ISBN: 0262017776
Category : Technology & Engineering
Languages : en
Pages : 397
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Book Description
A history of color and commerce from haute couture to automobile showrooms to interior design. When the fashion industry declares that lime green is the new black, or instructs us to “think pink!,” it is not the result of a backroom deal forged by a secretive cabal of fashion journalists, designers, manufacturers, and the editor of Vogue. It is the latest development of a color revolution that has been unfolding for more than a century. In this book, the award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color profession from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These “color stylists,” “color forecasters,” and “color engineers” helped corporations understand the art of illusion and the psychology of color. Blaszczyk describes the strategic burst of color that took place in the 1920s, when General Motors introduced a bright blue sedan to compete with Ford's all-black Model T and when housewares became available in a range of brilliant hues. She explains the process of color forecasting—not a conspiracy to manipulate hapless consumers but a careful reading of cultural trends and consumer taste. And she shows how color information flowed from the fashion houses of Paris to textile mills in New Jersey. Today professional colorists are part of design management teams at such global corporations as Hilton, Disney, and Toyota. The Color Revolution tells the history of how colorists help industry capture the hearts and dollars of consumers.
Author: Elizabeth L. Cline
Publisher: Penguin
ISBN: 1524744301
Category : Self-Help
Languages : en
Pages : 370
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Book Description
From journalist, fashionista, and clothing resale expert Elizabeth L. Cline, “the Michael Pollan of fashion,”* comes the definitive guide to building an ethical, sustainable wardrobe you'll love. Clothing is one of the most personal expressions of who we are. In her landmark investigation Overdressed: The Shockingly High Cost of Cheap Fashion, Elizabeth L. Cline first revealed fast fashion’s hidden toll on the environment, garment workers, and even our own satisfaction with our clothes. The Conscious Closet shows exactly what we can do about it. Whether your goal is to build an effortless capsule wardrobe, keep up with trends without harming the environment, buy better quality, seek out ethical brands, or all of the above, The Conscious Closet is packed with the vital tools you need. Elizabeth delves into fresh research on fashion’s impacts and shows how we can leverage our everyday fashion choices to change the world through style. Inspired by her own revelatory journey getting off the fast-fashion treadmill, Elizabeth shares exactly how to build a more ethical wardrobe, starting with a mindful closet clean-out and donating, swapping, or selling the clothes you don't love to make way for the closet of your dreams. The Conscious Closet is not just a style guide. It is a call to action to transform one of the most polluting industries on earth—fashion—into a force for good. Readers will learn where our clothes are made and how they’re made, before connecting to a global and impassioned community of stylish fashion revolutionaries. In The Conscious Closet, Elizabeth shows us how we can start to truly love and understand our clothes again—without sacrificing the environment, our morals, or our style in the process. *Michelle Goldberg, Newsweek/The Daily Beast
Author: Susannah Handley
Publisher: JHU Press
ISBN: 9780801863257
Category : Business & Economics
Languages : en
Pages : 204
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Book Description
In Nylon: The Story of a Fashion Revolution, Handley folds together an array of topics: the role of technology in modern life, the changing nature of popular taste, the fortunes of the late-twentieth-century garment industry, and the design innovations and artistry that synthetics permit, even encourage. Handley tells behind-the-scenes stories about companies like DuPont (inventors of Nylon, the first pure synthetic fabric) and its competitors and imitators. She introduces readers to the world of clothing design and manufacture, tracing the development of fabrics from the semisynthetic "Art Silk" early in the century to polyester, Lycra, and the newest technological fibers and desirable weaves. She examines the advertising strategies that played on and built up consumer expectations. And she describes a not-too-distant future of interactive textiles, solar units, intelligent jackets, and the "wearable office."
Author: Geoff Rayner
Publisher: Acc Art Books
ISBN: 9781788840538
Category : Art
Languages : en
Pages : 224
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Book Description
* Showcases the textiles design work of Czech designer Jacqueline Groag Jacqueline Groag was probably the most influential textile designer in Britain in the post Second World War era. Although originally Czech, she studied textile and pattern design in Austria in the 1920s. During the late twenties and early thirties she designed textiles for the Wiener Werkstatte in Vienna and subsequently designed and produced unique hand printed lengths of fabrics for many of the leading Parisian fashion houses, including Chanel, Lanvin, Worth, Schiaparelli and Paul Poiret. She was awarded a gold medal for textile design at the Milan Triennale in 1933 and another gold medal for printed textiles at the Paris World Fair in 1937. Jacqueline was not only a serious and highly respected contender in the field of textile and pattern design but, with her husband, the Modernist architect Jacques Groag, was also deeply immersed in the intellectual life of Vienna. In 1938 the sophisticated world of Jacques and Jacqueline was brutally shattered when the Anschluss, the political unification of Austria and Germany, occurred and the German army entered Vienna. Faced with the actuality of the Nazi terror the Groags, who were Jewish, fled to Czechoslovakia and their home city of Prague. After a brief respite they were once more forced to flee in 1939, this time to London. On their arrival in England they were welcomed and championed by leading members of the British design fraternity, amongst whom were Sir Gordon Russell, the doyen of British architects Sir Charles Reilly and Jack Pritchard, founder of the modernist design company, Isokon. From 1940 until her death in 1986, Jacqueline had a long and successful career. Much of the Contemporary style of the textiles and wallpapers shown at the 1951 Festival of Britain were heavily indebted to her influential designs of the 1940s. Many examples of her work were featured prominently at the Festival and from then on she became a major influence on pattern design internationally. She developed a large client group in the United States during the fifties and sixties, amongst whom were Associated American Artists, Hallmark Cards and American Greetings Ohio.In the later 1950s and throughout the 1960s she became increasingly involved with Sir Misha Black and the Design Research Unit (D.R.U.), working on the interiors for boats and planes and trains, particularly the design of textiles and plastic laminates for BOAC and British Rail. One of her last commissions from Misha Black, in the mid-seventies was a distinctive moquette for London Transport, for seating on both buses and tube trains. Her work and influence did not just extend to the large corporations and exclusive couturiers but was familiar to the general public through stores and companies such as John Lewis, Liberty of London, David Whitehead, Edinburgh Weavers, Sandersons, Warerite and Formica. Her remarkable achievement finally received public recognition in 1984 when, at the age of 81, she was made an R.D.I. - a Royal Designer for Industry - the ultimate accolade for any designer in Britain.
