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Author: A. Garnai
Publisher: Springer
ISBN: 0230250718
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Revolutionary Imaginings in the 1790s discusses the work of three prominent women writers by focusing on the response to the French Revolution and the struggle for reform in Britain. Examining previously-neglected texts as well as more familiar ones, the book contributes to our understanding of a period of intense political and literary engagement.
Author: A. Garnai
Publisher: Springer
ISBN: 0230250718
Category : Literary Criticism
Languages : en
Pages : 250
Get Book Here
Book Description
Revolutionary Imaginings in the 1790s discusses the work of three prominent women writers by focusing on the response to the French Revolution and the struggle for reform in Britain. Examining previously-neglected texts as well as more familiar ones, the book contributes to our understanding of a period of intense political and literary engagement.
Author: David McAllister
Publisher: Springer
ISBN: 3319977318
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
This book offers the first account of the dead as an imagined community in the early nineteenth-century. It examines why Romantic and Victorian writers (including Wordsworth, Dickens, De Quincey, Godwin, and D’Israeli) believed that influencing the imaginative conception of the dead was a way to either advance, or resist, social and political reform. This interdisciplinary study contributes to the burgeoning field of Death Studies by drawing on the work of both canonical and lesser-known writers, reformers, and educationalists to show how both literary representation of the dead, and the burial and display of their corpses in churchyards, dissecting-rooms, and garden cemeteries, responded to developments in literary aesthetics, psychology, ethics, and political philosophy. Imagining the Dead in British Literature and Culture, 1790-1848 shows that whether they were lauded as exemplars or loathed as tyrants, rendered absent by burial, or made uncannily present through exhumation and display, the dead were central to debates about the shape and structure of British society as it underwent some of the most radical transformations in its history.
Author: Charlotte M. Canning
Publisher: University of Iowa Press
ISBN: 1587299380
Category : Performing Arts
Languages : en
Pages : 429
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Book Description
"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --
Author: Miriam L. Wallace
Publisher: Bucknell University Press
ISBN: 0838757057
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
The "Jacobin" novel was labeled as such in Britain because of its supposed connections to the French Revolution. This book takes an in-depth look at these novels, written between 1790 and 1805. She centers on the group surrounding Wollstonecraft and Godwin, although not exclusively, exploring the limits of their philosophy of human rights and personal subjectivity. Unlike other recent scholars, the author treats both male and female writers, making feminism an aspect of the work but not the overriding one. While the novels are the main focus, other work by the writers is considered as it pertains to their beliefs. She also discusses the reaction from those who defined the "Jacobins" by opposing them.
Author: Joanna Innes
Publisher:
ISBN: 0199669155
Category : History
Languages : en
Pages : 253
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Book Description
Charts the transformation in the way people thought about democracy in the North Atlantic region in the years between the American Revolution and the revolutions of 1848.
Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108478840
Category : Art
Languages : en
Pages : 375
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Book Description
Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.
Author: Michael Meranze
Publisher: University of Toronto Press
ISBN: 1442624388
Category : History
Languages : en
Pages : 291
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Book Description
Between 1750 and 1820, tides of revolution swept the Atlantic world. From the new industrial towns of Great Britain to the plantations of Haiti, they heralded both the rise of democratic nationalism and the subsequent surge of imperial reaction. In Imagining the British Atlantic after the American Revolution, nine essays consider these revolutionary transformations from a variety of literary, visual, and historical perspectives. On topics ranging from painting and poetry to prison reform, the essays challenge and complicate our understandings of revolution and reaction within the transatlantic imagination. Drawing on examples from different local and regional contexts, they demonstrate the many remarkably local ways that revolution and empire were experienced in London, Pennsylvania, Pitcairn Island, and points in between. Published by the University of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library.
Author: John Barrell
Publisher:
ISBN: 9780198112921
Category : Art
Languages : en
Pages : 860
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Book Description
It is high treason in British law to imagine the king's death. But after the execution of Louis XVI in 1793, everyone in Britain must have found themselves imagining that the same fate might befall George III. How easy was it to distinguish between fantasising about the death of George and imagining it, in the legal sense of intending or designing? John Barrell examines this question in the context of the political trials of the mid-1790s and the controversies they generated. He shows how the law of treason was adapted in the years following Louis's death to punish what was acknowledged to be a "modern" form of treason unheard of when the law had been framed. The result, he argues, was the invention of a new and imaginary reading, a "figurative" treason, by which the question of who was imagining the king's death, the supposed traitors or those who charged them with treason, became inseparable.
Author: Amy Garnai
Publisher: Rutgers University Press
ISBN: 1684484456
Category : Performing Arts
Languages : en
Pages : 159
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Book Description
A key figure in British literary circles following the French Revolution, novelist and playwright Thomas Holcroft promoted ideas of reform and equality informed by the philosophy of his close friend William Godwin. Arrested for treason in 1794 and released without trial, Holcroft was notorious in his own time, but today appears mainly as a supporting character in studies of 1790s literary activism. Thomas Holcroft’s Revolutionary Drama authoritatively reintroduces and reestablishes this central figure of the revolutionary decade by examining his life, plays, memoirs, and personal correspondence. In engaging with theatrical censorship, apostacy, and the response of audiences and critics to radical drama, this thoughtful study also demonstrates how theater functions in times of political repression. Despite his struggles, Holcroft also had major successes: this book examines his surprisingly robust afterlife, as his plays, especially The Road to Ruin, were repeatedly revived worldwide in the nineteenth century.
Author: Morgan Rooney
Publisher: Rowman & Littlefield
ISBN: 1611484766
Category : History
Languages : en
Pages : 233
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Book Description
This study examines how debates about history during the French Revolution informed and changed the nature of the British novel between 1790 and 1814. During these years, intersections between history, political ideology, and fiction, as well as the various meanings of the term "history" itself, were multiple and far reaching. Morgan Rooney elucidates these subtleties clearly and convincingly. While political writers of the 1790s--Burke, Price, Mackintosh, Paine, Godwin, Wollstonecraft, and others--debate the historical meaning of the Glorious Revolution as a prelude to broader ideological arguments about the significance of the past for the present and future, novelists engage with this discourse by representing moments of the past or otherwise vying to enlist the authority of history to further a reformist or loyalist agenda. Anti-Jacobin novelists such as Charles Walker, Robert Bisset, and Jane West draw on Burkean historical discourse to characterize the reform movement as ignorant of the complex operations of historical accretion. For their part, reform-minded novelists such as Charlotte Smith, William Godwin, and Maria Edgeworth travesty Burke's tropes and arguments so as to undermine and then redefine the category of history. As the Revolution crisis recedes, new novel forms such as Edgeworth's regional novel, Lady Morgan's national tale, and Jane Porter's early historical fiction emerge, but historical representation--largely the legacy of the 1790s' novel--remains an increasingly pronounced feature of the genre. Whereas the representation of history in the novel, Rooney argues, is initially used strategically by novelists involved in the Revolution debate, it is appropriated in the early nineteenth century by authors such as Edgeworth, Morgan, and Porter for other, often related ideological purposes before ultimately developing into a stable, nonpartisan, aestheticized feature of the form as practiced by Walter Scott. The French Revolution Debate and the British Novel, 1790-1814 demonstrates that the transformation of the novel at this fascinating juncture of British political and literary history contributes to the emergence of the historical novel as it was first realized in Scott's Waverley (1814).
