Author: Richard Abel
Publisher: Univ of California Press
ISBN: 0520912918
Category : Performing Arts
Languages : en
Pages : 596
Get Book Here
Book Description
Richard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema. Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France. The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.
Author: Richard W. Haines
Publisher: McFarland
ISBN: 9780786480746
Category : Performing Arts
Languages : en
Pages : 286
Get Book Here
Book Description
The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years. Just as movies emerged from silent to talking, black and white to color, there has invariably been change in the way movies are made, copied, distributed and viewed. This change in the moviegoing experience, for better or for worse, is worth studying. This work examines the American moviegoing experience from 1968 to 2001--the way in which movies are made and regulated (including the demise of the Production Code and the emergence of the ratings system) as well as changes in lighting, cinematography and coloring techniques. The projection practices of the past and present, during and after the presence of the Projectionists Union, and the advent of the "platter," which allowed for automated projection, are discussed. How home video and cable affected the content of films after the eighties and the history of computerized special effects leading to the development of digital cinema projection are included. The work also covers the changing types of venues over the last third of a century and other aspects that affect, positively or negatively, the entire moviegoing experience.
Author: Stephen Schaub
Publisher: Lulu.com
ISBN: 9781430308157
Category : Photography
Languages : en
Pages : 80
Get Book Here
Book Description
Are you disillusioned by the current photographic market? Frustrated by the absurd claims of analog and digital proponents alike? Ready to throw in the *%$#! towel? Then the Figital Revolution is for you. FIGITAL stands for the dynamic fusion of film and digital photographic technologies. The Figital Revolution transcends self-serving industry hype and old-fart conservatism to get at the real issues photographers face today: how did we get here? Is digital all it's cracked up to be? Why is film on life support? How can photographers create a sustainable art? Why do most photo magazines suck? The Figital Revolution is about all that and more. Remember: movement does not equal progress. Yes comrades- the revolution has begun!
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Get Book Here
Book Description
A local Singaporean magazine dedicated to photography and videography.
Author: Arvind R
Publisher: Notion Press
ISBN: 1946822418
Category : Fiction
Languages : en
Pages : 201
Get Book Here
Book Description
Five authors and one story is what make this novel unique. This is a story of four strangers who are brought together by life… or at least that is what some of them think. Based in the beautiful North-East India, this is the story about the quest of four individuals who are all running from something in their lives and their hunger to find themselves. Be it breaking from the stereotype of our society, running from the darkness within or accepting oneself. The journey however is not without its own dangers, turning their seemingly straight forward quest of self-discovery into a battle of survival. From photography to Naxals, Aashna, Advait, Charu and Dr. Ashok may have been handed more than they bargained for. The five authors of “35mm – A Hidden Target” have generously dedicated entire royalty proceeds of this novel to the cause of healthcare of disadvantaged children in the country. Royalty amount will be donated to the NGO “Sankalp India Foundation” (www.sankalpindia.net.)
Author: UCLA Film and Television Archive
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
Get Book Here
Book Description
Author: United States. National Archives and Records Administration
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 90
Get Book Here
Book Description
Author:
Publisher:
ISBN: 9780722132982
Category :
Languages : en
Pages : 270
Get Book Here
Book Description
Author: Robé, Chris
Publisher: PM Press
ISBN: 1629633313
Category : Political Science
Languages : en
Pages : 666
Get Book Here
Book Description
Breaking the Spell offers the first full-length study that charts the historical trajectory of anarchist-inflected video activism from the late 1960s to the present. Two predominant trends emerge from this social movement-based video activism: 1) anarchist-inflected processes increasingly structure its production, distribution, and exhibition practices; and 2) video does not simply represent collective actions and events, but also serves as a form of activist practice in and of itself from the moment of recording to its later distribution and exhibition. Video plays an increasingly important role among activists in the growing global resistance against neoliberal capitalism. As various radical theorists have pointed out, subjectivity itself becomes a key terrain of struggle as capitalism increasingly structures and mines it through social media sites, cell phone technology, and new “flexible” work and living patterns. As a result, alternative media production becomes a central location where new collective forms of subjectivity can be created to challenge aspects of neoliberalism. Chris Robé’s book fills in historical gaps by bringing to light unexplored video activist groups like the Cascadia Forest Defenders, eco-video activists from Eugene, Oregon; Mobile Voices, Latino day laborers harnessing cell phone technology to combat racism and police harassment in Los Angeles; and Outta Your Backpack Media, indigenous youth from the Southwest who use video to celebrate their culture and fight against marginalization. This groundbreaking study also deepens our understanding of more well-researched movements like AIDS video activism, Paper Tiger Television, and Indymedia by situating them within a longer history and wider context of radical video activism.
Author: Peter C. Lutze
Publisher: Wayne State University Press
ISBN: 9780814326565
Category : Performing Arts
Languages : en
Pages : 308
Get Book Here
Book Description
Through his films and theoretical writings, and as a television producer, teacher, political lobbyist, lawyer, and public spokesman, Alexander Kluge has played a substantial role in creating the New German Cinema, as well as in German cultural politics. Since 1961 Kluge has produced almost thirty films and hundreds of television programs, written four volumes of fiction, coauthored three major works of sociocultural theory, and won almost every major literary and film prize in Germany. Peter Lutze provides in-depth analysis of Kluge's films and television work but also devotes attention to his political work. In raising issues that have become key questions in contemporary debates about modernism and postmodernism, Kluge's films and pronouncements demonstrate his modernist sensibility and an appropriation of modernist formal strategies for the purpose of the social critique.
