Review of New England: Indian Summer, by Van Wyck Brooks, New York: E. P. Dutton & Company, 1940 PDF Download
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Author: Perry Miller
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 7
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Book Description
Author: Perry Miller
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 7
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Book Description
Author: VAN WYCK BROOKS
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher: Virginia Quarterly Review
ISBN:
Category : Universities and colleges
Languages : en
Pages : 775
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Book Description
Author: John Henry Raleigh
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 324
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Book Description
Author: Speech Association of America
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 568
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Book Description
Author: D.D. Joyce
Publisher: Springer Science & Business Media
ISBN: 9401020612
Category : History
Languages : en
Pages : 235
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Book Description
Twenty years after Edward Channing's death in 1931, historians differed rather widely in their evaluation of his work. A British author, surveying American historiography since 1890, was quite critical of Channing's major contribution, the six-volume History of the United States, contending that it "won only a contemporary reputation which is not wearing well. "l Referring specifically to the second volume of the History, this writer stated his feeling that it "added little of substance to what was to be found in earlier works," and that it "was so partisan as sometimes to be quite misleading. "2 Quite a different view was expressed by an American historian writing in the same year. He felt that Channing seemed "assured of a niche in the his torians' Hall of Fame as one of the giants of American historiography. "3 Many of Channing's findings were new, this writer emphasized, and had been useful to other historians. He concluded that Channing's History "wears well twenty years after his death," and, indeed, "remains one of the major accomplishments in the field of American historical writing. '" Some support is given to the latter interpretation by a poll of historians, once again dated 1952, to determine preferred works in American history published between 1920 and 1935. Channing's History finished eighth, fol lowing only the works of Parrington, Turner, Webb, Beard, Andrews, 5 Becker, and Phillips.
Author: Wilbur R. Jacobs
Publisher: University of Texas Press
ISBN: 0292788630
Category : Biography & Autobiography
Languages : en
Pages : 349
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Book Description
A historian who lived the kind of history he wrote, Francis Parkman is a major—and controversial—figure in American historiography. His narrative style, while popular with readers wanting a "good story," has raised many questions with professional historians. Was Parkman writing history or historical fiction? Did he color historical figures with his own heroic self-image? Was his objectivity compromised by his "unbending, conservative, Brahmin" values? These are some of the many issues that Wilbur Jacobs treats in this thought-provoking study. Jacobs carefully considers the "apprenticeship" of Francis Parkman, first spent in facing the rigors of the Oregon Trail and later in struggling to write his histories despite a mysterious, frequently incapacitating illness. He shows how these events allowed Parkman to create a heroic self-image, which impelled his desire for fame as a historian and influenced his treatment of both the "noble" and the "savage" characters of his histories. In addition to assessing the influence of Parkman's development and personality on his histories, Jacobs comments on Parkman's relationship to basic social and cultural issues of the nineteenth century. These include the slavery question, Native American issues, expansion of the suffrage to new groups, including women, and anti-Catholicism.
Author: Van Wyck Brooks
Publisher:
ISBN:
Category :
Languages : en
Pages : 569
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Author: Melissa Bradshaw
Publisher: Routledge
ISBN: 1351959204
Category : Literary Criticism
Languages : en
Pages : 191
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Book Description
In her reassessment of Amy Lowell as a major figure in the modern American poetry movement, Melissa Bradshaw uses theories of the diva and female celebrity to account for Lowell's extraordinary literary influence in the early twentieth century and her equally extraordinary disappearance from American letters after her death. Recognizing Amy Lowell as a literary diva, Bradshaw shows, accounts for her commitment to her art, her extravagant self-promotion and self-presentation, and her fame, which was of a kind no longer associated with poets. It also explains the devaluation of Lowell's poetry and criticism, since a woman's diva status is always short-lived and the accomplishments of celebrity women are typically dismissed and trivialized. In restoring Lowell to her place within the American poetic renaissance of the nineteen-teens and twenties, Bradshaw also recovers a vibrant moment in popular culture when poetry enjoyed mainstream popularity, audiences packed poetry readings, and readers avidly followed the honors, exploits, and feuds of their favorite poets in the literary columns of daily newspapers. Drawing on a rich array of letters, memoirs, newspapers, and periodicals, but eschewing the biographical interpretations of her poetry that have often characterized criticism on Lowell, Bradshaw gives us an Amy Lowell who could not be further removed from the lonely victim of ill-health and obesity who appears in earlier book-length studies. Amy Lowell as diva poet takes her rightful place as a powerful writer of modernist verse who achieved her personal and professional goals without capitulating to heteronormative ideals of how a woman should act, think, or appear.
Author: Samuel Coale
Publisher: Camden House
ISBN: 1571133631
Category : History
Languages : en
Pages : 210
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Book Description
The process of Hawthorne's scholarly canonization, and the ongoing critical and cultural discourse on his works. Nathaniel Hawthorne, celebrated in his own day for sketches that now seem sentimental, came only gradually to be fully appreciated for what his friend Herman Melville diagnosed as the "power of blackness" in his fiction - the complex moral grappling with sin and guilt. By the 1850s, Hawthorne had already been accepted into the American canon, and since then, his works - especially The Scarlet Letter -- have remained ubiquitous in American culture. Along with this has come an explosion of Hawthorne criticism, from New Criticism, New Historicism, and Cultural Studies to queer theory, feminist scholarship, and transatlantic criticism, that shows no signs of slowing. This book charts Hawthorne's canonization and the ongoing critical discourse, drawing on two senses of "entanglement." First the sense from quantum physics, which allows us to see what were once seen as strict dualisms in Hawthorne as more complex relations where the poles of the would-be dualities play off of and affect each other; second, the sense of critics being tangled up in, caught up in, Hawthorne the man and his work and in previous critics' views of him. Charting the course of Hawthorne criticism as well as his place in popular culture, this book sheds light also on the culture in which his reception has occurred. Samuel Chase Coale is Professor of American Literature and Culture at Wheaton College, Norton, Massachusetts.
