Author: Bill Gladhill
Publisher: Cambridge University Press
ISBN: 1107069742
Category : History
Languages : en
Pages : 227
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Book Description
Explores the vital links between social order and cosmology by examining the concept of foedus in Roman religion and literature.
Author: Bill Gladhill
Publisher: Cambridge University Press
ISBN: 1316589218
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
In this book, Bill Gladhill studies one of the most versatile concepts in Roman society, the ritual event that concluded an alliance, a foedus (ritual alliance). Foedus signifies the bonds between nations, men, men and women, friends, humans and gods, gods and goddesses, and the mass of matter that gives shape to the universe. From private and civic life to cosmology, Roman authors, time and time again, utilized the idea of ritual alliance to construct their narratives about Rome. To put it succinctly, Roman civilization in its broadest terms was conditioned on ritual alliance. Yet, lurking behind every Roman relationship, in the shadows of Roman social and international relations, in the dark recesses of cosmic law, were the breakdown and violation of ritual alliance and the release of social pollution. Rethinking Roman Alliance investigates Roman culture and society through the lens of foedus and its consequences.
Author: A. J. Boyle
Publisher: Oxford University Press
ISBN: 0198856946
Category : Drama
Languages : en
Pages : 806
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Book Description
Hercules is a tragedy of great theatrical, poetic, and cultural value. Written probably at the intersection of the principates of Claudius and Nero, it addresses central issues of early imperial Rome, even as it speaks profoundly to our times. Among its concerns are violence and madness; imperatives of family and self; Rome, identity and place; the nature of virtue; the longing for immortality; the theatre of rage; and the empire of death. The play is dramatically innovative, spectacular, and arresting: from its fiery, monumental god-prologue (the only one in Senecan tragedy), through meditative soliloquies, impassioned speeches, trenchant dialogue, a failed wooing scene with an impressive after-life in Tudor drama, a stunning entrance for Hercules and his captured hellhound, Theseus' ecphrastic narrative of the hero's infernal 'labour', to a familicidal madness scene and an emotionally turbulent, non-violent finale, in which the instinct for self-punitive suicide is thwarted by the claims of kinship and the acceptance of intolerable suffering. The whole is bound together by some of Seneca's most affective choral lyrics, as intellectually engaging as they are emotionally potent. Hercules is A. J. Boyle's sixth, full-scale edition for OUP of a play by or attributed to Seneca. It offers a comprehensive introduction, newly edited Latin text, English verse translation designed for both performance and academic study, and a detailed exegetic, analytic, and interpretative commentary. The aim has been to elucidate the text dramatically as well as philologically, and to locate the play firmly in its contemporary historical and theatrical context and the ensuing literary and dramatic tradition. As such, its substantial influence on European drama from the sixteenth to the twenty-first centuries is given emphasis throughout; this and the accessibility of the commentary to Latinless readers make the edition particularly useful to scholars and students not only of classics, but also of comparative literature and drama, and to anyone interested in the cultural dynamics of literary reception and the interplay between theatre and history.
Author: Jacco Bomhoff
Publisher: Cambridge University Press
ISBN: 1108485480
Category : Law
Languages : en
Pages : 443
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Book Description
Explores how constitutional orders engage with and are shaped by their exteriors.
Author: Basil Dufallo
Publisher: Oxford University Press
ISBN: 0197571808
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
Disorienting Empire is the first book to examine Republican Latin poetry's recurring interest in characters who become lost. Basil Dufallo explains the prevalence of this theme with reference to the rapid expansion of Rome's empire in the Middle and Late Republic. It was both a threatening and an enticing prospect, Dufallo argues, to imagine the ever-widening spaces of Roman power as a place where one could become disoriented, both in terms of geographical wandering and in a more abstract sense connected with identity and identification, especially as it concerned gender and sexuality. Plautus, Terence, Lucretius, and Catullus, as well as the "triumviral" Horace of Satires, book 1, all reveal an interest in such experiences, particularly in relation to journeys into the Greek world from which these writers drew their source material. Fragmentary authors such as Naevius, Ennius, and Lucilius, as well as prose historians including Polybius and Livy, add depth and context to the discussion. Setting the Republican poets in dialogue with queer theory and postcolonial theory, Dufallo brings to light both anxieties latent in the theme and the exuberance it suggests over new creative possibilities opened up by reorienting oneself toward new horizons, new identifications-by discovering with pleasure that one could be other than one thought. Further, in showing that the Republican poets had been experimenting with such techniques for generations before the Augustan Age, Disorienting Empire offers its close readings as a means of interpreting afresh Aeneas' wandering journey in Vergil's Aeneid.
Author: Julia Mebane
Publisher: Cambridge University Press
ISBN: 1009389297
Category : History
Languages : en
Pages : 265
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Book Description
Employs the metaphor of the body politic in Ancient Rome to rethink the transition from the Republic to Principate.
Author: Virginia M. Closs
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110674734
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This book affords new perspectives on urban disasters in the ancient Roman context, attending not just to the material and historical realities of such events, but also to the imaginary and literary possibilities offered by urban disaster as a figure of thought. Existential threats to the ancient city took many forms, including military invasions, natural disasters, public health crises, and gradual systemic collapses brought on by political or economic factors. In Roman cities, the memory of such events left lasting imprints on the city in psychological as well as in material terms. Individual chapters explore historical disasters and their commemoration, but others also consider of the effect of anticipated and imagined catastrophes. They analyze the destruction of cities both as a threat to be forestalled, and as a potentially regenerative agent of change, and the ways in which destroyed cities are revisited — and in a sense, rebuilt— in literary and social memory. The contributors to this volume seek to explore the Roman conception of disaster in terms that are not exclusively literary or historical. Instead, they explore the connections between and among various elements in the assemblage of experiences, texts, and traditions touching upon the theme of urban disasters in the Roman world.
Author: Giulio Celotto
Publisher: University of Michigan Press
ISBN: 0472129724
Category : History
Languages : en
Pages : 243
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Book Description
Compelled by the emperor Nero to commit suicide at age 25 after writing uncomplimentary poems, Latin poet Lucan nevertheless left behind a significant body of work, including the Bellum Civile (Civil War). Sometimes also called the Pharsalia, this epic describes the war between Julius Caesar and Pompey.Author Giulio Celotto provides an interpretation of this civil war based on the examination of an aspect completely neglected by previous scholarship: Lucan’s literary adaptation of the cosmological dialectic of Love and Strife. According to a reading that has found favor over the last three decades, the poem is an unconventional epic that does not conform to Aristotelian norms: Lucan composes a poem characterized by fragmentation and disorder, lacking a conventional teleology, and whose narrative flow is constantly delayed. Celotto’s study challenges this interpretation by illustrating how Lucan invokes imagery of cosmic dissolution, but without altogether obliterating epic norms. The poem transforms them from within, condemning the establishment of the Principate and the Julio-Claudian dynasty.
Author: Hilary Marlow
Publisher: Routledge
ISBN: 1315459493
Category : History
Languages : en
Pages : 654
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Book Description
This collection of essays explores the rhetoric and practices surrounding views on life after death and the end of the world, including the fate of the individual, apocalyptic speculation and hope for cosmological renewal, in a wide range of societies from Ancient Mesopotamia to the Byzantine era. The 42 essays by leading scholars in each field explore the rich spectrum of ways in which eschatological understanding can be expressed, and for which purposes it can be used. Readers will gain new insight into the historical contexts, details, functions and impact of eschatological ideas and imagery in ancient texts and material culture from the twenty-fifth century BCE to the ninth century CE. Traditionally, the study of “eschatology” (and related concepts) has been pursued mainly by scholars of Jewish and Christian scripture. By broadening the disciplinary scope but remaining within the clearly defined geographical milieu of the Mediterranean, this volume enables its readers to note comparisons and contrasts, as well as exchanges of thought and transmission of eschatological ideas across Antiquity. Cross-referencing, high quality illustrations and extensive indexing contribute to a rich resource on a topic of contemporary interest and relevance. Eschatology in Antiquity is aimed at readers from a wide range of academic disciplines, as well as non-specialists including seminary students and religious leaders. The primary audience will comprise researchers in relevant fields including Biblical Studies, Classics and Ancient History, Ancient Philosophy, Ancient Near Eastern Studies, Art History, Late Antiquity, Byzantine Studies and Cultural Studies. Care has been taken to ensure that the essays are accessible to undergraduates and those without specialist knowledge of particular subject areas.
Author: Hannah Cornwell
Publisher: Oxford University Press
ISBN: 0192528149
Category : History
Languages : en
Pages : 205
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Book Description
Perhaps in defiance of expectations, Roman peace (pax) was a difficult concept that resisted any straightforward definition: not merely denoting the absence or aftermath of war, it consisted of many layers and associations and formed part of a much greater discourse on the nature of power and how Rome saw her place in the world. During the period from 50 BC to AD 75 - covering the collapse of the Republic, the subsequent civil wars, and the dawn of the Principate-the traditional meaning and language of peace came under extreme pressure as pax was co-opted to serve different strands of political discourse. This volume argues for its fundamental centrality in understanding the changing dynamics of the state and the creation of a new political system in the Roman Empire, moving from the debates over the content of the concept in the dying Republic to discussion of its deployment in the legitimization of the Augustan regime, first through the creation of an authorized version controlled by the princeps and then the ultimate crystallization of the pax augusta as the first wholly imperial concept of peace. Examining the nuances in the various meanings, applications, and contexts of Roman discourse on peace allows us valuable insight into the ways in which the dynamics of power were understood and how these were contingent on the political structures of the day. However it also demonstrates that although the idea of peace came to dominate imperial Rome's self-representation, such discourse was nevertheless only part of a wider discussion on the way in which the Empire conceptualized itself.
