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Author: Bonamy Dobrée
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 480
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Book Description
Author: Bonamy Dobrée
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 480
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Book Description
Author: James Runcieman Sutherland
Publisher: London [etc.] : Oxford University Press
ISBN:
Category : Drama
Languages : en
Pages : 464
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Book Description
Author: J. Douglas Canfield
Publisher: University Press of Kentucky
ISBN: 0813193915
Category : Drama
Languages : en
Pages : 357
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Book Description
To understand the cultural history of England during the Restoration, one need look no further than the theater, which was attended by the gentry as well as by members of the middle and lower classes. The theater of this period embodied the values, meanings, and power relations of Restoration England. In Heroes and States, Douglas Canfield argues that drama not only represents but actually helps constitute the value and belief systems of an entire culture. Heroes and States completes Canfield's two-volume cultural history of Restoration drama, begun in Tricksters and Estates: On the Ideology of Restoration Comedy. In this second volume Canfield shows how Restoration playwrights attempted to rein scribe late-feudal aristocratic ideology after the English Civil War. In the serious drama of the period, conflict is between noble heroes, upon whom states are built, and transgressors of the established order—tyrants, traitors, usurpers, rapists, and atheists. Canfield considers several sub genres of tragedy. He argues that most of these sub genres reaffirm the older ideology after testing it in the fires of conflict. Tragical satire, on the other hand, the most subversive of these sub genres, exposes the failure of the ruling class to live up to its own codes and, in some cases, the absurdity of the codes themselves. Canfield also finds playwrights struggling with issues of race and colonialism. He uses the work of modern theorists such as Bakhtin, Girard, Kristeva, Derrida, Althusser, Williams, and Eagleton to illuminate aspects of his inquiries. Restoration tragedy stands on the cusp of a cultural transition from a late feudal to an early bourgeois ideology, and the issues and themes addressed in the theater validate the culture and politics of seventeenth-century England.
Author: Lee McColgan
Publisher: The Countryman Press
ISBN: 1682688372
Category : Biography & Autobiography
Languages : en
Pages : 177
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Book Description
Shop Class as Soulcraft meets A Place of My Own in this lyrical meditation of a woodworker steadfastly repairing a historic home. Old houses share their secrets only if they survive. Trading the corporate ladder for a stepladder, Lee McColgan commits to preserving the ramshackle Loring House, built in 1702, using period materials and methods and on a holiday deadline. But his enchantment withers as he discovers the massive repairs it needs. A small kitchen fix reveals that the structure’s rotten frame could collapse at any moment. In a bathroom, mold appears and spreads. He fights deteriorating bricks, frozen pipes, shattered windows, a punctured foundation, and even an airborne chimney cap while learning from a diverse cast of preservationists, including a master mason named Irons, a stone whisperer, and the Window Witch. But can he meet his deadline before family and friends arrive, or will it all come crashing down? McColgan’s journey expertly examines our relationship to history through the homes we inhabit, beautifully articulating the philosophy of preserving the past to find purpose for the future.
Author: Ashley Horace Thorndike
Publisher: Boston : Houghton Mifflin Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
Author: George Winchester Stone
Publisher: SIU Press
ISBN: 9780809307432
Category : Drama
Languages : en
Pages : 980
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Book Description
Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.
Author: John Dryden
Publisher: U of Nebraska Press
ISBN: 9780803253797
Category : Drama
Languages : en
Pages : 188
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Book Description
Although John Dryden the poet is best known for his alexandrine epics, John Dryden the playwright is most honored for this blank verse tragedy. The summit of Dryden's dramatic art, All for Love (1677) is a spectacle of passion as felt, feared, and disputed in the suspicious years following the English Civil War. Due to its dramatic compression and elegance, All for Love is one of the most enduring plays of the Restoration repertory. It was so successful that in the eighteenth century Dryden's tragedy drove Shakespeare's Antony and Cleopatra from the stage. The play depicts the catastrophic passion of Cleopatra and Marc Antony, who could not be conquered but by love. Fidelity to family and friends, adherence to codes of honor, national loyalties, and the rule of law compete with each other, tearing the world with violence.
Author: Catherine Belsey
Publisher: Routledge
ISBN: 1317744446
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related.
Author: Diana Solomon
Publisher: Rutgers University Press
ISBN: 1644530775
Category : Performing Arts
Languages : en
Pages : 163
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Book Description
Often perceived as merely formulaic or historical documents, dramatic prologues and epilogues – players’ comic, poetic bids for the audience’s good opinion – became essential parts of Restoration theater, appearing in over 90 percent of performed and printed plays between 1660 and 1714. Their popularity coincided with the rise of the English actress, and Prologues and Epilogues of Restoration Theater unites these elements in the first book-length study on the subject. It finds that these paratexts provided the first sanctioned space for actresses in Britain to voice ideas in public, communicate directly with other women, and perform comedy – arguably the most powerful type of speech, and one that enabled interrogation of misogynist social practices. This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Michael Dobson
Publisher: Clarendon Press
ISBN: 0191591718
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The first full-length study since the 1920s of the Restoration and eighteenth-century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptions in the context of the profound cultural changes of their times. Drawing on a wide range of evidence, Dobson examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. The book provides thorough analysis, both engaging and informative, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet. - ;The century between the Restoration and David Garrick's Stratford Jubilee saw William Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timeless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare, and what different interests did this process serve? The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club) - it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with, and even demanded, the drastic and sometimes bizarre rewriting of his plays for which the period is notorious. The book provides thorough analysis, both engaging and informative, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet. -
