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Author: Anke Werckmeister
Publisher: GRIN Verlag
ISBN: 3656279667
Category : Literary Criticism
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,3, Free University of Berlin (Institut für Englische Philologie), course: Restoration Comedies, language: English, abstract: Two Restoration Comedies that I want to discuss are William Wycherley’s The Country Wife (1675) and William Congreve’s Love for Love (1695). Both plays were written in a time when libertinism prevailed and male stereotypes like rakes and fops and female stereotypes like wives and virgins were popular. Needless to say, both plays not only deal with Restoration society but also with its problems, concerns, and difficulties at the time. And especially, Love for Love, which was written fairly at the end of the Restoration era, still is a conventional play in terms of being libertine-satirical but it already includes some features of sentimentalism. So it is not a postponement from libertinism to sentimentalism yet, but I want to argue in this essay that both plays are rather conventional libertine Restoration plays which include features of early sentimentalism.
Author: Anke Werckmeister
Publisher: GRIN Verlag
ISBN: 3656279667
Category : Literary Criticism
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,3, Free University of Berlin (Institut für Englische Philologie), course: Restoration Comedies, language: English, abstract: Two Restoration Comedies that I want to discuss are William Wycherley’s The Country Wife (1675) and William Congreve’s Love for Love (1695). Both plays were written in a time when libertinism prevailed and male stereotypes like rakes and fops and female stereotypes like wives and virgins were popular. Needless to say, both plays not only deal with Restoration society but also with its problems, concerns, and difficulties at the time. And especially, Love for Love, which was written fairly at the end of the Restoration era, still is a conventional play in terms of being libertine-satirical but it already includes some features of sentimentalism. So it is not a postponement from libertinism to sentimentalism yet, but I want to argue in this essay that both plays are rather conventional libertine Restoration plays which include features of early sentimentalism.
Author: Anke Werckmeister
Publisher:
ISBN: 9783656280699
Category :
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,3, Free University of Berlin (Institut fur Englische Philologie), course: Restoration Comedies, language: English, abstract: Two Restoration Comedies that I want to discuss are William Wycherley's The Country Wife (1675) and William Congreve's Love for Love (1695). Both plays were written in a time when libertinism prevailed and male stereotypes like rakes and fops and female stereotypes like wives and virgins were popular. Needless to say, both plays not only deal with Restoration society but also with its problems, concerns, and difficulties at the time. And especially, Love for Love, which was written fairly at the end of the Restoration era, still is a conventional play in terms of being libertine-satirical but it already includes some features of sentimentalism. So it is not a postponement from libertinism to sentimentalism yet, but I want to argue in this essay that both plays are rather conventional libertine Restoration plays which include features of early sentimentalism.
Author: Elizabeth Kraft
Publisher: Taylor & Francis
ISBN: 1317064720
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In Restoration Stage Comedies and Hollywood Remarriage Films, Elizabeth Kraft brings the canon of Restoration comedy into the conversation initiated by Stanley Cavell in his book Pursuits of Happiness: The Hollywood Comedy of Remarriage. Before there could be imagined remarriages of the sort Cavell documents, there had to be imagined marriages of equality. Such imagined marriages were first mapped out on the Restoration stage by witty pairs such as Harriet and Dorimant, Millamant and Mirabell, and Alithea and Harcourt who are precursors of the central couples in films such as Bringing Up Baby, His Girl Friday, and The Lady Eve. In considering the Restoration comedy canon in one-on-one discourse with the Hollywood remarriage comedy canon, Kraft demonstrates the indebtedness of the twentieth-century films to the Restoration dramatic texts-and the philosophical richness of both canons as they explore the nature and significance of marriage as pursuit of moral perfectionism. Her book will be of interest to specialists in Restoration drama and film scholars.
Author: Robert T. Howling
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 412
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Book Description
Author: William Wycherley
Publisher: A&C Black
ISBN: 1408179911
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
'He's a fool that marries, but he's a greater fool that does not marry a fool.' This bawdy, hilarious, subversive and wickedly satirical drama pokes fun at the humourless, the jealous, and the adulterous alike. It features a country wife, Margery, whose husband believes she is too naïve to cuckold him; and an anti-hero, Horner, who pretends to be impotent in order to have unrestrained access to the women keen on 'the sport'. A number of licentious and hypocritical women request Horner's services – the country wife among them. The Country Wife has provoked powerfully mixed reactions over the years. The seventeenth century libertine king Charles II saw it twice, and is said to have joined the 'dance of the cuckolds' at the end of one performance; the eighteenth century actor-playwright David Garrick declared it 'the most licentious play in the English language'; the Victorian Macaulay compared it to a skunk, because it was 'too filthy to handle and too noisome even to approach'. Twentieth century productions heralded it a Restoration masterpiece. Sexually frank, and as ready to criticise marriage as infidelity, the virtuosity, linguistic energy, brilliant wit, naughtiness and complexity of this ribald play have made it a staple of the modern stage. This student edition contains a lengthy, entirely new introduction, by leading scholar, Tiffany Stern, with a background on the author, structure, characters, genre, themes, original staging and performance history, as well as an updated bibliography and a fully annotated version of the playtext.
Author: Kathleen Martha Lynch
Publisher:
ISBN:
Category : Comedies of manners, English
Languages : en
Pages : 270
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Book Description
Author: Kathleen M. Lynch
Publisher: Biblo & Tannen Publishers
ISBN: 9780819601643
Category : English drama
Languages : en
Pages : 260
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Book Description
Author: John Dryden
Publisher: Bloomsbury Publishing
ISBN: 1408144263
Category : Drama
Languages : en
Pages : 147
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Book Description
Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues that Dryden's own ambivalence about King Charles and his entourage, on whom he came to rely more on more for patronage, manifests itself in both plots; most of all perhaps in the excessively Francophile Melantha, whose affectation cannot quite hide her endearing joie-de-vivre.
Author: Peggy Thompson
Publisher: Lexington Books
ISBN: 1611483727
Category : Drama
Languages : en
Pages : 203
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Book Description
Coyness and Crime examines the extraordinary focus on feminine coyness in forty English comedies by ten diverse playwrights of the late seventeenth-century. In contexts ranging from reaffirmations of church and king to emerging interests in liberty and novelty, these plays consistently reveal women caught in an ironic and nearly intractable convergence of objectification and culpability that allows them little innocent sexual agency; this is both the source and the legacy of coyness in Restoration comedy.
Author: Edward Burns
Publisher: Springer
ISBN: 1349187607
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
What is Restoration comedy? What pleasure does it offer its audience, and what significance does it find in exploring that pleasure? Edward Burns here provides a new account of the origins and nature of Restoration comedy as a distinct genre. The book enlarges the usual focus with a wider range of writers than the conventional ossified canon taking in a revaluation of many rarely studied dramatists, a reconsideration of pastoral, and the instatement of women writers as major contributors to the culture of the age. It offers a substantial and original interpretation of one of the most intriguing of seventeenth-century literature forms.
