Author: Allan Abbott
Publisher:
ISBN:
Category : Country life
Languages : en
Pages : 56

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Book Description

Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 812

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Author: Pierce Egan
Publisher:
ISBN:
Category :
Languages : en
Pages : 108

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Author: George Melville Baker
Publisher:
ISBN:
Category :
Languages : en
Pages : 42

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Book Description

Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 740

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Book Description

Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521274210
Category : Drama
Languages : en
Pages : 292

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Book Description
An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.

Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 128

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Book Description
The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 830

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Book Description
A world list of books in the English language.

Author:
Publisher:
ISBN:
Category : World politics
Languages : en
Pages : 842

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Book Description

Author: Bárbara Mujica
Publisher: Bucknell University Press
ISBN: 1611485185
Category : Literary Criticism
Languages : en
Pages : 310

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Book Description
Shakespeare and the Spanish Comedia is a nearly unique transnational study of the theater / performance traditions of early modern Spain and England. Divided into three parts, the book focuses first on translating for the stage, examining diverse approaches to the topic. It asks, for example, whether plays should be translated to sound as if they were originally written in the target language or if their “foreignness” should be maintained and even highlighted. Section II deals with interpretation and considers such issues as uses of polyphony, the relationship between painting and theater, and representations of women. Section III highlights performance issues such as music in modern performances of classical theater and the construction of stage character. Written by a highly respected group of British and American scholars and theater practitioners, this book challenges the traditional divide between the academy and the stage and between one theatrical culture and another.