Author: Kanthalakshmi Chandramouli
Publisher: Pustaka Digital Media
ISBN:
Category : Fiction
Languages : en
Pages : 203
Book Description
Life is full of drama we are but actors on the stage. Sometimes it is the women who undergo the trauma, sometimes it is them who call the shots. This book has, 15 different types of women who share the stage with the readers offered as a bouquet of 15 stories with a smell of yonder years. This book might have an ‘oldie tinge’ yet even today they are applicable as we come across inneumerable happenings around us.
The Value Of Life
Author: Kanthalakshmi Chandramouli
Publisher: Pustaka Digital Media
ISBN:
Category : Fiction
Languages : en
Pages : 203
Book Description
Life is full of drama we are but actors on the stage. Sometimes it is the women who undergo the trauma, sometimes it is them who call the shots. This book has, 15 different types of women who share the stage with the readers offered as a bouquet of 15 stories with a smell of yonder years. This book might have an ‘oldie tinge’ yet even today they are applicable as we come across inneumerable happenings around us.
Publisher: Pustaka Digital Media
ISBN:
Category : Fiction
Languages : en
Pages : 203
Book Description
Life is full of drama we are but actors on the stage. Sometimes it is the women who undergo the trauma, sometimes it is them who call the shots. This book has, 15 different types of women who share the stage with the readers offered as a bouquet of 15 stories with a smell of yonder years. This book might have an ‘oldie tinge’ yet even today they are applicable as we come across inneumerable happenings around us.
Resounding Mridangam
Author: Erickavu N Sunil
Publisher:
ISBN:
Category :
Languages : en
Pages : 351
Book Description
Resounding Mridangam explores the nuances of Mridangam, the majestic South-Indian drum, an inevitable accompaniment in Carnatic classical music. The book is a beautiful journey in time and history. It is designed for a wider readership comprising music students as their academic source at universities across the globe, performing musicians, followers of Indian & Western classical music, and anyone who wishes to gain interdisciplinary knowledge in music. Analysis of the physics of Mridangam would enthuse readers with a scientific bent of mind. It covers a comparative analysis of the various music genres to appreciate synergy and synthesis. The book also contains unheard vignettes of 200+ Mridangam masters. Resounding Mridangam is divided into eight chapters. Chapter 1: The South Indian Classical Music Chapter 2: The Musical Instruments Chapter 3: Mridangam - Evolution & History Chapter 4: Bani - The Playing Traditions Chapter 5: Mridangam - The Structure & Components Chapter 6: The Physics of Mridangam Chapter 7: The Tala Systems Chapter 8: The Great Masters The first two chapters set the book's tone wherein the readers are introduced to Indian Classical Music's spectacular world. These chapters cover the genesis and evolution of Indian classical music and dwell into the two major Indian music genres: the Carnatic and the Hindustani. The readers are given an overview of the Indian classical music instruments from the archaic to the contemporary ones. Chapters 3 and 4 cover the history and evolution of Mridangam. The playing traditions (Bani) are narrated in great detail. These chapters will enrich the readers with the rich history and fine traditions of Mridangam playing. Chapters 5 and 6 take the readers through the anatomy and physics behind Mridangam. The readers are given the scientific aspects of this instrument, which makes Mridangam a unique one among the other classical percussion instruments. Chapter 7 takes the readers to the Tala systems (rhythmic frameworks) in Carnatic music. All Tala systems in Carnatic music are explained in detail, which would be of special interest to all music students. The last chapter is a tribute to the great masters of Mridangam on whose guidance and contributions this instrument has evolved to be a ubiquitous part of the tradition of classical music. This chapter covers unheard vignettes of 217 Mridangam masters of great reputation who classical music lovers are revering. The chapter covers information that invokes the interest of all classes of readers. Resounding Mridangam is an earnest endeavour chronicling the king of percussion instruments - the Mridangam. This book appeals to all music lovers to get a nuanced perspective of Mridangam and its fitment in the Indian Classical music milieu. It will serve as a definitive handbook of Mridangam. ABOUT THE AUTHOR Erickavu N. Sunil is an A-Grade South-Indian percussion artist in Mridangam at the All India Radio, the national public radio broadcaster of India. During the three decades of his performing career, Sunil has performed alongside many maestros, and his talent has been recognised with several awards and accolades. He left behind a successful corporate career in Information Technology to spend more time exploring, researching and understanding music. Sunil has put to best use his background in science while researching for Resounding Mridangam which is sure to leave music lovers enthralled. Prof Trichy Sankaran, the world-renowned percussion virtuoso, has written the foreword to this book.
Publisher:
ISBN:
Category :
Languages : en
Pages : 351
Book Description
Resounding Mridangam explores the nuances of Mridangam, the majestic South-Indian drum, an inevitable accompaniment in Carnatic classical music. The book is a beautiful journey in time and history. It is designed for a wider readership comprising music students as their academic source at universities across the globe, performing musicians, followers of Indian & Western classical music, and anyone who wishes to gain interdisciplinary knowledge in music. Analysis of the physics of Mridangam would enthuse readers with a scientific bent of mind. It covers a comparative analysis of the various music genres to appreciate synergy and synthesis. The book also contains unheard vignettes of 200+ Mridangam masters. Resounding Mridangam is divided into eight chapters. Chapter 1: The South Indian Classical Music Chapter 2: The Musical Instruments Chapter 3: Mridangam - Evolution & History Chapter 4: Bani - The Playing Traditions Chapter 5: Mridangam - The Structure & Components Chapter 6: The Physics of Mridangam Chapter 7: The Tala Systems Chapter 8: The Great Masters The first two chapters set the book's tone wherein the readers are introduced to Indian Classical Music's spectacular world. These chapters cover the genesis and evolution of Indian classical music and dwell into the two major Indian music genres: the Carnatic and the Hindustani. The readers are given an overview of the Indian classical music instruments from the archaic to the contemporary ones. Chapters 3 and 4 cover the history and evolution of Mridangam. The playing traditions (Bani) are narrated in great detail. These chapters will enrich the readers with the rich history and fine traditions of Mridangam playing. Chapters 5 and 6 take the readers through the anatomy and physics behind Mridangam. The readers are given the scientific aspects of this instrument, which makes Mridangam a unique one among the other classical percussion instruments. Chapter 7 takes the readers to the Tala systems (rhythmic frameworks) in Carnatic music. All Tala systems in Carnatic music are explained in detail, which would be of special interest to all music students. The last chapter is a tribute to the great masters of Mridangam on whose guidance and contributions this instrument has evolved to be a ubiquitous part of the tradition of classical music. This chapter covers unheard vignettes of 217 Mridangam masters of great reputation who classical music lovers are revering. The chapter covers information that invokes the interest of all classes of readers. Resounding Mridangam is an earnest endeavour chronicling the king of percussion instruments - the Mridangam. This book appeals to all music lovers to get a nuanced perspective of Mridangam and its fitment in the Indian Classical music milieu. It will serve as a definitive handbook of Mridangam. ABOUT THE AUTHOR Erickavu N. Sunil is an A-Grade South-Indian percussion artist in Mridangam at the All India Radio, the national public radio broadcaster of India. During the three decades of his performing career, Sunil has performed alongside many maestros, and his talent has been recognised with several awards and accolades. He left behind a successful corporate career in Information Technology to spend more time exploring, researching and understanding music. Sunil has put to best use his background in science while researching for Resounding Mridangam which is sure to leave music lovers enthralled. Prof Trichy Sankaran, the world-renowned percussion virtuoso, has written the foreword to this book.
The Birth of the Maitreya
Author: Bāṇī Basu
Publisher: Popular Prakashan
ISBN: 9788185604619
Category : Fiction
Languages : en
Pages : 518
Book Description
In Writing About The Times Of The Buddha, Bani Basu Composes A New Jataka, The Traditional Format In Which The Tales Of The Different Births Of The Buddha Were Written Down. In This Jataka-As-A-Novel, She Grapples With History And The Revolutionary Ideas Of The Buddha, Who Suggested New Ways Of Living, New Political Formations, Of A Major Change In Belief, Indeed, In Thinking About God Or The Absence Of One. Delving Into History And Biography, Sanskrit And Pali, Her Novel Is Intriguingly Contemporary, Though Set In The Sixth Century Bc
Publisher: Popular Prakashan
ISBN: 9788185604619
Category : Fiction
Languages : en
Pages : 518
Book Description
In Writing About The Times Of The Buddha, Bani Basu Composes A New Jataka, The Traditional Format In Which The Tales Of The Different Births Of The Buddha Were Written Down. In This Jataka-As-A-Novel, She Grapples With History And The Revolutionary Ideas Of The Buddha, Who Suggested New Ways Of Living, New Political Formations, Of A Major Change In Belief, Indeed, In Thinking About God Or The Absence Of One. Delving Into History And Biography, Sanskrit And Pali, Her Novel Is Intriguingly Contemporary, Though Set In The Sixth Century Bc
Handbook of Indian History
Author: Lavanya Vemsani
Publisher: Springer Nature
ISBN: 9819762073
Category :
Languages : en
Pages : 504
Book Description
Publisher: Springer Nature
ISBN: 9819762073
Category :
Languages : en
Pages : 504
Book Description
The Banishment of Seeta
Author: Aarttee Kaul Dhar
Publisher:
ISBN:
Category : Short stories, Indic (English)
Languages : en
Pages : 208
Book Description
This Book Has Come Straight From The Heart As A Tribute To The Indian Women And Has Its Core In Truth.My Truth May Be Different From Your But It Is A Vehicle For Me To Reach You And Your Inner Self. It Has Written Itself Asking Your To Think To Feel. Some
Publisher:
ISBN:
Category : Short stories, Indic (English)
Languages : en
Pages : 208
Book Description
This Book Has Come Straight From The Heart As A Tribute To The Indian Women And Has Its Core In Truth.My Truth May Be Different From Your But It Is A Vehicle For Me To Reach You And Your Inner Self. It Has Written Itself Asking Your To Think To Feel. Some
Mridangam
Author: Shreejayanthi Gopal
Publisher:
ISBN:
Category : Mridanga
Languages : en
Pages : 146
Book Description
Publisher:
ISBN:
Category : Mridanga
Languages : en
Pages : 146
Book Description
Malaysia’s Canvas
Author: James H. Springer
Publisher: Gerakbudaya Enterprise
ISBN: 9670311586
Category : Art
Languages : en
Pages : 246
Book Description
In February 2014, an international colony of young, freewheeling and footloose artists held a group exhibition that would stand as a pivotal turning point for the future of George Town, Penang. It was an exhibition destined to make the artists household names, infamous for boldly swinging into parties and installing challenging art onto Southeast Asian walls. It would also spell the return of George Town to a worldwide destination, a city relegated to backwater ashes rising to heights shared by heritage, culture, and cosmopolitanism. In this personal exposé, James H. Springer documents the lives and times of artists during the period of 2010 to 2016, telling the story of George Town’s gentrification through their own influential experiences. Through childhood memories, artistic inspirations, fluctuating relationships and artwork – learn how these young artists lay a new path for George Town going into unpredictable times. During what could arguably be described as Malaysia’s most troubling political era, Springer describes how the flourishing of art in George Town gave its population a much needed respite from federal government tomfoolery. In addition, George Town’s rising art scene gave Penang State a leg up in economic prosperity, creating an unheard of level of opportunity that would either be capitalised on or squandered. Malaysia’s Canvas lays bare the reality of being an artist in a developing country and the change it can inspire, with no holds barred.
Publisher: Gerakbudaya Enterprise
ISBN: 9670311586
Category : Art
Languages : en
Pages : 246
Book Description
In February 2014, an international colony of young, freewheeling and footloose artists held a group exhibition that would stand as a pivotal turning point for the future of George Town, Penang. It was an exhibition destined to make the artists household names, infamous for boldly swinging into parties and installing challenging art onto Southeast Asian walls. It would also spell the return of George Town to a worldwide destination, a city relegated to backwater ashes rising to heights shared by heritage, culture, and cosmopolitanism. In this personal exposé, James H. Springer documents the lives and times of artists during the period of 2010 to 2016, telling the story of George Town’s gentrification through their own influential experiences. Through childhood memories, artistic inspirations, fluctuating relationships and artwork – learn how these young artists lay a new path for George Town going into unpredictable times. During what could arguably be described as Malaysia’s most troubling political era, Springer describes how the flourishing of art in George Town gave its population a much needed respite from federal government tomfoolery. In addition, George Town’s rising art scene gave Penang State a leg up in economic prosperity, creating an unheard of level of opportunity that would either be capitalised on or squandered. Malaysia’s Canvas lays bare the reality of being an artist in a developing country and the change it can inspire, with no holds barred.
The Grammar of Carnatic Music
Author: K.G. Vijayakrishnan
Publisher: Walter de Gruyter
ISBN: 3110198886
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Book Description
This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.
Publisher: Walter de Gruyter
ISBN: 3110198886
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Book Description
This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.
Sruti
Author:
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 604
Book Description
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 604
Book Description
Sound Practices in the Global South
Author: Budhaditya Chattopadhyay
Publisher: Springer Nature
ISBN: 3030997324
Category : Social Science
Languages : en
Pages : 511
Book Description
This book develops a comprehensive understanding of the unique sound worlds of key regions in the Global South, through an auto-ethnographic method of self-reflective conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate various trajectories of sound practices, illuminating intricate sonic processes of listening, thinking through sounds, ideating, exposing, and performing with sound. This collection of conversations constitutes the main body of the book, including critical and scholarly commentaries on aural cultures, sound theory and production. The book builds a ground-up approach to nurturing knowledge about aural cultures and sonic aesthetics, moving beyond the Eurocentric focus of contemporary sound studies. Instead of understanding sound practices through consumption and entertainment, they are explored as complex cultural and aesthetic systems, working directly with the practitioners themselves, who largely contribute to the development of the sonic methodologies. Refocusing on the working methods of practitioners, the book reveals a tension between the West’s predominant colonial-consumerist cultures, and the collective desires of practitioners to resist colonial models of listening by expressing themselves in terms of their arts and craft, and their critical faculties. Conversations with: Clarence Barlow, Sandeep Bhagwati, Rajesh K. Mehta, Sharif Sehnaoui, Ximena Alarcón Díaz, Hardi Kurda, Mario de Vega, Luka Mukhavele, Khyam Allami, Cedrik Fermont, Khaled Kaddal, David Velez, Juan Duarte, Youmna Saba, Abdellah M. Hassak, Mariana Marcassa, Amanda Gutiérrez, Syma Tariq, Alma Laprida, Siamak Anvari, Mohamad Safa, Debashis Sinha, Zouheir Atbane, Constanza Bizraelli, Jatin Vidyarthi, Joseph Kamaru, Surabhi Saraf, Isuru Kumarasinghe, Hemant Sreekumar.
Publisher: Springer Nature
ISBN: 3030997324
Category : Social Science
Languages : en
Pages : 511
Book Description
This book develops a comprehensive understanding of the unique sound worlds of key regions in the Global South, through an auto-ethnographic method of self-reflective conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate various trajectories of sound practices, illuminating intricate sonic processes of listening, thinking through sounds, ideating, exposing, and performing with sound. This collection of conversations constitutes the main body of the book, including critical and scholarly commentaries on aural cultures, sound theory and production. The book builds a ground-up approach to nurturing knowledge about aural cultures and sonic aesthetics, moving beyond the Eurocentric focus of contemporary sound studies. Instead of understanding sound practices through consumption and entertainment, they are explored as complex cultural and aesthetic systems, working directly with the practitioners themselves, who largely contribute to the development of the sonic methodologies. Refocusing on the working methods of practitioners, the book reveals a tension between the West’s predominant colonial-consumerist cultures, and the collective desires of practitioners to resist colonial models of listening by expressing themselves in terms of their arts and craft, and their critical faculties. Conversations with: Clarence Barlow, Sandeep Bhagwati, Rajesh K. Mehta, Sharif Sehnaoui, Ximena Alarcón Díaz, Hardi Kurda, Mario de Vega, Luka Mukhavele, Khyam Allami, Cedrik Fermont, Khaled Kaddal, David Velez, Juan Duarte, Youmna Saba, Abdellah M. Hassak, Mariana Marcassa, Amanda Gutiérrez, Syma Tariq, Alma Laprida, Siamak Anvari, Mohamad Safa, Debashis Sinha, Zouheir Atbane, Constanza Bizraelli, Jatin Vidyarthi, Joseph Kamaru, Surabhi Saraf, Isuru Kumarasinghe, Hemant Sreekumar.