Author: Benjamin S. Lawson
Publisher: Popular Press
ISBN: 9780879728182
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Approximately fifty historical novels dealing with the American Revolution were published in the United States in the single ten-year period from 1896 to 1906. Benjamin Lawson critically examines the narrative strategies employed in these many novels, the ways in which fiction is made to serve the purpose of vivifying national history. The British conventions of the historical romance in one sense seem to preclude radical declarations of literary independence even in books purportedly about a war against Britain. Working within the formula, these many writers nonetheless created fictional plots which parallel and reflect the enveloping concerns of the War for Independence. Just as the war was sometimes viewed as an Anglo-American family squabble, these metaphorical narratives depict familial and love interests.
Rereading the Revolution
Author: Benjamin S. Lawson
Publisher: Popular Press
ISBN: 9780879728182
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Approximately fifty historical novels dealing with the American Revolution were published in the United States in the single ten-year period from 1896 to 1906. Benjamin Lawson critically examines the narrative strategies employed in these many novels, the ways in which fiction is made to serve the purpose of vivifying national history. The British conventions of the historical romance in one sense seem to preclude radical declarations of literary independence even in books purportedly about a war against Britain. Working within the formula, these many writers nonetheless created fictional plots which parallel and reflect the enveloping concerns of the War for Independence. Just as the war was sometimes viewed as an Anglo-American family squabble, these metaphorical narratives depict familial and love interests.
Publisher: Popular Press
ISBN: 9780879728182
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Approximately fifty historical novels dealing with the American Revolution were published in the United States in the single ten-year period from 1896 to 1906. Benjamin Lawson critically examines the narrative strategies employed in these many novels, the ways in which fiction is made to serve the purpose of vivifying national history. The British conventions of the historical romance in one sense seem to preclude radical declarations of literary independence even in books purportedly about a war against Britain. Working within the formula, these many writers nonetheless created fictional plots which parallel and reflect the enveloping concerns of the War for Independence. Just as the war was sometimes viewed as an Anglo-American family squabble, these metaphorical narratives depict familial and love interests.
The Eighteenth-century Commonwealthman
Author: Caroline Robbins
Publisher: Cambridge, Harvard U. P
ISBN:
Category : Political Science
Languages : en
Pages : 480
Book Description
"Bibliographical commentary": pages 389-398. Bibliographical references included in "Notes" (p. 403-443) Introduction -- Some seventeenth-century commonwealthmen -- The Whigs of the Revolution and of the Sacheverell trial -- Robert Molesworth and his friends in England, 1693-1727 -- The case of Ireland -- The interest of Scotland -- The contribution of nonconformity -- Staunch Whigs and Republicans of the reign of George II (1727-1760) -- Honest Whigs under George III, 1761-1789 -- Conclusion.
Publisher: Cambridge, Harvard U. P
ISBN:
Category : Political Science
Languages : en
Pages : 480
Book Description
"Bibliographical commentary": pages 389-398. Bibliographical references included in "Notes" (p. 403-443) Introduction -- Some seventeenth-century commonwealthmen -- The Whigs of the Revolution and of the Sacheverell trial -- Robert Molesworth and his friends in England, 1693-1727 -- The case of Ireland -- The interest of Scotland -- The contribution of nonconformity -- Staunch Whigs and Republicans of the reign of George II (1727-1760) -- Honest Whigs under George III, 1761-1789 -- Conclusion.
Realism and Revolution
Author: Sandy Petrey
Publisher: Cornell University Press
ISBN: 150172441X
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Sandy Petrey here looks at the emergence of nineteenth-century French realism in the light of the concept of speech acts as defined by J. L. Austin and as exemplified by the history of the French Revolution. Through analysis of the techniques of representation in works by Balzac, Stendhal, and Zola, Petrey suggests that the expression of a truth depends on the same collective forces necessary to change a regime. According to Petrey, political legitimacy in the Revolution, the Empire, and the Restoration was established by means of a series of demonstrations that what words say cannot be interpreted without reference to the community to which they speak. Petrey first discusses the creation of France's National Assembly in 1789 as a foundational example of how speech acts can bring about historical transformation. He then challenges the most powerful twentieth-century assault on realist aesthetics, Roland Barthes's S/Z, and also considers the views of such contemporary critics as Jacques Derrida, Barbara Johnson, and Stanley Fish. During the Revolution, Petrey says, statements of truth were not descriptions of what was, but rather exhortations to produce what was not. Nineteenth-century French fiction represents in literary form a similar collectively authorized linguistic performance; the "real" in realism comes from representing facts not as they are in themselves but as they are produced and rejected in society. In the course of illuminating readings of three central realist works—Balzac's Pere Goriot, Stendhal's The Red and the Black, and Zola's Germinal—Petrey takes the position that the dilemmas of representation, far from being one of realism's blind spots, figure among its major narrative subjects.
Publisher: Cornell University Press
ISBN: 150172441X
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Sandy Petrey here looks at the emergence of nineteenth-century French realism in the light of the concept of speech acts as defined by J. L. Austin and as exemplified by the history of the French Revolution. Through analysis of the techniques of representation in works by Balzac, Stendhal, and Zola, Petrey suggests that the expression of a truth depends on the same collective forces necessary to change a regime. According to Petrey, political legitimacy in the Revolution, the Empire, and the Restoration was established by means of a series of demonstrations that what words say cannot be interpreted without reference to the community to which they speak. Petrey first discusses the creation of France's National Assembly in 1789 as a foundational example of how speech acts can bring about historical transformation. He then challenges the most powerful twentieth-century assault on realist aesthetics, Roland Barthes's S/Z, and also considers the views of such contemporary critics as Jacques Derrida, Barbara Johnson, and Stanley Fish. During the Revolution, Petrey says, statements of truth were not descriptions of what was, but rather exhortations to produce what was not. Nineteenth-century French fiction represents in literary form a similar collectively authorized linguistic performance; the "real" in realism comes from representing facts not as they are in themselves but as they are produced and rejected in society. In the course of illuminating readings of three central realist works—Balzac's Pere Goriot, Stendhal's The Red and the Black, and Zola's Germinal—Petrey takes the position that the dilemmas of representation, far from being one of realism's blind spots, figure among its major narrative subjects.
My American Revolution
Author: Robert Sullivan
Publisher: Farrar, Straus and Giroux
ISBN: 1429945850
Category : History
Languages : en
Pages : 274
Book Description
Americans tend to think of the Revolution as a Massachusetts-based event orchestrated by Virginians, but in fact the war took place mostly in the Middle Colonies—in New York and New Jersey and the parts of Pennsylvania that on a clear day you can almost see from the Empire State Building. In My American Revolution, Robert Sullivan delves into this first Middle America, digging for a glorious, heroic part of the past in the urban, suburban, and sometimes even rural landscape of today. And there are great adventures along the way: Sullivan investigates the true history of the crossing of the Delaware, its down-home reenactment each year for the past half a century, and—toward the end of a personal odyssey that involves camping in New Jersey backyards, hiking through lost "mountains," and eventually some physical therapy—he evacuates illegally from Brooklyn to Manhattan by handmade boat. He recounts a Brooklyn historian's failed attempt to memorialize a colonial Maryland regiment; a tattoo artist's more successful use of a colonial submarine, which resulted in his 2007 arrest by the New York City police and the FBI; and the life of Philip Freneau, the first (and not great) poet of American independence, who died in a swamp in the snow. Last but not least, along New York harbor, Sullivan re-creates an ancient signal beacon. Like an almanac, My American Revolution moves through the calendar of American independence, considering the weather and the tides, the harbor and the estuary and the yearly return of the stars as salient factors in the war for independence. In this fiercely individual and often hilarious journey to make our revolution his, he shows us how alive our own history is, right under our noses.
Publisher: Farrar, Straus and Giroux
ISBN: 1429945850
Category : History
Languages : en
Pages : 274
Book Description
Americans tend to think of the Revolution as a Massachusetts-based event orchestrated by Virginians, but in fact the war took place mostly in the Middle Colonies—in New York and New Jersey and the parts of Pennsylvania that on a clear day you can almost see from the Empire State Building. In My American Revolution, Robert Sullivan delves into this first Middle America, digging for a glorious, heroic part of the past in the urban, suburban, and sometimes even rural landscape of today. And there are great adventures along the way: Sullivan investigates the true history of the crossing of the Delaware, its down-home reenactment each year for the past half a century, and—toward the end of a personal odyssey that involves camping in New Jersey backyards, hiking through lost "mountains," and eventually some physical therapy—he evacuates illegally from Brooklyn to Manhattan by handmade boat. He recounts a Brooklyn historian's failed attempt to memorialize a colonial Maryland regiment; a tattoo artist's more successful use of a colonial submarine, which resulted in his 2007 arrest by the New York City police and the FBI; and the life of Philip Freneau, the first (and not great) poet of American independence, who died in a swamp in the snow. Last but not least, along New York harbor, Sullivan re-creates an ancient signal beacon. Like an almanac, My American Revolution moves through the calendar of American independence, considering the weather and the tides, the harbor and the estuary and the yearly return of the stars as salient factors in the war for independence. In this fiercely individual and often hilarious journey to make our revolution his, he shows us how alive our own history is, right under our noses.
Revolution
Author: Russell Brand
Publisher: Ballantine Books
ISBN: 1101882913
Category : Humor
Languages : en
Pages : 324
Book Description
NATIONAL BESTSELLER We all know the system isn’t working. Our governments are corrupt and the opposing parties pointlessly similar. Our culture is filled with vacuity and pap, and we are told there’s nothing we can do: “It’s just the way things are.” In this book, Russell Brand hilariously lacerates the straw men and paper tigers of our conformist times and presents, with the help of experts as diverse as Thomas Piketty and George Orwell, a vision for a fairer, sexier society that’s fun and inclusive. You have been lied to, told there’s no alternative, no choice, and that you don’t deserve any better. Brand destroys this illusory facade as amusingly and deftly as he annihilates Morning Joe anchors, Fox News fascists, and BBC stalwarts. This book makes revolution not only possible but inevitable and fun.
Publisher: Ballantine Books
ISBN: 1101882913
Category : Humor
Languages : en
Pages : 324
Book Description
NATIONAL BESTSELLER We all know the system isn’t working. Our governments are corrupt and the opposing parties pointlessly similar. Our culture is filled with vacuity and pap, and we are told there’s nothing we can do: “It’s just the way things are.” In this book, Russell Brand hilariously lacerates the straw men and paper tigers of our conformist times and presents, with the help of experts as diverse as Thomas Piketty and George Orwell, a vision for a fairer, sexier society that’s fun and inclusive. You have been lied to, told there’s no alternative, no choice, and that you don’t deserve any better. Brand destroys this illusory facade as amusingly and deftly as he annihilates Morning Joe anchors, Fox News fascists, and BBC stalwarts. This book makes revolution not only possible but inevitable and fun.
Literature and Revolution [First Edition]
Author: Leon Trotsky
Publisher: Pickle Partners Publishing
ISBN: 1787209733
Category : Political Science
Languages : en
Pages : 301
Book Description
Literature and Revolution, written by the founder and commander of the Red Army, Leon Trotsky, in 1924 and first published in 1925, represents a compilation of essays that Trotsky drafted during the summers of 1922 and 1923. This book is a classic work of literary criticism from the Marxist standpoint. By discussing the various literary trends that were around in Russia between the revolutions of 1905 and 1917, Trotsky analyses the concrete forces in society, both progressive as well as reactionary, that helped shape the consciousness of writers at the time. In the book, Trotsky also explains that since the dawn of civilisation art had always borne the stamp of the ruling class and was primarily a vehicle that expressed its tastes and its sensibilities. “It is difficult to predict the extent of self-government which the man of the future may reach or the heights to which he may carry his technique. Social construction and psycho-physical self-education will become two aspects of one and the same process. All the arts—literature, drama, painting, music and architecture will lend this process beautiful form. More correctly, the shell in which the cultural construction and self-education of Communist man will be enclosed, will develop all the vital elements of contemporary art to the highest point. Man will become immeasurably stronger, wiser and subtler; his body will become more harmonized, his movements more rhythmic, his voice more musical. The forms of life will become dynamically dramatic. The average human type will rise to the heights of an Aristotle, a Goethe, or a Marx. And above this ridge new peaks will rise.”—Leon Trotsky
Publisher: Pickle Partners Publishing
ISBN: 1787209733
Category : Political Science
Languages : en
Pages : 301
Book Description
Literature and Revolution, written by the founder and commander of the Red Army, Leon Trotsky, in 1924 and first published in 1925, represents a compilation of essays that Trotsky drafted during the summers of 1922 and 1923. This book is a classic work of literary criticism from the Marxist standpoint. By discussing the various literary trends that were around in Russia between the revolutions of 1905 and 1917, Trotsky analyses the concrete forces in society, both progressive as well as reactionary, that helped shape the consciousness of writers at the time. In the book, Trotsky also explains that since the dawn of civilisation art had always borne the stamp of the ruling class and was primarily a vehicle that expressed its tastes and its sensibilities. “It is difficult to predict the extent of self-government which the man of the future may reach or the heights to which he may carry his technique. Social construction and psycho-physical self-education will become two aspects of one and the same process. All the arts—literature, drama, painting, music and architecture will lend this process beautiful form. More correctly, the shell in which the cultural construction and self-education of Communist man will be enclosed, will develop all the vital elements of contemporary art to the highest point. Man will become immeasurably stronger, wiser and subtler; his body will become more harmonized, his movements more rhythmic, his voice more musical. The forms of life will become dynamically dramatic. The average human type will rise to the heights of an Aristotle, a Goethe, or a Marx. And above this ridge new peaks will rise.”—Leon Trotsky
Rereading Frederick Jackson Turner
Author: Frederick Turner
Publisher: Yale University Press
ISBN: 9780300075939
Category : History
Languages : en
Pages : 282
Book Description
In 1893 a young Frederick Jackson Turner stood before the American Historical Association and delivered his famous frontier thesis. To a less than enthusiastic audience, he argued that "the existence of an area of free land, its continuous recession, and the advance of American settlement westward explain American development"; that this frontier accounted for American democracy and character; and that the frontier had closed forever with uncertain consequences for the American future. Despite the indifference of Turner's first audience, his essay would soon prove to be the single most influential piece of writing on American history, with extraordinary impact both in intellectual circles and in popular literature. Within a few years his views had become the dominant interpretation of the American past. A collection of his essays won the Pulitzer Prize, and for almost half a century, Turner's thesis was the most familiar model taught in schools, extolled by politicians, and screened in fictional form at local movie theaters each Saturday afternoon. Now, a hundred years after Turner's famous address, award-winning biographer John Mack Faragher collects and introduces the pioneer historian's ten most significant essays. Remarkable for their truly modern sense that a debate about the past is simultaneously a debate about the present, these essays remain stimulating reading, both as a road map to the early-twentieth-century American mind and as a model of committed scholarship. Faragher introduces us to Turner's work with a look at his role as a public intellectual and his effect on Americans' understanding of their national character. In the afterword, Faragher turns to the recent heated debate over Turner's legacy. Western history has reemerged in the news as historians argue over Turner's place in our current mind-set. In a world of dizzying intellectual change, it may come as something of a surprise that historians have taken so long to overturn the interpretation of a century-old conference paper. But while some claim that Turner's vision of the American West as a great egalitarian land of opportunity was long ago dismissed, others, in the words of historian Donald Worster, maintain that Turner still "presides over western history like a Holy Ghost.". Against this backdrop, Faragher looks at what the concept of the West means to us today and provides a reader's guide to the provocative new literature of the American frontier. Rereading these essays in the fresh light of Faragher's analysis brings new appreciation for the richness of Turner's work and an understanding of contemporary historians' admiration for Turner's commitment to the study of what it has meant to be American.
Publisher: Yale University Press
ISBN: 9780300075939
Category : History
Languages : en
Pages : 282
Book Description
In 1893 a young Frederick Jackson Turner stood before the American Historical Association and delivered his famous frontier thesis. To a less than enthusiastic audience, he argued that "the existence of an area of free land, its continuous recession, and the advance of American settlement westward explain American development"; that this frontier accounted for American democracy and character; and that the frontier had closed forever with uncertain consequences for the American future. Despite the indifference of Turner's first audience, his essay would soon prove to be the single most influential piece of writing on American history, with extraordinary impact both in intellectual circles and in popular literature. Within a few years his views had become the dominant interpretation of the American past. A collection of his essays won the Pulitzer Prize, and for almost half a century, Turner's thesis was the most familiar model taught in schools, extolled by politicians, and screened in fictional form at local movie theaters each Saturday afternoon. Now, a hundred years after Turner's famous address, award-winning biographer John Mack Faragher collects and introduces the pioneer historian's ten most significant essays. Remarkable for their truly modern sense that a debate about the past is simultaneously a debate about the present, these essays remain stimulating reading, both as a road map to the early-twentieth-century American mind and as a model of committed scholarship. Faragher introduces us to Turner's work with a look at his role as a public intellectual and his effect on Americans' understanding of their national character. In the afterword, Faragher turns to the recent heated debate over Turner's legacy. Western history has reemerged in the news as historians argue over Turner's place in our current mind-set. In a world of dizzying intellectual change, it may come as something of a surprise that historians have taken so long to overturn the interpretation of a century-old conference paper. But while some claim that Turner's vision of the American West as a great egalitarian land of opportunity was long ago dismissed, others, in the words of historian Donald Worster, maintain that Turner still "presides over western history like a Holy Ghost.". Against this backdrop, Faragher looks at what the concept of the West means to us today and provides a reader's guide to the provocative new literature of the American frontier. Rereading these essays in the fresh light of Faragher's analysis brings new appreciation for the richness of Turner's work and an understanding of contemporary historians' admiration for Turner's commitment to the study of what it has meant to be American.
Faces of Revolution
Author: Bernard Bailyn
Publisher: Vintage
ISBN: 030779847X
Category : History
Languages : en
Pages : 315
Book Description
Pulitzer-Prize-winning author Bernard Bailyn brings us a book that combines portraits of American revolutionaries with a deft exploration of the ideas that moved them and still shape our society today.
Publisher: Vintage
ISBN: 030779847X
Category : History
Languages : en
Pages : 315
Book Description
Pulitzer-Prize-winning author Bernard Bailyn brings us a book that combines portraits of American revolutionaries with a deft exploration of the ideas that moved them and still shape our society today.
The Revolution According to Raymundo Mata
Author: Gina Apostol
Publisher: Soho Press
ISBN: 1641291842
Category : Fiction
Languages : en
Pages : 361
Book Description
Revealing glimpses of the Philippine Revolution and the Filipino writer Jose Rizal emerge despite the worst efforts of feuding academics in Apostol’s hilariously erudite novel, which won the Philippine National Book Award. Gina Apostol’s riotous second novel takes the form of a memoir by one Raymundo Mata, a half-blind bookworm and revolutionary, tracing his childhood, his education in Manila, his love affairs, and his discovery of writer and fellow revolutionary, Jose Rizal. Mata’s 19th-century story is complicated by present-day foreword(s), afterword(s), and footnotes from three fiercely quarrelsome and comic voices: a nationalist editor, a neo-Freudian psychoanalyst critic, and a translator, Mimi C. Magsalin. In telling the contested and fragmentary story of Mata, Apostol finds new ways to depict the violence of the Spanish colonial era, and to reimagine the nation’s great writer, Jose Rizal, who was executed by the Spanish for his revolutionary activities, and is considered by many to be the father of Philippine independence. The Revolution According to Raymundo Mata offers an intoxicating blend of fact and fiction, uncovering lost histories while building dazzling, anarchic modes of narrative.
Publisher: Soho Press
ISBN: 1641291842
Category : Fiction
Languages : en
Pages : 361
Book Description
Revealing glimpses of the Philippine Revolution and the Filipino writer Jose Rizal emerge despite the worst efforts of feuding academics in Apostol’s hilariously erudite novel, which won the Philippine National Book Award. Gina Apostol’s riotous second novel takes the form of a memoir by one Raymundo Mata, a half-blind bookworm and revolutionary, tracing his childhood, his education in Manila, his love affairs, and his discovery of writer and fellow revolutionary, Jose Rizal. Mata’s 19th-century story is complicated by present-day foreword(s), afterword(s), and footnotes from three fiercely quarrelsome and comic voices: a nationalist editor, a neo-Freudian psychoanalyst critic, and a translator, Mimi C. Magsalin. In telling the contested and fragmentary story of Mata, Apostol finds new ways to depict the violence of the Spanish colonial era, and to reimagine the nation’s great writer, Jose Rizal, who was executed by the Spanish for his revolutionary activities, and is considered by many to be the father of Philippine independence. The Revolution According to Raymundo Mata offers an intoxicating blend of fact and fiction, uncovering lost histories while building dazzling, anarchic modes of narrative.
Revolting New York
Author: Neil Smith
Publisher: University of Georgia Press
ISBN: 0820352829
Category : History
Languages : en
Pages : 363
Book Description
"For many, the appearance of Occupy Wall Street seemed so sudden and so surprising it seemed to have come out of nowhere. But Occupy Wall Street was in some sense not unusual: it was part and parcel of a long history of riot, revolt, uprising, and sometimes even revolution that has shaped the city and the larger histories and geographies of which it is part. The history of New York is, in significant part, a history of revolt. Many citizens, activists, and scholars know pieces of that history, but nowhere has it been put together in something close to its entirety. The effect is that each revolt or uprising seems almost sui generis, always surprising, disconnected from both its long- and near-term history and social geography. Revolting New York brings together the historical geography of revolt in New York in its fullness, from the earliest uprisings of the Munsee against Dutch occupation of Manhattan to Occupy. All in a style accessible to a broad as well as academic audience The book will show that there is a continuous, if varied and punctuated, history of rebellion in New York that is at least as vital as the more standard histories of formal politics, planning, economic growth and restructuring that largely define our consciousness of New York's evolution and the structuring of life within it" --
Publisher: University of Georgia Press
ISBN: 0820352829
Category : History
Languages : en
Pages : 363
Book Description
"For many, the appearance of Occupy Wall Street seemed so sudden and so surprising it seemed to have come out of nowhere. But Occupy Wall Street was in some sense not unusual: it was part and parcel of a long history of riot, revolt, uprising, and sometimes even revolution that has shaped the city and the larger histories and geographies of which it is part. The history of New York is, in significant part, a history of revolt. Many citizens, activists, and scholars know pieces of that history, but nowhere has it been put together in something close to its entirety. The effect is that each revolt or uprising seems almost sui generis, always surprising, disconnected from both its long- and near-term history and social geography. Revolting New York brings together the historical geography of revolt in New York in its fullness, from the earliest uprisings of the Munsee against Dutch occupation of Manhattan to Occupy. All in a style accessible to a broad as well as academic audience The book will show that there is a continuous, if varied and punctuated, history of rebellion in New York that is at least as vital as the more standard histories of formal politics, planning, economic growth and restructuring that largely define our consciousness of New York's evolution and the structuring of life within it" --