Author: Joseph Conrad
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 440
Book Description
Conrad's Reading
Author: Helen Chambers
Publisher: Springer
ISBN: 331976487X
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This book aligns concepts and methods from book history with new literary research on a globally studied writer. An innovative three-part approach, combining close reading the evidence of reading, scrutiny of international book distribution circuits, and of Conrad's many fictional representations of reading, illuminates his childhood, maritime and later shore-based reading. After an overview of the empirical evidence of Conrad's reading, his sparsely documented twenty years reading at sea and in port is reconstructed. An examination the reading practices of his famous narrator Marlow then serves to link Conrad's own maritime and shore-based reading. Conrad's subsequent networked reading, shared with his closest male friends, and with literate multilingual women, is examined within the context of Edwardian reading practices. His fictional representations of reading and material texts are highlighted throughout, including genre trends, periodical reading, reading spaces and their lighting, and the use of reading as therapy. The book should appeal both to Conrad scholars and to historians of reading.
Publisher: Springer
ISBN: 331976487X
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This book aligns concepts and methods from book history with new literary research on a globally studied writer. An innovative three-part approach, combining close reading the evidence of reading, scrutiny of international book distribution circuits, and of Conrad's many fictional representations of reading, illuminates his childhood, maritime and later shore-based reading. After an overview of the empirical evidence of Conrad's reading, his sparsely documented twenty years reading at sea and in port is reconstructed. An examination the reading practices of his famous narrator Marlow then serves to link Conrad's own maritime and shore-based reading. Conrad's subsequent networked reading, shared with his closest male friends, and with literate multilingual women, is examined within the context of Edwardian reading practices. His fictional representations of reading and material texts are highlighted throughout, including genre trends, periodical reading, reading spaces and their lighting, and the use of reading as therapy. The book should appeal both to Conrad scholars and to historians of reading.
Reading Conrad
Author: Joseph Hillis Miller
Publisher:
ISBN: 9780814254356
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
For half a century, J. Hillis Miller has been a premier figure in English and comparative literature, influencing and leading the direction of literary studies. What is less well-known is that he has been equally influential in Conrad studies with his work on nihilism, language, and narrative in Joseph Conrad's fiction. Reading Conrad, authored by J. Hillis Miller and edited by John G. Peters and Jakob Lothe, charts Miller's shifting insights into Joseph Conrad's fiction
Publisher:
ISBN: 9780814254356
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
For half a century, J. Hillis Miller has been a premier figure in English and comparative literature, influencing and leading the direction of literary studies. What is less well-known is that he has been equally influential in Conrad studies with his work on nihilism, language, and narrative in Joseph Conrad's fiction. Reading Conrad, authored by J. Hillis Miller and edited by John G. Peters and Jakob Lothe, charts Miller's shifting insights into Joseph Conrad's fiction
Horrorism
Author: Adriana Cavarero
Publisher: Columbia University Press
ISBN: 9780231144568
Category : Philosophy
Languages : en
Pages : 180
Book Description
In this brilliant book, one of the world's most provocative feminist theorists and political philosophers introduces a new word--horrorism--to capture the experience of violence. Unlike terror, horrorism is a form of violation grounded in the offense of disfiguration and massacre. Numerous outbursts of violence fall within Adriana Cavarero's category of horrorism, especially when the phenomenology of violence is considered from the perspective of the victim rather than that of the warrior. Through her searing analysis, Cavarero proves that violence against the helpless claims a specific vocabulary, one that has been known for millennia, and not just to the Western tradition.
Publisher: Columbia University Press
ISBN: 9780231144568
Category : Philosophy
Languages : en
Pages : 180
Book Description
In this brilliant book, one of the world's most provocative feminist theorists and political philosophers introduces a new word--horrorism--to capture the experience of violence. Unlike terror, horrorism is a form of violation grounded in the offense of disfiguration and massacre. Numerous outbursts of violence fall within Adriana Cavarero's category of horrorism, especially when the phenomenology of violence is considered from the perspective of the victim rather than that of the warrior. Through her searing analysis, Cavarero proves that violence against the helpless claims a specific vocabulary, one that has been known for millennia, and not just to the Western tradition.
Reading Texts, Reading Lives
Author: Daniel Morris
Publisher: University of Delaware
ISBN: 1611493455
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Our culture attempts to separate competing ideological factions by denying relationships between multiple perspectives and influences outside of one’s own narrow interpretive community. The distinguished essayists in this volume find Daniel R. Schwarz’s pluralistic, self-questioning approach to what he calls “reading texts and reading lives” quite relevant to the current historical moment and political situation. A legendary scholar of modernist literature, Schwarz’s critical principles are a healthy corrective to cultural hubris. The essayists treat works ranging from fictions by Joyce, Conrad, Morrison, and Woolf to the poetry of Yeats, to Holocaust literature, to the environmental writings of Wendell Berry, to the photographs of Lee Friedlander. The authors focus on different works, but they follow Schwarz in stressing formal elements most often associated with traditional realism while keeping an eye on historical and author-centered approaches. The essayists also follow Schwarz in their emphasis on narrative cohesion and in how they look for signs of agency among characters who possess the will to alter their fate, even in a seemingly random universe such as the one depicted by Conrad. Readers with eyes to ethics and aesthetics, they follow Schwarz in encouraging a values-centered approach that leaves room for the reader to address the ways in which reading a text correlates to the reader’s ability to find meaning and value in experience outside the text. Like Schwarz, the essays look for intentionality of authorial meaning (rather than something called an “author function”) as well as for the relationship between lived experience and the imagined world of the literary work (rather than the endless semiotic play of an ultimately indecipherable text).
Publisher: University of Delaware
ISBN: 1611493455
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Our culture attempts to separate competing ideological factions by denying relationships between multiple perspectives and influences outside of one’s own narrow interpretive community. The distinguished essayists in this volume find Daniel R. Schwarz’s pluralistic, self-questioning approach to what he calls “reading texts and reading lives” quite relevant to the current historical moment and political situation. A legendary scholar of modernist literature, Schwarz’s critical principles are a healthy corrective to cultural hubris. The essayists treat works ranging from fictions by Joyce, Conrad, Morrison, and Woolf to the poetry of Yeats, to Holocaust literature, to the environmental writings of Wendell Berry, to the photographs of Lee Friedlander. The authors focus on different works, but they follow Schwarz in stressing formal elements most often associated with traditional realism while keeping an eye on historical and author-centered approaches. The essayists also follow Schwarz in their emphasis on narrative cohesion and in how they look for signs of agency among characters who possess the will to alter their fate, even in a seemingly random universe such as the one depicted by Conrad. Readers with eyes to ethics and aesthetics, they follow Schwarz in encouraging a values-centered approach that leaves room for the reader to address the ways in which reading a text correlates to the reader’s ability to find meaning and value in experience outside the text. Like Schwarz, the essays look for intentionality of authorial meaning (rather than something called an “author function”) as well as for the relationship between lived experience and the imagined world of the literary work (rather than the endless semiotic play of an ultimately indecipherable text).
Conrad's Eastern Vision
Author: A. Yeow
Publisher: Springer
ISBN: 0230583288
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
This book traces the dialogic relation between Conrad's Eastern fiction and other histories, arguing that it is in the intersections of art and history that we locate Conrad's irony. In a direct response to the visual culture of his times, Conrad sets up his fictional world as a hallucinated mirage stressing the veracity of his own Eastern vision.
Publisher: Springer
ISBN: 0230583288
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
This book traces the dialogic relation between Conrad's Eastern fiction and other histories, arguing that it is in the intersections of art and history that we locate Conrad's irony. In a direct response to the visual culture of his times, Conrad sets up his fictional world as a hallucinated mirage stressing the veracity of his own Eastern vision.
So You Want to Be a Wizard
Author: Diane Duane
Publisher: HarperCollins
ISBN: 0547545118
Category : Juvenile Fiction
Languages : en
Pages : 403
Book Description
A mysterious library book opens the door to a world of magic and danger in the first book in the beloved Young Wizards series. Bullied by her classmates, Nita Callahan is miserable at school. So when she finds a mysterious book in the library that promises her the chance to become a wizard, she jumps at the opportunity to escape her unhappy reality. But taking the Wizard's Oath is no easy thing, and Nita soon finds herself paired with fellow wizard-in-training Kit Rodriguez on a dangerous mission. The only way to become a full wizard is to face the Lone Power, the being that created death and is the mortal enemy of all wizards. As Nita and Kit battle their way through a deadly alternate version of New York controlled by the Lone Power, they must rely on each other and their newfound wizarding skills to survive--and save the world from the Lone One's grasp.
Publisher: HarperCollins
ISBN: 0547545118
Category : Juvenile Fiction
Languages : en
Pages : 403
Book Description
A mysterious library book opens the door to a world of magic and danger in the first book in the beloved Young Wizards series. Bullied by her classmates, Nita Callahan is miserable at school. So when she finds a mysterious book in the library that promises her the chance to become a wizard, she jumps at the opportunity to escape her unhappy reality. But taking the Wizard's Oath is no easy thing, and Nita soon finds herself paired with fellow wizard-in-training Kit Rodriguez on a dangerous mission. The only way to become a full wizard is to face the Lone Power, the being that created death and is the mortal enemy of all wizards. As Nita and Kit battle their way through a deadly alternate version of New York controlled by the Lone Power, they must rely on each other and their newfound wizarding skills to survive--and save the world from the Lone One's grasp.
Conrad's Shadow
Author: Nidesh Lawtoo
Publisher: MSU Press
ISBN: 1628952768
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Western thought has often dismissed shadows as fictional, but what if fictions reveal original truths? Drawing on an anti-Platonic tradition in critical theory, Lawtoo adopts ethical, anthropological, and philosophical lenses to offer new readings of Joseph Conrad’s novels and the postcolonial and cinematic works that respond to his oeuvre. He argues that Conrad’s fascination with doubles urges readers to reflect on the two sides of mimesis: one side is dark and pathological, and involves the escalation of violence, contagious epidemics, and catastrophic storms; the other side is luminous and therapeutic, and promotes communal survival, postcolonial reconciliation, and plastic adaptations to changing environments. Once joined, the two sides reveal Conrad as an author whose Janus-faced fictions are powerfully relevant to our contemporary world of global violence and environmental crisis.
Publisher: MSU Press
ISBN: 1628952768
Category : Literary Criticism
Languages : en
Pages : 391
Book Description
Western thought has often dismissed shadows as fictional, but what if fictions reveal original truths? Drawing on an anti-Platonic tradition in critical theory, Lawtoo adopts ethical, anthropological, and philosophical lenses to offer new readings of Joseph Conrad’s novels and the postcolonial and cinematic works that respond to his oeuvre. He argues that Conrad’s fascination with doubles urges readers to reflect on the two sides of mimesis: one side is dark and pathological, and involves the escalation of violence, contagious epidemics, and catastrophic storms; the other side is luminous and therapeutic, and promotes communal survival, postcolonial reconciliation, and plastic adaptations to changing environments. Once joined, the two sides reveal Conrad as an author whose Janus-faced fictions are powerfully relevant to our contemporary world of global violence and environmental crisis.
Endtimes?
Author: Daniel R. Schwarz
Publisher: SUNY Press
ISBN: 1438438966
Category : Language Arts & Disciplines
Languages : en
Pages : 503
Book Description
A groundbreaking study of ten difficult years in the life of Americas most important newspaper. From false stories about weapons of mass destruction in Iraq to growing competition from online and twenty-four-hour cable news, the first decade of the twenty-first century was not particularly kind to the New York Times. In this groundbreaking study of the recent life and times of Americas most important newspaper, Daniel R. Schwarz describes the transformation of the Times as it has confronted not only its various scandals and embarrassments but also the rapid rise of the Internet and blogosphere, the ensuing decline in circulation and print advertising, and the change in what readers want and how they want to get it. Drawing on more than forty one-on-one interviews with past and present editors (including every living executive editor), senior figures on the business and financial side, and publisher Arthur Sulzberger Jr., Schwarz discusses virtually every aspect of the contemporary Times, from columnists to cultural coverage. He explains how, in response to continuous online updating and twenty-four-hour all-news radio and television, the Times has become much more like a daily magazine than a traditional newspaper, with increased analysis (as opposed to reporting) of the news as well as value-added features on health, travel, investing, and food. After carefully tracing the rise of the Timess website, Schwarz asks whether the Times can survive as a print newspaper, whether it can find a business model to support its vast print and online newsgathering operation, and whether the Sulzberger family can survive as controlling owners. He also asks whether the Times, in its desperate effort to survive, has abandoned its quality standards by publishing what he calls Timeslite and Timestrash. Writing as a skeptical outsider and devoted lifelong reader, Schwarz concludes that the Times is the worst newspaper in the worldexcept for all the others. Endtimes? is a must read for Times readers as well as anyone interested in the radical change in print and broadcast media in the rapidly evolving Internet Age. [A] balanced grappling with big issues and tumultuous changes in journalism and at The Times between 1999 and 2009. CHOICE Fascinating Schwarz raises many questions about the future of printed newspapers and about how Americans will stay informed about news. Charleston Gazette-Mail Endtimes? is a product of brain and heartpassion for its subject, yes, but also clear-eyed critique of that subjects strengths and weaknesses. Huntsville Times Schwarz is diligent in his research and his interviews He puts the Times on the couch and gives us a very thorough psychoanalysis. Washington Independent Review of Books Struggling to maintain its journalistic preeminence in a world of accelerating change, the New York Times has often stumbled, but not yet fallen. Scrupulously researched, judiciously argued, and accessibly written, Endtimes? provides a sympathetically critical account of the Timess strengths and weaknesses as it responds to the economic, technological, cultural, and political challenges of our day. No one alarmed by the threatened survival of quality journalism can afford to ignore this trenchant book. Martin Jay, author of The Virtues of Mendacity: On Lying in Politics Daniel Schwarzs lucid, well-researched, and passionate book reminded me of the saying that the best criticism comes from admirers who are willing to tell us our faults. Benefiting from his own extensive interviews with key players in the Timess story, including Max Frankel, Arthur Sulzberger Jr., and Howell Raines, Schwarz offers a complex, judicious history of a prominent American cultural institution as it responds to a period of crises and turmoil in print journalism. Pulling no punches, Schwarz laments the current version of the papers fluff, lack of gatekeeping and news judgment, and failure to stand up to government. At the same time, he appreciates how the Times remains, after more than a century, a preeminent source of information. This is a lovers quarrel at its best. Daniel Morris, Purdue University Dan Schwarz is a knowing reader and a master teacher. Endtimes? shows that he is a great student of journalism as well. He takes us on a roller-coaster ride from the era of the New York Timess cultural ascendancy to the current financial crisis over its very existence. And he looks into the Timess future too. Everyone who cares about the news in America should read this book. Barry Strauss, author of The Spartacus War Dan Schwarz writes with terrific energy about an important subject: the threat posed by todays flood of information to the integrity and even the existence of what is arguably the worlds most influential newspaper. Not every reader will agree with his criticisms of the papers leadership or his prescriptions for its survival. But every reader will be deeply informed and sharply challenged by his well-documented narrative and his provocative argument. Steven Knapp, The George Washington University
Publisher: SUNY Press
ISBN: 1438438966
Category : Language Arts & Disciplines
Languages : en
Pages : 503
Book Description
A groundbreaking study of ten difficult years in the life of Americas most important newspaper. From false stories about weapons of mass destruction in Iraq to growing competition from online and twenty-four-hour cable news, the first decade of the twenty-first century was not particularly kind to the New York Times. In this groundbreaking study of the recent life and times of Americas most important newspaper, Daniel R. Schwarz describes the transformation of the Times as it has confronted not only its various scandals and embarrassments but also the rapid rise of the Internet and blogosphere, the ensuing decline in circulation and print advertising, and the change in what readers want and how they want to get it. Drawing on more than forty one-on-one interviews with past and present editors (including every living executive editor), senior figures on the business and financial side, and publisher Arthur Sulzberger Jr., Schwarz discusses virtually every aspect of the contemporary Times, from columnists to cultural coverage. He explains how, in response to continuous online updating and twenty-four-hour all-news radio and television, the Times has become much more like a daily magazine than a traditional newspaper, with increased analysis (as opposed to reporting) of the news as well as value-added features on health, travel, investing, and food. After carefully tracing the rise of the Timess website, Schwarz asks whether the Times can survive as a print newspaper, whether it can find a business model to support its vast print and online newsgathering operation, and whether the Sulzberger family can survive as controlling owners. He also asks whether the Times, in its desperate effort to survive, has abandoned its quality standards by publishing what he calls Timeslite and Timestrash. Writing as a skeptical outsider and devoted lifelong reader, Schwarz concludes that the Times is the worst newspaper in the worldexcept for all the others. Endtimes? is a must read for Times readers as well as anyone interested in the radical change in print and broadcast media in the rapidly evolving Internet Age. [A] balanced grappling with big issues and tumultuous changes in journalism and at The Times between 1999 and 2009. CHOICE Fascinating Schwarz raises many questions about the future of printed newspapers and about how Americans will stay informed about news. Charleston Gazette-Mail Endtimes? is a product of brain and heartpassion for its subject, yes, but also clear-eyed critique of that subjects strengths and weaknesses. Huntsville Times Schwarz is diligent in his research and his interviews He puts the Times on the couch and gives us a very thorough psychoanalysis. Washington Independent Review of Books Struggling to maintain its journalistic preeminence in a world of accelerating change, the New York Times has often stumbled, but not yet fallen. Scrupulously researched, judiciously argued, and accessibly written, Endtimes? provides a sympathetically critical account of the Timess strengths and weaknesses as it responds to the economic, technological, cultural, and political challenges of our day. No one alarmed by the threatened survival of quality journalism can afford to ignore this trenchant book. Martin Jay, author of The Virtues of Mendacity: On Lying in Politics Daniel Schwarzs lucid, well-researched, and passionate book reminded me of the saying that the best criticism comes from admirers who are willing to tell us our faults. Benefiting from his own extensive interviews with key players in the Timess story, including Max Frankel, Arthur Sulzberger Jr., and Howell Raines, Schwarz offers a complex, judicious history of a prominent American cultural institution as it responds to a period of crises and turmoil in print journalism. Pulling no punches, Schwarz laments the current version of the papers fluff, lack of gatekeeping and news judgment, and failure to stand up to government. At the same time, he appreciates how the Times remains, after more than a century, a preeminent source of information. This is a lovers quarrel at its best. Daniel Morris, Purdue University Dan Schwarz is a knowing reader and a master teacher. Endtimes? shows that he is a great student of journalism as well. He takes us on a roller-coaster ride from the era of the New York Timess cultural ascendancy to the current financial crisis over its very existence. And he looks into the Timess future too. Everyone who cares about the news in America should read this book. Barry Strauss, author of The Spartacus War Dan Schwarz writes with terrific energy about an important subject: the threat posed by todays flood of information to the integrity and even the existence of what is arguably the worlds most influential newspaper. Not every reader will agree with his criticisms of the papers leadership or his prescriptions for its survival. But every reader will be deeply informed and sharply challenged by his well-documented narrative and his provocative argument. Steven Knapp, The George Washington University
Deconstructing Obama
Author: Jack Cashill
Publisher: Simon and Schuster
ISBN: 1451611137
Category : Political Science
Languages : en
Pages : 354
Book Description
Did Obama write his own books and is the story they tell true? “I've written two books,” Barack Obama told a crowd of teachers in July of 2008. “I actually wrote them myself.” The teachers exploded in laughter. They got the joke: lesser politicians were not bright enough to do the same. During the 2008 presidential campaign, Obama supporters pointed to the first of those two books, the 1995 memoir, Dreams from My Father, as proof of Obama’s superior intellect. Time magazine called Dreams “the best-written memoir ever produced by an American politician.” The Obama campaign machine traded on the candidate’s literary reputation, encouraging volunteers to “get out the vote and keep talking to others about the genius of Barack Obama.” There was just one small flaw, as writer and literary detective Jack Cashill discovered months before the November 2008 election: nothing in Obama’s history suggested he was capable of writing either Dreams or his 2006 book, The Audacity of Hope. In fact, as Cashill continued his research, he came to the shocking conclusion that the real craftsman behind Dreams was terrorist emeritus Bill Ayers. “This was a charge,” David Remnick admits in his definitive Obama biography, The Bridge, “that if ever proved true, or believed to be true among enough voters, could have been the end of the candidacy.” Deconstructing Obama tells the story of what happens when a citizen journalist discovers a game-changing reality that the media refuse to acknowledge. Despite their rejection, Cashill expanded his research into Obama’s literary canon. As he came to see, if Dreams serves as sacred text, the poem “Pop” is the Rosetta stone, the key to deciphering Obama’s shrouded past, his fragile psyche, and his uniquely cryptic political life. In unlocking that past, Cashill discovered that the story that Obama has been telling all his life varies from the true story in ways big and small. In fact, much of Obama’s life story appears to be a wholly constructed fabrication, one that Jack Cashill “deconstructs” to show the world just who Barack Obama really is.
Publisher: Simon and Schuster
ISBN: 1451611137
Category : Political Science
Languages : en
Pages : 354
Book Description
Did Obama write his own books and is the story they tell true? “I've written two books,” Barack Obama told a crowd of teachers in July of 2008. “I actually wrote them myself.” The teachers exploded in laughter. They got the joke: lesser politicians were not bright enough to do the same. During the 2008 presidential campaign, Obama supporters pointed to the first of those two books, the 1995 memoir, Dreams from My Father, as proof of Obama’s superior intellect. Time magazine called Dreams “the best-written memoir ever produced by an American politician.” The Obama campaign machine traded on the candidate’s literary reputation, encouraging volunteers to “get out the vote and keep talking to others about the genius of Barack Obama.” There was just one small flaw, as writer and literary detective Jack Cashill discovered months before the November 2008 election: nothing in Obama’s history suggested he was capable of writing either Dreams or his 2006 book, The Audacity of Hope. In fact, as Cashill continued his research, he came to the shocking conclusion that the real craftsman behind Dreams was terrorist emeritus Bill Ayers. “This was a charge,” David Remnick admits in his definitive Obama biography, The Bridge, “that if ever proved true, or believed to be true among enough voters, could have been the end of the candidacy.” Deconstructing Obama tells the story of what happens when a citizen journalist discovers a game-changing reality that the media refuse to acknowledge. Despite their rejection, Cashill expanded his research into Obama’s literary canon. As he came to see, if Dreams serves as sacred text, the poem “Pop” is the Rosetta stone, the key to deciphering Obama’s shrouded past, his fragile psyche, and his uniquely cryptic political life. In unlocking that past, Cashill discovered that the story that Obama has been telling all his life varies from the true story in ways big and small. In fact, much of Obama’s life story appears to be a wholly constructed fabrication, one that Jack Cashill “deconstructs” to show the world just who Barack Obama really is.
Colonial Tropes and Postcolonial Tricks
Author: Lesley Wylie
Publisher: Liverpool University Press
ISBN: 1846311950
Category : Literary Collections
Languages : en
Pages : 182
Book Description
This volume offers a new reading of the Spanish-American novela de la selva genre, often interpreted as a belated imitation of European travel literature. Arguing against the commonly held opinion of the genre’s derivative nature, Colonial Tropes and Postcolonial Tricks examines how novela de la selva fiction reimagined the tropics from a Latin American perspective and redefined tropical landscape aesthetics and ethnography through parodic rewritings of European perspectives. Analyzing four emblematic novels of the genre, this book considers the crucial place of the jungle as a locus for the contestation of national and literary identity by post-independence Latin American writers.
Publisher: Liverpool University Press
ISBN: 1846311950
Category : Literary Collections
Languages : en
Pages : 182
Book Description
This volume offers a new reading of the Spanish-American novela de la selva genre, often interpreted as a belated imitation of European travel literature. Arguing against the commonly held opinion of the genre’s derivative nature, Colonial Tropes and Postcolonial Tricks examines how novela de la selva fiction reimagined the tropics from a Latin American perspective and redefined tropical landscape aesthetics and ethnography through parodic rewritings of European perspectives. Analyzing four emblematic novels of the genre, this book considers the crucial place of the jungle as a locus for the contestation of national and literary identity by post-independence Latin American writers.