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Author: Richard M. Hurst
Publisher: Scarecrow Press
ISBN: 081085886X
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Republic Studios: Between Poverty Row and the Majors documents the influence and significance of this major B studio. Originally published in 1979, this book provides a brief overview of the studio's economic structure and charts its output. Hurst examines the various genres represented by the studio and addresses the non-series B films Republic produced, as well as rare A films such as Wake of the Red Witch, Sands of Iwo Jima, and John Ford's The Quiet Man, all of which starred John Wayne.
Author: Richard M. Hurst
Publisher: Scarecrow Press
ISBN: 081085886X
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Republic Studios: Between Poverty Row and the Majors documents the influence and significance of this major B studio. Originally published in 1979, this book provides a brief overview of the studio's economic structure and charts its output. Hurst examines the various genres represented by the studio and addresses the non-series B films Republic produced, as well as rare A films such as Wake of the Red Witch, Sands of Iwo Jima, and John Ford's The Quiet Man, all of which starred John Wayne.
Author: Len D. Martin
Publisher: McFarland
ISBN: 1476609608
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
Republic Pictures Corporation, began as a motion picture laboratory in 1915. By 1935, Republic had become a studio and released its first movie, Westward Ho! starring a young John Wayne, who would stay with Republic for the next 17 years. Republic would go on to produce highly successful Westerns starring singing cowboys Gene Autry and Roy Rogers as well as serial adventure series. The studio cranked out so many exciting (not to mention money-making) serials that it became known as "The Thrill Factory." Occasionally, Republic would produce and distribute "A" features, such as Macbeth and The Quiet Man, but it was the "B" Westerns and adventure serials that they knew best how to produce and market. Until its demise in 1959, Republic fed hungry moviegoers with a steady diet of "B" Westerns, serials, dramas, series pictures and musicals. The Republic Pictures Checklist provides a full listing of Republic releases, with plot synopses, release dates, alternate titles, chapter titles and awards. All of Republic's output, including documentaries and training films, is included.
Author: Chris Enss
Publisher: Rowman & Littlefield
ISBN: 1493031309
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
Take one well-oiled effective killing machine, add a familiar hero on the ground, in the air, and on horseback; stir in a ghastly end that’s surely impossible to escape, add action, add passion, made on a shoestring budget at breakneck speed, and you’ve got the recipe for Republic Pictures. Who, after all, cannot forget The Atomic Kid, starring Mickey Rooney, or The Untamed Heiress, with an un-Oscar-worthy performance by ingénue Judy Canova? Exploding onto the movie scene in 1935, Republic Pictures brought the pop culture of the 30s and 40s to neighborhood movie houses. Week after week kids sank into their matinee seats to soak up the Golden Age of the Republic series, to ride off into the classic American West. And they gave us visions of the future. Visions that inspire film makers today. Republic was a studio that dollar for dollar packed more movie onto the screen than the majors could believe. From sunrise on into the night over grueling six day weeks, no matter how much mayhem movie makers were called upon to produce, at Republic Pictures it was all in a day’s work. Republic Pictures was the little studio in the San Fernando Valley where movies were made family style. A core of technicians, directors, and actors worked hard at their craft as Republic released a staggering total of more than a thousand films through the late 1950s. Republic Pictures was home to John Wayne for thirty-three films. Always inventing, Republic brought a song to the West. It featured the West’s first singing cowboy. Republic brought action, adventure, and escape to neighborhood movies houses across America. And they brought it with style. Scene from westerns such as The Three Mesquiteers and the Lawless Range gave screaming kids at the bijou a white-knuckle display of expert film making. Republic Pictures became a studio where major directors could bring their personal vision to the screen. Sometimes these were projects no other studio would touch such as The Quiet Man (which brought director John Ford an Oscar) and Macbeth. Killer Bs, Cowboys, Creatures and Classics: The Story of Republic Pictures is for anyone who likes B movies magic. It is the honest account of an extraordinary production house, one whose ability to turn out films quickly boded well for its transition into television production. Not only were its sets used for such shows as Leave it to Beaver and Gilligan’s Island, stock footage from Republic’s movies was used on such shows as Gunsmoke and The Life and Legend of Wyatt Earp.
Author: E.J. Stephens
Publisher: Arcadia Publishing
ISBN: 1439648298
Category : Biography & Autobiography
Languages : en
Pages : 128
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Book Description
The history of Hollywood is often seen only through the lens of the major studios, forgetting that many of Tinseltowns early creations came from micro-studios stretched along Sunset Boulevard in an area disparagingly known as Poverty Row. Here, the first wave of West Coast moviemakers migrated to the tiny village of Hollywood, where alcohol was illegal, actors were unwelcome, and cattle were herded down the unpaved streets. Most Poverty Row producers survived from film to film, their fortunes tied to the previous weeks take from hundreds of nickelodeon tills. They would routinely script movies around an event or disaster, often creating scenarios using sets from more established productions, when the bosses werent looking, of course. Poverty Row quickly became a generic term for other fly-by-night studios throughout the Los Angeles area. Their struggles to hang on in Hollywood were often more intriguing than the serialized cliffhangers they produced.
Author: Marc Wanamaker
Publisher: Arcadia Publishing
ISBN: 9780738571577
Category : History
Languages : en
Pages : 130
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Book Description
The Mission San Fernando was founded on September 8, 1797, as an outpost of New Spain, in the vast expanse between the San Gabriel and Santa Monica Mountains. Northwest over the Hollywood Hills from downtown Los Angeles, this land was developed into a vital farming and citrus breadbasket. After 1900, real estate developers began subdividing "the Valley," as it is popularly known, and by 1940, communities of Los Angeles proper and new cities formed into models of suburbia: Van Nuys, North Hollywood, Burbank, Studio City, Sherman Oaks, Encino, Northridge, Roscoe (Sun Valley), Tarzana, Canoga Park, Chatsworth, Calabasas, Hidden Hills, San Fernando, Glendale, Canoga Park, Pacoima, Toluca Lake, and Woodland Hills. The film industry built studios, location ranches, and support facilities in the valley. The aviation industries grew too, and the Hollywood, Ventura, and Golden State Freeways redrew the map. Songs, movies, and television shows have helped ingrain "the Valley" into L.A. lore.
Author: Tommy Dangcil
Publisher: Arcadia Publishing
ISBN: 1439618216
Category : Music
Languages : en
Pages : 132
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Book Description
Just after the turn of the 20th century, the motion picture industry moved to the West Coast, and the largest land of make-believe was created in Hollywood, California. From the silent-era beginnings of primitive, open-air stages to the fabled back lots of the studios heyday, Hollywood Studios presents a bygone era of magical moviemaking in rare postcards. Assembled from the authors private collection, these images from the Chaplin Studios to Metro-Goldwyn Mayer depict an insiders look back at the dream factories known as the Hollywood studios.
Author: R.M. Hayes
Publisher: McFarland
ISBN: 0786409347
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
Known as Hollywood's "Thrill Factory," Republic Pictures produced some of the most exciting serials to hit the big screen. The studio's chapterplays were one of the most popular Saturday matinee genres. Covering nearly 70 serials, the filmographies include full production credits; release dates; chapter titles; running times; sound systems (when applicable); a note on reissues, condensations and sequels; and an extensive cast list showing roles played. Included are an essay on the general development of the American serial and a history of Republic studio to the present.
Author: W. W. Walker
Publisher: iUniverse
ISBN: 0595258751
Category : Fiction
Languages : en
Pages : 116
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Book Description
In 1940-41, Hollywood is under the studio system. They are small cities with but one mission, and that is to keep the film flowing like a mighty river. Republic Pictures hires former stuntman turned private detective, Buck Ames, to look into some accidents at the studio. When a dead body turns up on the studio's back lot, Buck finds himself caught between a loudmouthed, cigar-smoking cop and a murderer who will not let anything stop his murder spree. To make matters worse, police detective Bill Hanlan takes an instant dislike to Buck Ames, but finds that he must use him to find the murderer because he knows his way around a movie studio better than any cop. When Buck himself becomes the target for the murderer, things heat up fast under the klieg lights until Buck Ames stands face to face with the killer.
Author: Anthony Slide
Publisher: Routledge
ISBN: 1135925542
Category : Reference
Languages : en
Pages : 276
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Book Description
The New Historical Dictionary of the American Film Industry is a completely revised and updated edition of Anthony Slide's The American Film Industry, originally published in 1986 and recipient of the American Library Association's Outstanding Reference Book award for that year. More than 200 new entries have been added, and all original entries have been updated; each entry is followed by a short bibliography. As its predecessor, the new dictionary is unique in that it is not a who's who of the industry, but rather a what's what: a dictionary of producing and releasing companies, technical innovations, industry terms, studios, genres, color systems, institutions and organizations, etc. More than 800 entries include everything from Academy of Motion Pictures Arts and Sciences to Zoom Lens, from Astoria Studios to Zoetrope. Outstanding Reference Source - American Library Association
Author: Marion Meade
Publisher: HMH
ISBN: 054748867X
Category : Biography & Autobiography
Languages : en
Pages : 435
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Book Description
A “breezily entertaining” look at the comic couple who hobnobbed with Dorothy Parker, S. J. Perelman, Bennett Cerf, and other luminaries of their day (The New York Times Book Review). Nathanael West—author, screenwriter, playwright—was famous for two masterpieces: Miss Lonelyhearts and The Day of the Locust, which remains one the most penetrating novels ever written about Hollywood. He was also one of the most gifted and original writers of his generation, a scathing satirist whose insight into the brutalities of modern life proved prophetic. Eileen McKenney—accidental muse, literary heroine—grew up corn-fed in the Midwest and moved to Manhattan’s Greenwich Village when she was twenty-one. The inspiration for her sister Ruth’s stories in the New Yorker under the banner of “My Sister Eileen,” she became an overnight celebrity, and her star eventually crossed with that of the man she would impulsively marry. Together, Nathanael and Eileen had entrée into a social circle that included F. Scott Fitzgerald, Dashiell Hammett, Katharine White, and many of the literary, theatrical, and film luminaries of the era. But their carefree, offbeat Broadway-to-Hollywood love story would flame out almost as soon as it began. Now, with “a great marriage of scholarship and gossip” (Minneapolis Star-Tribune), this biography restores West and McKenney to their rightful place in the popular imagination, offering “a shrewd portrait of two people who in their different ways were noteworthy participants in American culture during one of its liveliest periods” (Los Angeles Times). “Opens a window onto the lives of writers in 1930s America as they struggled with anxieties, pretensions, temptations and myths that confound our culture to this day.” —Salon.com “The first to fully chronicle and entwine these careening lives, Meade forges an engrossing, madcap, and tragic American story of ambition, reinvention, and risk.” —Booklist, starred review
