Representing the National Landscape in Irish Romanticism PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Representing the National Landscape in Irish Romanticism PDF full book. Access full book title Representing the National Landscape in Irish Romanticism by Julia M. Wright. Download full books in PDF and EPUB format.
Author: Julia M. Wright
Publisher: Syracuse University Press
ISBN: 081563353X
Category : Literary Criticism
Languages : en
Pages : 370
Get Book Here
Book Description
Ireland is a country which has come to be defined in part by an ideology which conflates nationalism with the land. From the Irish Revival’s celebration of the Irish peasant farmer as the ideal Irishman to the fierce history of land claim battles between the Irish and their colonizers, notions of the land have become particularly bound up with conceptions of what Ireland is and what it is to be Irish. In this book, Wright considers this fraught relationship between land and national identity in Irish literature. In doing so, she presents a new vision of the Irish national landscape as one that is vitally connected to larger geographical spheres. By exploring issues of globalization, international radicalism, trade routes, and the export of natural resources, Wright is at the cutting edge of modern global scholarly trends and concerns. In considering texts from the Romantic era such as Leslie’s Killarney, Edgeworth’s “Limerick Gloves,” and Moore’s Irish Melodies, Wright undercuts the nationalist myth of a “people of the soil” using the very texts which helped to construct this myth. Reigniting the field of Irish Romanticism, Wright presents original readings which call into question politically motivated mythologies while energizing nationalist conceptions that reflect transnational networks and mobility.
Author: Julia M. Wright
Publisher: Syracuse University Press
ISBN: 081563353X
Category : Literary Criticism
Languages : en
Pages : 370
Get Book Here
Book Description
Ireland is a country which has come to be defined in part by an ideology which conflates nationalism with the land. From the Irish Revival’s celebration of the Irish peasant farmer as the ideal Irishman to the fierce history of land claim battles between the Irish and their colonizers, notions of the land have become particularly bound up with conceptions of what Ireland is and what it is to be Irish. In this book, Wright considers this fraught relationship between land and national identity in Irish literature. In doing so, she presents a new vision of the Irish national landscape as one that is vitally connected to larger geographical spheres. By exploring issues of globalization, international radicalism, trade routes, and the export of natural resources, Wright is at the cutting edge of modern global scholarly trends and concerns. In considering texts from the Romantic era such as Leslie’s Killarney, Edgeworth’s “Limerick Gloves,” and Moore’s Irish Melodies, Wright undercuts the nationalist myth of a “people of the soil” using the very texts which helped to construct this myth. Reigniting the field of Irish Romanticism, Wright presents original readings which call into question politically motivated mythologies while energizing nationalist conceptions that reflect transnational networks and mobility.
Author: Julia M. Wright
Publisher:
ISBN:
Category :
Languages : en
Pages : 331
Get Book Here
Book Description
Author: Patrick R. O'Malley
Publisher: University of Virginia Press
ISBN: 0813950554
Category : Literary Criticism
Languages : en
Pages : 278
Get Book Here
Book Description
This book analyzes the role of Irishness in nineteenth-century constructions of race and racialization, both in the British Isles and in the United States. Focusing on the years immediately preceding the American Civil War, Patrick O’Malley interrogates the bardic verse epic, the gothic tale, the realist novel, the stage melodrama, and the political polemic to ask how many mid-nineteenth-century Irish nationalist writers with liberationist politics declined to oppose race-based chattel enslavement in the United States and the structures of white supremacy that underpinned and ultimately outlived it. Many of the writers whose work O’Malley examines drew specifically upon the image of Black suffering to generate support for their arguments for Irish political enfranchisement; yet in doing so, they frequently misrepresented the fundamental differences between Irish and Black experience under the regimes of white supremacy, which has had profound consequences.
Author: Patrick R. O'Malley
Publisher: Oxford University Press
ISBN: 019250763X
Category : Literary Criticism
Languages : en
Pages : 282
Get Book Here
Book Description
Focusing on literary and cultural texts from the late eighteenth century to the early twentieth, Patrick R. O'Malley argues that in order to understand both the literature and the varieties of nationalist politics in nineteenth-century Ireland, we must understand the various modes in which the very notion of the historical past was articulated. He proposes that nineteenth-century Irish literature and culture present two competing modes of political historiography: one that eludes the unresolved wounds of Ireland's violent history through the strategic representation of a unified past that could be the model for a liberal future; and one that locates its roots not in a culturally triumphant past but rather in an account of colonial and specifically sectarian bloodshed and insists upon the moral necessity of naming that history. From myths of pre-Christian Celtic glories to medieval Catholic scholarship to the rise of the Protestant Ascendancy to narratives of colonial violence against Irish people by British power, Irish historiography strove to be the basis of a new nationalism following the 1801 Union with Great Britain, and yet it was itself riven with contention.
Author: Matthew L. Reznicek
Publisher: Oxford University Press
ISBN: 1942954328
Category : Literary Criticism
Languages : en
Pages : 234
Get Book Here
Book Description
Building on the long-standing image of Paris as the "Capital of the Nineteenth Century" and the "Capital of Modernity," this book examines the city's place in the imagination of Irish women writers in the long nineteenth century.
Author: Peter Mackay
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228007526
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
This Strange Loneliness is the first comprehensive account of the poetic relationship between Seamus Heaney and William Wordsworth. Peter Mackay explores how Heaney repeatedly turns to the Romantic poet's work for inspiration, corroboration, and amplification, and as a model for the fortifying power of poetry itself, which offers the fundamental lesson that "it is on this earth 'we find our happiness, or not at all.'" Through an in-depth look at archival materials, and at uncollected poems and prose by Heaney, Mackay traces the evolution of Heaney's readings of Wordsworth throughout his career, revealing their shared interest in the connections between poetry and education, the possibility of a beneficial understanding of poetic influence, the complexities of place and displacement, ideas of transcendence, and ultimately the importance of "late style": later poems by Wordsworth might prove a cautionary tale, as well as example, for any poet. Placing Heaney's readings within their political, historical, and poetic contexts the book also explores how he negotiated the complex relationship between Irish and British culture and identity to claim a persistent form of kinship, and forge a strange community, with the Romantic poet. With illuminating readings that reveal new contexts to and currents in Heaney's work, This Strange Loneliness is a powerful evocation of the Irish poet's sense of the "uplift" that poetry can provide.
Author: Christina Morin
Publisher: Manchester University Press
ISBN: 1526122316
Category : Literary Criticism
Languages : en
Pages : 143
Get Book Here
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The gothic novel in Ireland, c. 1760–1829 offers a compelling account of the development of gothic literature in late-eighteenth and early-nineteenth century Ireland. Countering traditional scholarly views of the ‘rise’ of ‘the gothic novel’ on the one hand, and, on the other, Irish Romantic literature, this study persuasively re-integrates a body of now overlooked works into the history of the literary gothic as it emerged across Ireland, Britain, and Europe between 1760 and 1829. Its twinned quantitative and qualitative analysis of neglected Irish texts produces a new formal, generic, and ideological map of gothic literary production in this period, persuasively positioning Irish works and authors at the centre of a new critical paradigm with which to understand both Irish Romantic and gothic literary production.
Author: Dr. Daniel Schultz
Publisher: Page Publishing Inc
ISBN: 1641380918
Category : Biography & Autobiography
Languages : en
Pages : 165
Get Book Here
Book Description
James mark Sullivan was part of the post-famine Irish immigration to the United States in the late 19th century. Overcoming family misfortune, he moved from newsboy to journalist to Yale-educated lawyer. Relocating to New York City, his association with Tammany Hall involved him in the "Crime of the Century" Becker-Rosenthal murder case, a role not previously explored. Sullivan's involvement won him a patronage appointment as ambassador to Santo Domingo. Scandals about graft and corruption forced his resignation. However, another factor which contributed to his dismissal, unexplained until now, was his effort at subversion of his government's policy of neutrality, which was connected to his ties to Irish nationalism. He later established the first indigenous Irish film company with a pronounced Nationalist agenda, making several films which are now classics of the silent film era. Following the death of his wife and son during the influenza epidemic of 1918, he returned to the United States. Failing to revive his legal career, he removed to Florida, dying in relative obscurity.
Author: Richard Jorge
Publisher: Springer Nature
ISBN: 3031403916
Category : Literary Criticism
Languages : en
Pages : 205
Get Book Here
Book Description
This book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied.
Author: Bram Stoker
Publisher: Syracuse University Press
ISBN: 0815653506
Category : Fiction
Languages : en
Pages : 358
Get Book Here
Book Description
In 1890, The Snake’s Pass was published in serialized form in the periodical The People. It is the story of Arthur Severn, an Englishman who has inherited wealth and a title through an aunt who took him under her wing to the exclusion of closer relations. His inheritance includes land in Ireland, and now that he is a man of leisure, he decides to tour the west of Ireland. As Bram Stoker’s first full-length novel, The Snake’s Pass is a heady blend of romance, travel narrative, adventure tale, folk tradition, and national tale. This early novel shows that, long before Dracula, Stoker used the genre of the novel to engage with questions of identity, gender, ethnic stereotype, and imperialism. In this critical edition, Buchelt offers detailed and studied insight into both the novel and Stoker’s life, demonstrating the significance of The Snake’s Pass within the canon of late Victorian literature. The supplementary textual notes, scholarly material, and critical responses enhance the novel without distracting from the text. Readers will find a complexly layered and nuanced work that presents a pointed critique of British cultural attitudes and political positions concerning the Irish and Ireland.
