Author: Estella Ciobanu
Publisher: Springer
ISBN: 3319909185
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
Representations of the Body in Middle English Biblical Drama combines epistemological enquiry, gender theory and Foucauldian concepts to investigate the body as a useful site for studying power, knowledge and truth. Intertwining the conceptualizations of violence and the performativity of gender identity and roles, Estella Ciobanu argues that studying violence in drama affords insights into the cultural and social aspects of the later Middle Ages. The text investigates these biblical plays through the perspective of the devil and offers a unique lens that exposes medieval disquiets about Christian teachings and the discourse of power. Through detailed primary source analysis and multidisciplinary scholarship, Ciobanu constructs a text that interrogates the significance of performance far beyond the stage.
Representations of the Body in Middle English Biblical Drama
Author: Estella Ciobanu
Publisher: Springer
ISBN: 3319909185
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
Representations of the Body in Middle English Biblical Drama combines epistemological enquiry, gender theory and Foucauldian concepts to investigate the body as a useful site for studying power, knowledge and truth. Intertwining the conceptualizations of violence and the performativity of gender identity and roles, Estella Ciobanu argues that studying violence in drama affords insights into the cultural and social aspects of the later Middle Ages. The text investigates these biblical plays through the perspective of the devil and offers a unique lens that exposes medieval disquiets about Christian teachings and the discourse of power. Through detailed primary source analysis and multidisciplinary scholarship, Ciobanu constructs a text that interrogates the significance of performance far beyond the stage.
Publisher: Springer
ISBN: 3319909185
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
Representations of the Body in Middle English Biblical Drama combines epistemological enquiry, gender theory and Foucauldian concepts to investigate the body as a useful site for studying power, knowledge and truth. Intertwining the conceptualizations of violence and the performativity of gender identity and roles, Estella Ciobanu argues that studying violence in drama affords insights into the cultural and social aspects of the later Middle Ages. The text investigates these biblical plays through the perspective of the devil and offers a unique lens that exposes medieval disquiets about Christian teachings and the discourse of power. Through detailed primary source analysis and multidisciplinary scholarship, Ciobanu constructs a text that interrogates the significance of performance far beyond the stage.
Representations of the Body in Middle English Biblical Drama
Author: Estella Ciobanu
Publisher:
ISBN: 9783319909196
Category : Drama
Languages : en
Pages : 337
Book Description
Representations of the Body in Middle English Biblical Drama combines epistemological enquiry, gender theory and Foucauldian concepts to investigate the body as a useful site for studying power, knowledge and truth. Intertwining the conceptualizations of violence and the performativity of gender identity and roles, Estella Ciobanu argues that studying violence in drama affords insights into the cultural and social aspects of the later Middle Ages. The text investigates these biblical plays through the perspective of the devil and offers a unique lens that exposes medieval disquiets about Christian teachings and the discourse of power. Through detailed primary source analysis and multidisciplinary scholarship, Ciobanu constructs a text that interrogates the significance of performance far beyond the stage.
Publisher:
ISBN: 9783319909196
Category : Drama
Languages : en
Pages : 337
Book Description
Representations of the Body in Middle English Biblical Drama combines epistemological enquiry, gender theory and Foucauldian concepts to investigate the body as a useful site for studying power, knowledge and truth. Intertwining the conceptualizations of violence and the performativity of gender identity and roles, Estella Ciobanu argues that studying violence in drama affords insights into the cultural and social aspects of the later Middle Ages. The text investigates these biblical plays through the perspective of the devil and offers a unique lens that exposes medieval disquiets about Christian teachings and the discourse of power. Through detailed primary source analysis and multidisciplinary scholarship, Ciobanu constructs a text that interrogates the significance of performance far beyond the stage.
Medieval English Theatre 45
Author: Elisabeth Dutton
Publisher: Boydell & Brewer
ISBN: 1843847191
Category : Drama
Languages : en
Pages : 207
Book Description
Newest research into drama and performance from the Middle Ages and the Tudor period. Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. This volume offers new perspectives in three important areas. It opens with an investigation of the tantalising image of the Black Tudor trumpeter, John Blanke, in the Westminster Tournament Roll. Complementing the assessment of the documentary evidence for his employment in our last volume, it uncovers the surprising complexity of how Islamic dress was represented at the court of Henry VIII. Two essays engage with the challenging Croxton Play of the Sacrament, discussing very different issues of bodily integrity. The first revealingly brings together medieval and posthumanist theory, proposing how in performance the play can move to obliterate the distinction between Jewish and Christian bodies. The second considers the play in the light of modern disability theory, before examining the often contrasting evidence of lives lived, and performances informed, by actual disabled performers. The final contributions focus on twentieth- and twenty-first-century performances of medieval material, and how it can be adapted for later times and sensibilities. Investigation of an almost unknown 1924 London performance of a fifteenth-century French nativity play reveals much about early twentieth-century views of medieval drama. Meanwhile, the 2023 coronation of King Charles III prompts an analysis of a spectacular ceremony balanced between asserting its medieval origins and demonstrating its modern relevance. Finally, a review of a story-telling performance assesses how the problematic material of The Seven Sages of Rome might be addressed to modern audiences and preoccupations.
Publisher: Boydell & Brewer
ISBN: 1843847191
Category : Drama
Languages : en
Pages : 207
Book Description
Newest research into drama and performance from the Middle Ages and the Tudor period. Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. This volume offers new perspectives in three important areas. It opens with an investigation of the tantalising image of the Black Tudor trumpeter, John Blanke, in the Westminster Tournament Roll. Complementing the assessment of the documentary evidence for his employment in our last volume, it uncovers the surprising complexity of how Islamic dress was represented at the court of Henry VIII. Two essays engage with the challenging Croxton Play of the Sacrament, discussing very different issues of bodily integrity. The first revealingly brings together medieval and posthumanist theory, proposing how in performance the play can move to obliterate the distinction between Jewish and Christian bodies. The second considers the play in the light of modern disability theory, before examining the often contrasting evidence of lives lived, and performances informed, by actual disabled performers. The final contributions focus on twentieth- and twenty-first-century performances of medieval material, and how it can be adapted for later times and sensibilities. Investigation of an almost unknown 1924 London performance of a fifteenth-century French nativity play reveals much about early twentieth-century views of medieval drama. Meanwhile, the 2023 coronation of King Charles III prompts an analysis of a spectacular ceremony balanced between asserting its medieval origins and demonstrating its modern relevance. Finally, a review of a story-telling performance assesses how the problematic material of The Seven Sages of Rome might be addressed to modern audiences and preoccupations.
Culture, Literature and Migration
Author: Ali Tilbe
Publisher: Transnational Press London
ISBN: 1912997282
Category : Social Science
Languages : en
Pages : 160
Book Description
Culture, Literature and Migration gives us a unique insight into the emotional and physical experiences of immigrants. By shedding light on the challenges of the plight, the chapters in this book raise awareness of the global scale of the crisis and reduces hostility towards the displaced as a result of a better understanding of that which is often left unspoken of and unheard of. The distinctiveness of voluntary and involuntary immigration is brought forward and contextualized in order to emphasise the trauma of forced departure and the often forgotten psychological complications of the host nation. With such matters arising, there is an ultimate return to notions of hegemony, colonialism, otherness, hybridity and citizenship. New understandings of identity, nationalism and multiculturalism are explored in context of transnationalism and multiculturalism. Culture, Literature and Migration critically analyzes the transformation of the immigrant and highlights the importance of hope and the power of inclusiveness in a fragmented global environment. Content Introduction – Ali Tilbe and Rania M Rafik Khalil Chapter 1 – The Bildungsroman and Building a Hybrid Identity in the Postcolonial Context: Migration as Formative Experience in Monica Ali’s Brick Lane Petru Golban and Derya Benli Chapter 2 – The Migrant Female Writer, Originally from Muslim Country in the Literary Field: A Sociological Approach Francesco Bellinzis Chapter 3 – Migration, Integration and Power. The Image of “the Dumb Swede” in Swede Hollow and the Image of Contemporary New Swedes in One Eye Red and She Is Not Me Maria Bäcke Chapter 4 – Coerced Migration, Migrating Rhetoric: The ‘Forked Tongue’ of Native American Removal Policy in the Nineteenth-Century United States Estella Ciobanu Chapter 5 – The Migrant Hero’s Boundaries of Masculine Honour Code in Elif Shafak’s Honour Tatiana Golban Chapter 6 – Literary Representations of Progressive Era Lithuanian Immigrants in the United States and the Question of Genre: Upton Sinclair’s The Jungle (1906) Cansu Özge Özmen Chapter 7 – Migration, Maturation and Identity Crisis in Abani’s Select Novels: A Postcolonial Reading Bernard Dickson and Chinyere Egbuta
Publisher: Transnational Press London
ISBN: 1912997282
Category : Social Science
Languages : en
Pages : 160
Book Description
Culture, Literature and Migration gives us a unique insight into the emotional and physical experiences of immigrants. By shedding light on the challenges of the plight, the chapters in this book raise awareness of the global scale of the crisis and reduces hostility towards the displaced as a result of a better understanding of that which is often left unspoken of and unheard of. The distinctiveness of voluntary and involuntary immigration is brought forward and contextualized in order to emphasise the trauma of forced departure and the often forgotten psychological complications of the host nation. With such matters arising, there is an ultimate return to notions of hegemony, colonialism, otherness, hybridity and citizenship. New understandings of identity, nationalism and multiculturalism are explored in context of transnationalism and multiculturalism. Culture, Literature and Migration critically analyzes the transformation of the immigrant and highlights the importance of hope and the power of inclusiveness in a fragmented global environment. Content Introduction – Ali Tilbe and Rania M Rafik Khalil Chapter 1 – The Bildungsroman and Building a Hybrid Identity in the Postcolonial Context: Migration as Formative Experience in Monica Ali’s Brick Lane Petru Golban and Derya Benli Chapter 2 – The Migrant Female Writer, Originally from Muslim Country in the Literary Field: A Sociological Approach Francesco Bellinzis Chapter 3 – Migration, Integration and Power. The Image of “the Dumb Swede” in Swede Hollow and the Image of Contemporary New Swedes in One Eye Red and She Is Not Me Maria Bäcke Chapter 4 – Coerced Migration, Migrating Rhetoric: The ‘Forked Tongue’ of Native American Removal Policy in the Nineteenth-Century United States Estella Ciobanu Chapter 5 – The Migrant Hero’s Boundaries of Masculine Honour Code in Elif Shafak’s Honour Tatiana Golban Chapter 6 – Literary Representations of Progressive Era Lithuanian Immigrants in the United States and the Question of Genre: Upton Sinclair’s The Jungle (1906) Cansu Özge Özmen Chapter 7 – Migration, Maturation and Identity Crisis in Abani’s Select Novels: A Postcolonial Reading Bernard Dickson and Chinyere Egbuta
Mapping Cultural Identities and Intersections
Author: Mustafa Kirca
Publisher: Cambridge Scholars Publishing
ISBN: 152754060X
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
This volume investigates identity discourses and self-constructions/de-constructions in various texts through imagological readings of films, narratives, and art works, examining different layers of cultural identities, on the one hand, and measuring the literary reception of ethnic identity constitution to reveal both the self and hetero images, on the other. The book features theoretical and analytical approaches with insights borrowed from multiple disciplines, and mainly focuses on the application of imagological perspectives in the fields of literature and translation, and specifically in literary works “carried over” from one culture to another. It will be of interest for scholars and researchers working in the fields of literature, translation, cultural studies, and imagology, as well as for students studying in these fields.
Publisher: Cambridge Scholars Publishing
ISBN: 152754060X
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
This volume investigates identity discourses and self-constructions/de-constructions in various texts through imagological readings of films, narratives, and art works, examining different layers of cultural identities, on the one hand, and measuring the literary reception of ethnic identity constitution to reveal both the self and hetero images, on the other. The book features theoretical and analytical approaches with insights borrowed from multiple disciplines, and mainly focuses on the application of imagological perspectives in the fields of literature and translation, and specifically in literary works “carried over” from one culture to another. It will be of interest for scholars and researchers working in the fields of literature, translation, cultural studies, and imagology, as well as for students studying in these fields.
The Pleasure of Punishment
Author: Magnus Hörnqvist
Publisher: Routledge
ISBN: 0429589611
Category : Social Science
Languages : en
Pages : 284
Book Description
Based on a reading of contemporary philosophical arguments, this book accounts for how punishment has provided audiences with pleasure in different historical contexts. Watching tragedies, contemplating hell, attending executions, or imagining prisons have generated pleasure, according to contemporary observers, in ancient Greece, in medieval Catholic Europe, in the early-modern absolutist states, and in the post-1968 Western world. The pleasure was often judged morally problematic, and raised questions about which desires were satisfied, and what the enjoyment was like. This book offers a research synthesis that ties together existing work on the pleasure of punishment. It considers how the shared joys of punishment gradually disappeared from the public view at a precise historic conjuncture, and explores whether arguments about the carnivalesque character of cruelty can provide support for the continued existence of penal pleasure. Towards the end of this book, the reader will discover, if willing to go along and follow desire to places which are full of pain and suffering, that deeply entwined with the desire for punishment, there is also the desire for social justice. An accessible and compelling read, this book will appeal to students and scholars of criminology, sociology, philosophy and all those interested in the pleasures of punishment.
Publisher: Routledge
ISBN: 0429589611
Category : Social Science
Languages : en
Pages : 284
Book Description
Based on a reading of contemporary philosophical arguments, this book accounts for how punishment has provided audiences with pleasure in different historical contexts. Watching tragedies, contemplating hell, attending executions, or imagining prisons have generated pleasure, according to contemporary observers, in ancient Greece, in medieval Catholic Europe, in the early-modern absolutist states, and in the post-1968 Western world. The pleasure was often judged morally problematic, and raised questions about which desires were satisfied, and what the enjoyment was like. This book offers a research synthesis that ties together existing work on the pleasure of punishment. It considers how the shared joys of punishment gradually disappeared from the public view at a precise historic conjuncture, and explores whether arguments about the carnivalesque character of cruelty can provide support for the continued existence of penal pleasure. Towards the end of this book, the reader will discover, if willing to go along and follow desire to places which are full of pain and suffering, that deeply entwined with the desire for punishment, there is also the desire for social justice. An accessible and compelling read, this book will appeal to students and scholars of criminology, sociology, philosophy and all those interested in the pleasures of punishment.
New Directions in Early Modern English Drama
Author: Aidan Norrie
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514024
Category : Drama
Languages : en
Pages : 258
Book Description
This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514024
Category : Drama
Languages : en
Pages : 258
Book Description
This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.
The Idolatrous Eye
Author: Michael O'Connell
Publisher: Oxford University Press, USA
ISBN: 019513205X
Category : Bible plays
Languages : en
Pages : 209
Book Description
Michael O'Connell shows that Reformation culture was preoccupied with idolatry and that the theatre was attacked as idolatrous. This anti-theatricalism targeted the traditional mystery plays. The text aims to explain what this meant for the secular theatre that followed.
Publisher: Oxford University Press, USA
ISBN: 019513205X
Category : Bible plays
Languages : en
Pages : 209
Book Description
Michael O'Connell shows that Reformation culture was preoccupied with idolatry and that the theatre was attacked as idolatrous. This anti-theatricalism targeted the traditional mystery plays. The text aims to explain what this meant for the secular theatre that followed.
A Cultural History of Tragedy in the Middle Ages
Author: Jody Enders
Publisher: Bloomsbury Publishing
ISBN: 1350154946
Category : History
Languages : en
Pages : 276
Book Description
For the first time, a group of distinguished authors come together to provide an authoritative exploration of the cultural history of tragedy in the Middle Ages. Reports of the so-called death of medieval tragedy, they argue, have been greatly exaggerated; and, for the Middle Ages, the stakes couldn't be higher. Eight essays offer a blueprint for future study as they take up the extensive but much-neglected medieval engagement with tragic genres, modes, and performances from the vantage points of gender, politics, theology, history, social theory, anthropology, philosophy, economics, and media studies. The result? A recuperated medieval tragedy that is as much a branch of literature as it is of theology, politics, law, or ethics and which, at long last, rejoins the millennium-long conversation about one of the world's most enduring art forms. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.
Publisher: Bloomsbury Publishing
ISBN: 1350154946
Category : History
Languages : en
Pages : 276
Book Description
For the first time, a group of distinguished authors come together to provide an authoritative exploration of the cultural history of tragedy in the Middle Ages. Reports of the so-called death of medieval tragedy, they argue, have been greatly exaggerated; and, for the Middle Ages, the stakes couldn't be higher. Eight essays offer a blueprint for future study as they take up the extensive but much-neglected medieval engagement with tragic genres, modes, and performances from the vantage points of gender, politics, theology, history, social theory, anthropology, philosophy, economics, and media studies. The result? A recuperated medieval tragedy that is as much a branch of literature as it is of theology, politics, law, or ethics and which, at long last, rejoins the millennium-long conversation about one of the world's most enduring art forms. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.
The Passion Story: From Visual Representation to Social Drama
Author:
Publisher: Penn State Press
ISBN: 0271048344
Category :
Languages : en
Pages : 308
Book Description
Publisher: Penn State Press
ISBN: 0271048344
Category :
Languages : en
Pages : 308
Book Description