Author: Glenn Richardson
Publisher: Bloomsbury Academic
ISBN: 9780340731437
Category : History
Languages : en
Pages : 264
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Book Description
What determined success or failure in Renaissance monarchy? Why was warfare endemic in Europe in the early sixteenth century and how did the great cultural and artistic changes of the period flourish amid this conflict? How did rival kings relate to each other and what steps did they each take to strengthen their monarchies? In short, how did they govern? Renaissance Monarchy approaches these and related issues in a revealing way, providing the first single-volume comparative history of the most renowned kings of the Renaissance: the Holy Roman Empire Charles V, Francis I of France and Henry VIII of England. Bringing these three kings together, out of the relative isolation in which they are each studied, adds a fresh dimension to our understanding of contemporary ideals of kingship and reveals how these monarchs strove to be regarded as great warriors, effective governors and generous patrons.
Author: Lisa Mansfield
Publisher:
ISBN: 9780719088711
Category : France
Languages : en
Pages : 177
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Book Description
Representations of Renaissance monarchy analyses the portraits and personal imagery of the renowned "Father of Arts and Letters", Francis I, one of the most frequently portrayed rulers of sixteenth-century Europe. The distinctive likeness of the Valois king was widely disseminated andperceived by his French subjects and Tudor and Habsburg rivals abroad. In providing a valuable point of comparison with publications on the representation of Henry VIII, the book makes a meaningful contribution to scholarship on the enterprise of royal image-making and practice of visual rhetoric inthe courts of early modern Europe. It also provides a useful guide on the manipulative mechanics of portraiture as a social tool and cultural phenomenon. Whereas conventional studies of images of rule emphasise the propagandistic agency or regulatory capacity of royal images and objects, thedispersive replication of Francis I's portraits are shown to have impacted on his reputation in unexpectedly positive and negative ways. The discussion not only highlights the inventiveness of the visual arts in Renaissance France but also alludes to the enduring politics of physical appearance andseductive power of the face and body in modern visual culture.Published on the five hundredth anniversary of Francis I's accession in 1515, this book will appeal to scholars and students of medieval and Renaissance art, the history of portraiture or anyone interested in images of monarchy and the history of France.
Author: Margaret Homans
Publisher: University of Chicago Press
ISBN: 0226351157
Category : History
Languages : en
Pages : 322
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Book Description
Queen Victoria was one of the most complex cultural productions of her age. In Royal Representations, Margaret Homans investigates the meanings Victoria held for her times, Victoria's own contributions to Victorian writing and art, and the cultural mechanisms through which her influence was felt. Arguing that being, seeming, and appearing were crucial to Victoria's "rule," Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation. Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.
Author: Sean McGlynn
Publisher: Cambridge Scholars Publishing
ISBN: 1443868523
Category : History
Languages : en
Pages : 330
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Book Description
Monarchy is an enduring institution that still makes headlines today. It has always been preoccupied with image and perception, never more so than in the period covered by this volume. The collection of papers gathered here from international scholars demonstrates that monarchical image and perception went far beyond cultural, symbolic and courtly display – although these remain important – and were, in fact, always deeply concerned with the practical expression of authority, politics and power. This collection is unique in that it covers the subject from two innovative angles: it not only addresses both kings and queens together, but also both the medieval and early modern periods. Consequently, this allows significant comparisons to be made between male and female monarchy as well as between eras. Such an approach reveals that continuity was arguably more important than change over a span of some five centuries. In removing the traditional gender and chronological barriers that tend to lead to four separate areas of studies for kings and queens in medieval and early modern history, the papers here are free to encompass male and female royal rulers ranging across Europe from the early-thirteenth to the late-seventeenth centuries to examine the image and perception of monarchy in England, Scotland, France, Burgundy, Spain and the Holy Roman Empire. Collectively this volume will be of interest to all those studying medieval and early modern monarchy and for those wishing to learn about the connections and differences between the two.
Author: Kate Buchanan
Publisher: Routledge
ISBN: 1317098145
Category : History
Languages : en
Pages : 303
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Book Description
What use is it to be given authority over men and lands if others do not know about it? Furthermore, what use is that authority if those who know about it do not respect it or recognise its jurisdiction? And what strategies and 'language' -written and spoken, visual and auditory, material, cultural and political - did those in authority throughout the medieval and early modern era use to project and make known their power? These questions have been crucial since regulations for governance entered society and are found at the core of this volume. In order to address these issues from an historical perspective, this collection of essays considers representations of authority made by a cross-section of society within the British Isles. Arranged in thematic sections, the 14 essays in the collection bridge the divide between medieval and early modern to build up understanding of the developments and continuities that can be followed across the centuries in question. Whether crown or noble, government or church, burgh or merchant; all desired power and influence, but their means of representing authority were very different. These essays encompass a myriad of methods demonstrating power and disseminating the image of authority, including: material culture, art, literature, architecture and landscapes, saintly cults, speeches and propaganda, martial posturing and strategic alliances, music, liturgy and ceremonial display. Thus, this interdisciplinary collection illuminates the variable forms in which authority was presented by key individuals and institutions in Scotland and the British Isles. By placing these within the context of the European powers with whom they interacted, this volume also underlines the unique relationships developed between the people and those who exercised authority over them.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Daniel Fischlin
Publisher: Wayne State University Press
ISBN: 9780814328774
Category : Biography & Autobiography
Languages : en
Pages : 556
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Book Description
Sixteen leading scholars explore the richness of King James's work from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right. Best known for his landmark version of the Protestant Bible, James VI (1566-1625) of Scotland, who succeeded Elizabeth I to the English throne, was truly a monarch of the word. From religious prose and verse to political treatises and social works to love poems and witty doggerel, James used writing and the print media to inspire his subjects, govern them, keep his enemies at bay, and even examine his own authority. Until now, the full span of James's work has received little critical attention by political and literary historians. In Royal Subjects, sixteen leading scholars explore the richness of his oeuvre from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right. Through its unprecedented look at monarchic writing, Royal Subjects not only enriches our understanding of the reign of James VI and I but also offers fruitful suggestions for approaches to other Renaissance texts and other periods.
Author: Kevin Sharpe
Publisher: A&C Black
ISBN: 1441156755
Category : History
Languages : en
Pages : 342
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Book Description
Reading Authority and Representing Rule in Early Modern England explores the publication and reception of authority in early modern England. Examples are drawn from a broad range of source, including royal portraits, architecture, coins and medals and written texts.This is a volume that presents the history of society and state as a cultural as well as an institutional or political history. The author, Kevin Sharpe, was a leading scholar in interdisciplinary approaches to the study of early modern Britain. He pioneered the application of methods and approaches from other disciplines, such as literary criticism, reception studies and visual culture, to the study of the English Renaissance state. This will be an important text for anyone studying early modern England, as well as for those interested in the methods of cultural history and the explication of written and visual texts.
Author: J. Russell Major
Publisher: JHU Press
ISBN: 9780801856310
Category : Biography & Autobiography
Languages : en
Pages : 476
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Book Description
Evans (classics, U. of British Columbia) examines the history of the great emperor, whose reign marks the transition between Late Antiquity and the Byzantine period, including what is presently known about his life, the social structure of the empire, its relations with its neighbors, and naturally, its wars. It also examines theological issues, which split the empire and left deep divisions after Justinian's death. Annotation copyright by Book News, Inc., Portland, OR.
Author: Harry Redner
Publisher: Routledge
ISBN: 0429720491
Category : Political Science
Languages : en
Pages : 388
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Book Description
This book deals with representation in science, politics and art both in its historical dimensions and in its contemporary expression. It aims to reveal the current trends of culture and guide these towards the goal of a future culture for the coming global technological civilization.
