Representation and Memory in Graphic Novels PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Representation and Memory in Graphic Novels PDF full book. Access full book title Representation and Memory in Graphic Novels by Golnar Nabizadeh. Download full books in PDF and EPUB format.
Author: Golnar Nabizadeh
Publisher: Routledge
ISBN: 131706609X
Category : Social Science
Languages : en
Pages : 291
Get Book
Book Description
This book analyses the relationship between comics and cultural memory. By focussing on a range of landmark comics from the twentieth and twenty-first centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes and individuals living with particular health conditions. The discussion is influenced by literary and cultural debates on the intersections between ethics, testimony, trauma, and human rights, reflected in its three overarching questions: ‘How do comics usually complicate the production of cultural memory in local contents and global mediascapes?’, ‘How do comics engage with, and generate, new forms of testimonial address?’, and ‘How do the comics function as mnemonic structures?’ The author highlights that the power of comics is that they allow both creators and readers to visualise the fracturing power of violence and oppression – at the level of the individual, domestic, communal, national and international – in powerful and creative ways. Comics do not stand outside of literature, cinema, or any of the other arts, but rather enliven the reciprocal relationship between the verbal and the visual language that informs all of these media. As such, the discussion demonstrates how fields such as graphic medicine, graphic justice, and comics journalism contribute to existing theoretical and analytics debates, including critical visual theory, trauma and memory studies, by offering a broad ranging, yet cohesive, analysis of cultural memory and its representation in print and digital comics.
Author: Golnar Nabizadeh
Publisher: Routledge
ISBN: 131706609X
Category : Social Science
Languages : en
Pages : 291
Get Book
Book Description
This book analyses the relationship between comics and cultural memory. By focussing on a range of landmark comics from the twentieth and twenty-first centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes and individuals living with particular health conditions. The discussion is influenced by literary and cultural debates on the intersections between ethics, testimony, trauma, and human rights, reflected in its three overarching questions: ‘How do comics usually complicate the production of cultural memory in local contents and global mediascapes?’, ‘How do comics engage with, and generate, new forms of testimonial address?’, and ‘How do the comics function as mnemonic structures?’ The author highlights that the power of comics is that they allow both creators and readers to visualise the fracturing power of violence and oppression – at the level of the individual, domestic, communal, national and international – in powerful and creative ways. Comics do not stand outside of literature, cinema, or any of the other arts, but rather enliven the reciprocal relationship between the verbal and the visual language that informs all of these media. As such, the discussion demonstrates how fields such as graphic medicine, graphic justice, and comics journalism contribute to existing theoretical and analytics debates, including critical visual theory, trauma and memory studies, by offering a broad ranging, yet cohesive, analysis of cultural memory and its representation in print and digital comics.
Author: Golnar Nabizadeh
Publisher:
ISBN: 9781317066088
Category : Collective memory and literature
Languages : en
Pages :
Get Book
Book Description
"This book analyses the relationship between comics and cultural memory. By focusing on a range of landmark comics from the 20th and 21st centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes, and individuals living with particular health conditions."--
Author: Tatiana Prorokova
Publisher: Rutgers University Press
ISBN: 081359099X
Category : Literary Criticism
Languages : en
Pages : 247
Get Book
Book Description
Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.
Author: Maaheen Ahmed
Publisher: Springer
ISBN: 3319917463
Category : Social Science
Languages : en
Pages : 290
Get Book
Book Description
Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact—especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives—in their physical and metaphorical manifestations—this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.
Author: James Sie
Publisher: St. Martin's Press
ISBN: 1466859261
Category : Fiction
Languages : en
Pages : 333
Get Book
Book Description
When Walter Stahl was five-years-old, his mother drove away in the family's blue Volvo and never came back. Now seventeen, living in the dregs of Las Vegas, taking care of his ailing father and marking time in a dead-end job along the Strip, Walter's life so far has been defined by her absence. He doesn't remember what she looks like; he's never so much as seen a photograph but, still, he looks for her among the groups of tourists he runs into every day, allowing himself the dim hope that she might still be out there, somewhere. But when Walter meets Chrysto and Acacia, a brother and sister working as living statues at the Venetian Hotel, his world cracks wide open. With them he discovers a Las Vegas he never knew existed and, as feelings for Chrysto develop, a side of himself he never knew he had. At the same time, clues behind his mother's disappearance finally start to reveal themselves, and Walter is confronted with not only the truth about himself, but also that of his family history. Threading through this coming-of-age story are beautiful, heart-wrenching graphic illustration, which reveal the journey of Walter's mother Emily: how she left everything to chase a vision of Liberace across the country; and how Walter's father Owen went searching for her amongst the gondolas of the Venetian Hotel. In James Sie's debut novel, Still Life Las Vegas, the magical collides with the mundane; memory, sexual awakening and familial ties all lead to a place where everything is illuminated, and nothing is real.
Author: Victoria Aarons
Publisher: Rutgers University Press
ISBN: 1978802579
Category : History
Languages : en
Pages : 252
Get Book
Book Description
In Holocaust Graphic Narratives, Victoria Aarons demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Aarons analyzes the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss. In recreating moments of traumatic rupture, dislocation, and disequilibrium, these graphic narratives contribute to the evolving field of Holocaust representation and establish a new canon of visual memory. The intergenerational dialogue established by Aarons’ reading of these narratives speaks to the on-going obligation to bear witness to the Holocaust. Examined together, these intergenerational works bridge the erosions created by time and distance. As a genre of witnessing, these graphic stories, in retracing the traumatic tracks of memory, inscribe the weight of history on generations that follow.
Author: Ewa Stańczyk
Publisher: Routledge
ISBN: 042994229X
Category : History
Languages : en
Pages : 244
Get Book
Book Description
This book analyses the portrayals of the Holocaust in newspaper cartoons, educational pamphlets, short stories and graphic novels. Focusing on recognised and lesser-known illustrators from Europe and beyond, the volume looks at autobiographical and fictional accounts and seeks to paint a broader picture of Holocaust comic strips from the 1940s to the present. The book shows that the genre is a capacious one, not only dealing with the killing of millions of Jews but also with Jewish lives in war-torn Europe, the personal and transgenerational memory of the Second World War and the wider national and transnational legacies of the Shoah. The chapters in this collection point to the aesthetic diversity of the genre which uses figurative and allegorical representation, as well as applying different stylistics, from realism to fantasy. Finally, the contributions to this volume show new developments in comic books and graphic novels on the Holocaust, including the rise of alternative publications, aimed at the adult reader, and the emergence of state-funded educational comics written with young readers in mind. This book was originally published as a special issue of the Journal of Modern Jewish Studies.
Author: Samantha Baskind
Publisher: Rutgers University Press
ISBN: 0813543673
Category : Literary Criticism
Languages : en
Pages : 292
Get Book
Book Description
The graphic novel is a vital and emerging genre, and this is the only book that focuses on its relation to Jewish culture, literature, and history. A highly readable and informative collection that will be of great interest to readers across a wide range of disciplines.--Deborah R. Geis, editor of "Considering MAUS: Approaches to Art Spiegelman's "Survivor's Tale" of the Holocaust."
Author: Laurike in 't Veld
Publisher: Palgrave Macmillan
ISBN: 9783030969622
Category : Social Science
Languages : en
Pages : 230
Get Book
Book Description
This book mobilises the concept of kitsch to investigate the tensions around the representation of genocide in international graphic novels that focus on the Holocaust and the genocides in Armenia, Rwanda, and Bosnia. In response to the predominantly negative readings of kitsch as meaningless or inappropriate, this book offers a fresh approach that considers how some of the kitsch strategies employed in these works facilitate an affective interaction with the genocide narrative. These productive strategies include the use of the visual metaphors of the animal and the doll figure and the explicit and excessive depictions of mass violence. The book also analyses where kitsch still produces problems as it critically examines depictions of perpetrators and the visual and verbal representations of sexual violence. Furthermore, it explores how graphic novels employ anti-kitsch strategies to avoid the dangers of excess in dealing with genocide. The Representation of Genocide in Graphic Novels will appeal to those working in comics-graphic novel studies, popular culture studies, and Holocaust and genocide studies.
Author: Julia Round
Publisher: Bloomsbury Publishing
ISBN: 1350336084
Category : Literary Criticism
Languages : en
Pages : 281
Get Book
Book Description
Providing an overview of the dynamic field of comics and graphic novels for students and researchers, this Essential Guide contextualises the major research trends, debates and ideas that have emerged in Comics Studies over the past decades. Interdisciplinary and international in its scope, the critical approaches on offer spread across a wide range of strands, from the formal and the ideological to the historical, literary and cultural. Its concise chapters provide accessible introductions to comics methodologies, comics histories and cultures across the world, high-profile creators and titles, insights from audience and fan studies, and important themes and genres, such as autobiography and superheroes. It also surveys the alternative and small press alongside general reference works and textbooks on comics. Each chapter is complemented by list of key reference works.
