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Author: Renato Rizzoli
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 224
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Book Description
The purpose of this work is to examine how, in the context of the Jacobean era's transition to the Stuart monarchy's absolutism in England, the tronic method of the coups de theatre was utilized and modified by Baroque playwrights in such works as Philaster, The Revenger's Tragedy, The White Devil, and Women Beware Women. A tier exploring the Aristotelian antecedents of the coups de theatre, Rizzoli (English, U. of Turin) explores the often opposed textual responses of the plays to social, political, and epistemological realities of the day. This is the English version of a study previously published in Italy.
Author: Renato Rizzoli
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 224
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Book Description
The purpose of this work is to examine how, in the context of the Jacobean era's transition to the Stuart monarchy's absolutism in England, the tronic method of the coups de theatre was utilized and modified by Baroque playwrights in such works as Philaster, The Revenger's Tragedy, The White Devil, and Women Beware Women. A tier exploring the Aristotelian antecedents of the coups de theatre, Rizzoli (English, U. of Turin) explores the often opposed textual responses of the plays to social, political, and epistemological realities of the day. This is the English version of a study previously published in Italy.
Author: Renato Rizzoli
Publisher:
ISBN: 9780773441620
Category :
Languages : en
Pages : 196
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Book Description
Author: Pascale Aebischer
Publisher: Bloomsbury Publishing
ISBN: 1350309974
Category : Performing Arts
Languages : en
Pages : 135
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Book Description
The plays of Shakespeare's contemporaries are increasingly popular thanks to a spate of recent stage and screen productions and to courses that set Shakespeare's plays in context. This Reader's Guide introduces students to the criticism and debates that are specific to the drama of playwrights such as Jonson, Middleton, Dekker and Webster. Pascale Aebischer explores recent critical developments in key areas including: - How the plays were staged and printed - Innovative editions of plays - How the plays represent and contest the dominant ideologies of the Jacobean period - Dramatic genres - The representation of the human body and of social, gender and race relations - Modern productions on stage and screen Featuring suggestions for further research and reading, and a filmography of commercially available film versions of non-Shakespearean drama, this is an invaluable resource for anyone with an interest in the diverse plays of the Jacobean age.
Author: Anja Müller-Wood
Publisher: Rodopi
ISBN: 904202190X
Category : Literary Collections
Languages : en
Pages : 225
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Book Description
Jacobean tragedy is typically seen as translating a general dissatisfaction with the first Stuart monarch and his court into acts of calculated recklessness and cynical brutality. Drawing on theoretical influences from social history, psychoanalysis and the study of discourses, this innovative book proposes an alternative perspective: Jacobean tragedy should be seen in the light of the institutional and social concerns of the early modern stage and the ambiguities which they engendered. Although the stage's professionalization opened up hitherto unknown possibilities of economic success and social advancement for its middle-class practitioners, the imaginative, linguistic and material conditions of their work undermined the very ambitions they generated and furthered. The close reading of play texts and other, non-dramatic sources suggests that playwrights knew that they were dealing with hazardous materials prone to turn against them: whether the language they used or the audiences for whom they wrote and upon whose money and benevolence their success depended. The notorious features of the tragedies under discussion - their bloody murders, intricately planned revenges and psychologically refined terror - testify not only to the anxiety resulting from this multifaceted professional uncertainty but also to theatre practitioners' attempts to civilize the excesses they were staging.
Author: Jutka Dévényi
Publisher: Bucknell University Press
ISBN: 9780838753132
Category : Literary Criticism
Languages : en
Pages : 132
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Book Description
Based on various models of metonymy, this book distinguishes metonymic drama structure from the metaphoric, symbolic, and allegorical. It applies Kristeva's theory of the "semiotic" to dramatic texts and Barker's observations on the private body to their potential theatrical representation in order to argue that there is a relationship between fragmented representations of the subject and metonymic drama structure.
Author: R. West
Publisher: Springer
ISBN: 1403913692
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Spatial Representations and the Jacobean Stage offers a timely alternative to theatre criticism's neglect of the intensely spatial character of theatrical performance. The book shows that early modern audiences were highly aware of the spatial aspects of the stage. West examines the ways Jacobean dramatists used stage space to explore the spatial transformations of early modern society - social mobility, wandering populations, rural enclosure, sea travel, localized empirical thought. Dramas by Shakespeare, Jonson, Middleton and Webster are scrutinized for their treatment of these controversial themes.
Author: James Hogg
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 384
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Book Description
This collection of essays looks at the social criticism of such authors as Middleton, Webster, Massinger, Ford, John Fletcher, as well as considering the activities of the Actors' Companies and the production of Latin plays. Political criticism is found in the form of allusion in the tragedies, while the comedies are seen as mocking the shortcomings of the professional, middle and lower classes, some of the satire being directed against the way of speaking of the characters depicted.
Author:
Publisher:
ISBN:
Category : Philology
Languages : en
Pages : 572
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Book Description
Author: Michele Marrapodi
Publisher: Routledge
ISBN: 1351925849
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
Applying recent developments in new historicism and cultural materialism - along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text - the essays collected here reconsider the pervasive influence of Italian culture, literature, and traditions on early modern English drama. The volume focuses strongly on Shakespeare but also includes contributions on Marston, Middleton, Ford, Brome, Aretino, and other early modern dramatists. The pervasive influence of Italian culture, literature, and traditions on the European Renaissance, it is argued here, offers a valuable opportunity to study the intertextual dynamics that contributed to the construction of the Elizabethan and Jacobean theatrical canon. In the specific area of theatrical discourse, the drama of the early modern period is characterized by the systematic appropriation of a complex Italian iconology, exploited both as the origin of poetry and art and as the site of intrigue, vice, and political corruption. Focusing on the construction and the political implications of the dramatic text, this collection analyses early modern English drama within the context of three categories of cultural and ideological appropriation: the rewriting, remaking, and refashioning of the English theatrical tradition in its iconic, thematic, historical, and literary aspects.
Author: Eileen Jorge Allman
Publisher: University of Delaware Press
ISBN: 9780874136982
Category : Drama
Languages : en
Pages : 228
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Book Description
"The Maid's Tragedy, The Second Maid's Tragedy, Valentinian, and The Duchess of Malfi appeared on the English stage at a time when disenchantment with King James and nostalgia for Queen Elizabeth cast doubt on the traditional analogy between maleness and authority. In their sensational portrayal of politics and sex, these revenge tragedies challenge the dogmas of patriarchalism and absolutism on which James based his rule." "Focusing initially on the first three plays, Eileen Allman examines the genre's resident tyrants, revengers, androgynous heroes, and virtuous heroines."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
