Reports of Cases Argued and Determined in the Superior Court of the City of New York [1847-1852] PDF Download
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![Reports of Cases Argued and Determined in the Superior Court of the City of New York [1847-1852] PDF](https://books.google.com/books/content/images/frontcover/--cDAAAAYAAJ?fife=w150-h200)
Author: New York (State). Superior Court (New York)
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 830
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![Reports of Cases Argued and Determined in the Superior Court of the City of New York [1847-1852] PDF](https://books.google.com/books/content/images/frontcover/--cDAAAAYAAJ?fife=w80-h100)
Author: New York (State). Superior Court (New York)
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 830
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Author: New York (State). Superior Court (New York).
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 780
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Author: John Duer
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 818
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Author: Anthony L. Robertson
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 786
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![Reports of Cases Argued and Determined in the Superior Court of the City of New York [1871-1892] PDF](https://books.google.com/books/content/images/frontcover/meUDAAAAYAAJ?fife=w80-h100)
Author: New York (State). Superior Court (New York)
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 652
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![Reports of Cases Argued and Determined in the Court of Appeals of the State of New-York [1847-1851] PDF](https://books.google.com/books/content/images/frontcover/LLpOAQAAIAAJ?fife=w80-h100)
Author: New York (State). Court Of Appeals
Publisher:
ISBN:
Category :
Languages : en
Pages : 668
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Author: Albert M. Rosenblatt
Publisher: State University of New York Press
ISBN: 1438492669
Category : History
Languages : en
Pages : 300
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The Eight tells the story of Lemmon v. New York—or, as it's more popularly known, the Lemmon Slave Case. All but forgotten today, it was one of the most momentous civil rights cases in American history. There had been cases in which the enslaved had won their freedom after having resided in free states, but the Lemmon case was unique, posing the question of whether an enslaved person can win freedom by merely setting foot on New York soil—when brought there in the keep of an "owner." The case concerned the fates of eight enslaved people from Virginia, brought through New York in 1852 by their owners, Juliet and Jonathan Lemmon. The Eight were in court seeking, legally, to become people—to change their status under law from objects into human beings. The Eight encountered Louis Napoleon, the son of a slave, an abolitionist activist, and a "conductor" of the Underground Railroad, who took enormous risks to help others. He was part of an anti-slavery movement in which African-Americans played an integral role in the fight for freedom. The case was part of the broader judicial landscape at the time: If a law was morally repugnant but enshrined in the Constitution, what was the duty of the judge? Should there be, as some people advocated, a "higher law" that transcends the written law? These questions were at the heart of the Lemmon case. They were difficult and important ones in the 1850s—and, more than a century and a half later, we must still grapple with them today.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 448
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Author: Kimberly A. Orcutt
Publisher: Fordham Univ Press
ISBN: 153150700X
Category : Art
Languages : en
Pages : 400
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Book Description
The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works. For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade. Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.
Author: [Anonymus AC09764865]
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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