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Author: John R Hall
Publisher: Routledge
ISBN: 1134232799
Category : Art
Languages : en
Pages : 281
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Book Description
As many observers have noted, the world is becoming increasingly visually mediated, with the rise of computers and the internet being central factors in the emergence of new tools and conventions. Exploring the social structure of visuality, this volume contains a collection of essays by internationally renowned artists and scholars from a variety of fields (including art history, literary theory and criticism, cultural studies, film and television studies, intellectual history and sociology). It was conceived to address a bold query: how is our experience and understanding of vision and visual form changing under pressure from the various social, economic and cultural factors that are linked under the term 'globalization'. The essays overlap in their considerations of the tensions between cultures and worlds, political life, everyday social experience, and war. The resulting conversation that develops between the chapters touches on points from many visual worlds, and provides a unique opportunity for considering the changing character of visual experience today. This book will attract readers from a wide range of academic disciplines and will especially be valuable as a textbook for graduate and undergraduate courses in visual culture and cultural studies.
Author: John R Hall
Publisher: Routledge
ISBN: 1134232799
Category : Art
Languages : en
Pages : 281
Get Book Here
Book Description
As many observers have noted, the world is becoming increasingly visually mediated, with the rise of computers and the internet being central factors in the emergence of new tools and conventions. Exploring the social structure of visuality, this volume contains a collection of essays by internationally renowned artists and scholars from a variety of fields (including art history, literary theory and criticism, cultural studies, film and television studies, intellectual history and sociology). It was conceived to address a bold query: how is our experience and understanding of vision and visual form changing under pressure from the various social, economic and cultural factors that are linked under the term 'globalization'. The essays overlap in their considerations of the tensions between cultures and worlds, political life, everyday social experience, and war. The resulting conversation that develops between the chapters touches on points from many visual worlds, and provides a unique opportunity for considering the changing character of visual experience today. This book will attract readers from a wide range of academic disciplines and will especially be valuable as a textbook for graduate and undergraduate courses in visual culture and cultural studies.
Author: Erika Suderburg
Publisher: U of Minnesota Press
ISBN: 9780816631599
Category : Art
Languages : en
Pages : 392
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Book Description
From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms. In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. The contributors discuss installation in relation to the genealogy of modern art, community and corporate space, multimedia cyberspace, public and private ritual, the gallery and the museum, public and private patronage, and political action. This ambitious volume focuses on issues of class, sexuality, cultural identity rase, and gender, and highlights a wide range of artists whose work is often marginalized by mainstream art history and criticism. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture.
Author: Andrea Fraser
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 572
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Book Description
This publication is a substantial archive and a singular point of entry into thinking with and understanding Andrea Fraser's work and reception. The interview format provides intimate insight into Fraser's self-positioning as a central aspect of her practice. By presenting the artist's voice as mediated through interlocutors ranging from professional peers to popular media, 'Collected Interviews, 1990-2018' uniquely contextualizes Fraser's practice in the artistic, institutional, and discursive fields in which she intervenes. As Fraser is engaged, challenged, and understood from diverse perspectives, readers learn as much about her artistic commitments from the artist's humor and affect as from her incisive analyses. The collection spans three decades, from the early 1990s to the present, and is organized chronologically with minimal editing. The collection's unmediated format allows Fraser's key ideas and themes to attain deeper resonance through repetitions and subtle differentiations over multiple conversations.
Author: Zoya Kocur
Publisher: John Wiley & Sons
ISBN: 1444338579
Category : Art
Languages : en
Pages : 589
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Book Description
Updated and reorganized to offer the best collection of state-of-the-art readings on the role of critical theory in contemporary art, this second edition of Theory in Contemporary Art since 1985 brings together scholarly essays, artists’ statements, and art reproductions to capture the vibrancy and dissonance that define today’s art scene. Incorporates new and updated topics that have become central to art theory and practice over the past decade New and updated chapters cover such topics as: international biennials, historicizing of the term “contemporary art”, aesthetics, art and politics, feminism and pornography, ecology and art, the Middle East and conflict studies, Eastern European art and politics, gender and war, and technology Features a thematic reconfiguration of sections and new introductions to make readings user–friendly Extensively illustrated throughout with an expanded color-plate section New contributions to this edition include those by Alexander Alberro, Claire Bishop, T.J. Demos, Anthony Downey, Liam Gillick, Marina Gr?iniæ, Mary Kelly, Chantal Mouffe, Beatriz Preciado, Jacques Ranciere, Blake Stimson, and Chin-Tao Wu.
Author: Fiona Cameron
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 554
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Book Description
Theoretical and practical perspectives from a range of disciplines on the challenges of using digital media in interpretation and representation of cultural heritage.
Author: Noah Horowitz
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
“This is undoubtedly a moment marked by a serious interest in the actions America is taking on the world stage—actions that have been described as a cause for 'grave concern.' We do not attempt to authoritatively engage these concerns here nor do we wish to insinuate that elevated interest in America's cultural affairs is somehow unique to our present historical moment. We do, however, think that this sampling of discourse by and about a country's visual artists leads to insights about its politics and society not gained elsewhere. […] At the very least, it gives a sense of what it is like to live in the United States today, and results in some inspired debate. We hope that this book serves not only as a valuable compendium of recent writing about contemporary art, but also as inspiration to seek further understanding of these 'Uncertain States.'” So Noah Horowitz and Brian Sholis note in the introduction to this unique compilation of writing around art and cultural politics in America since 2000. Published in collaboration with the Serpentine Gallery, London, and the Astrup Fearnley Museum of Modern Art, Oslo, as an addendum to the traveling exhibition Uncertain States of America, curated by Daniel Birnbaum, Gunnar Kvaran, and Hans Ulrich Obrist, the USA Reader was designed by Dexter Sinister. It is a thought-provoking collection that will become an important sourcebook on American culture at the start of the new millennium. Contributors Giorgio Agamben, Dora Apel, Jack Bankowsky, David Barringer, Bernadette Corporation, John Bowe et al., Johanna Burton, Paul Chan, Critical Art Ensemble, Trisha Donnelly, Andrea Fraser, Isabelle Graw, Tim Griffin, Matthew Jesse Jackson, Chris Kraus, Miwon Kwon, Robert Morris, Molly Nesbit, Seth Price, Kymberly N. Pinder, Retort, Ralph Rugoff, Gregory Sholette, Julian Stallabrass, Kirk Varnedoe, Hamza Walker, and Matt Wolf
Author:
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 254
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Book Description
Varios especialistas abordan la dimensión poético-política de la crítica en la universidad, las revistas especializadas, el museo o la literatura.
Author: Andrea Fraser
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
American artist Andrea Fraser's energetic parodies of the art world seem like stand-up comedy, whether she's doing her own wacky take on a docent talk or engaging in an erotic encounter with the Guggenheim Bilbao. But her sometimes-hilarious performances address serious issues, like the relationship between an art institution and its visitors, or the meaning of "education" in a museum. Includes multiple video frames and transcripts of four works performed at the Belkin Gallery at the University of British Columbia.
Author: Generali Foundation
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : un
Pages : 610
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Book Description
Edited and with text by Sabine Breitwieser. Foreword by Dietrich Kramer.
Author: California. Public Employees' Retirement System. Board of Administration
Publisher:
ISBN:
Category : Pension trusts
Languages : en
Pages : 414
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Book Description
