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Author: R.J.W. Evans
Publisher: Routledge
ISBN: 1351946668
Category : History
Languages : en
Pages : 449
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Book Description
'Curiosity' and 'wonder' are topics of increasing interest and importance to Renaissance and Enlightenment historians. Conspicuous in a host of disciplines from history of science and technology to history of art, literature, and society, both have assumed a prominent place in studies of the Early Modern period. This volume brings together an international group of scholars to investigate the various manifestations of, and relationships between, 'curiosity' and 'wonder' from the 16th to the 18th centuries. Focused case studies on texts, objects and individuals explore the multifaceted natures of these themes, highlighting the intense fascination and continuing scrutiny to which each has been subjected over three centuries. From instances of curiosity in New World exploration to the natural wonders of 18th-century Italy, Curiosity and Wonder from the Renaissance to the Enlightenment locates its subjects in a broad geographical and disciplinary terrain. Taken together, the essays presented here construct a detailed picture of two complex themes, demonstrating the extent to which both have been transformed and reconstituted, often with dramatic results.
Author: R.J.W. Evans
Publisher: Routledge
ISBN: 1351946668
Category : History
Languages : en
Pages : 449
Get Book Here
Book Description
'Curiosity' and 'wonder' are topics of increasing interest and importance to Renaissance and Enlightenment historians. Conspicuous in a host of disciplines from history of science and technology to history of art, literature, and society, both have assumed a prominent place in studies of the Early Modern period. This volume brings together an international group of scholars to investigate the various manifestations of, and relationships between, 'curiosity' and 'wonder' from the 16th to the 18th centuries. Focused case studies on texts, objects and individuals explore the multifaceted natures of these themes, highlighting the intense fascination and continuing scrutiny to which each has been subjected over three centuries. From instances of curiosity in New World exploration to the natural wonders of 18th-century Italy, Curiosity and Wonder from the Renaissance to the Enlightenment locates its subjects in a broad geographical and disciplinary terrain. Taken together, the essays presented here construct a detailed picture of two complex themes, demonstrating the extent to which both have been transformed and reconstituted, often with dramatic results.
Author: Phyllis G. Tortora
Publisher: Bloomsbury Publishing USA
ISBN: 1628921676
Category : History
Languages : en
Pages : 721
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Book Description
"Survey of Historic Costume presents a thorough overview and chronology of Western dress from the ancient world to the trends of today"--
Author: Stephen Orgel
Publisher: Oxford University Press
ISBN: 0191057533
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
The Reader in the Book is concerned with a particular aspect of the history of the book, an archeology and sociology of the use of margins and other blank spaces. One of the most commonplace aspects of old books is the fact that people wrote in them, something that, until very recently, has infuriated modern collectors and librarians. But these inscriptions constitute a significant dimension of the book's history, and what readers did to books often added to their value. Sometimes marks in books have no relation to the subject of the book, merely names, dates, prices paid; blank spaces were used for pen trials and doing sums, and flyleaves are occasionally the repository of records of various kinds. The Reader in the Book deals with that special class of books in which the text and marginalia are in intense communication with each other, in which reading constitutes an active and sometimes adversarial engagement with the book. The major examples are works that are either classics or were classics in their own time; but they are seen here as contemporaries read them, without the benefit of centuries of commentary and critical guidance. The underlying question is at what point marginalia, the legible incorporation of the work of reading into the text of the book, became a way of defacing it rather than of increasing its value-why did we want books to lose their history?
Author: Katherine MacDonald
Publisher: Routledge
ISBN: 1351195255
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
"When the famous Royal Professor of Philosophy and Eloquence Petrus Ramus (1515-1572) gave a lecture, one of his most promising pupils stood by, ready to tug on his coat if he made a mistake. That pupil was Ramus's future biographer, the much less famous Nicolas de Nancel (1539-1610), who recounted this anecdote in hisVita Rami (1599). Nancel's insertion of himself into his life of Ramus is typical of early modern biographies of men of letters. As biographer, the humanist man of letters situated himself within the same cultural field as his subject, thereby accrediting himself as a fellow man of letters by his display of humanistic competence. The first study of monograph lives of men of letters in sixteenth-century France, this ground-breaking book offers valuable insights into biography's role as a form of social and cultural negotiation geared to advance the biographer's career."
Author: Laura Fulkerson Hodges
Publisher: Boydell & Brewer Ltd
ISBN: 1843843684
Category : Design
Languages : en
Pages : 258
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Book Description
An analysis of the ways in which Chaucer uses details of costume, clothing and fabric, enhancing our understanding of and shedding fresh insights into his work. The use Chaucer made of costume rhetoric, and its function within his body of works, are examined here for the first time. The study explores Chaucer's knowledge of the conventional imagery of medieval literary genres, especiallymedieval romances and fabliaux, and his manipulation of rhetorical conventions through variations and omissions. In particular, it addresses Chaucer's habit of playing upon his audience's expectations, derived from their knowledge of the literary genres involved - and why he omits lengthy passages of costume rhetoric in his romances, but includes them in some of his comedic works, It also discusses the numerous minor facets of costume rhetoric employed in decorating his texts. Chaucer and Array responds to the questions posed by medievalists concerning Chaucer's characteristic pattern of apportioning descriptive detail in his characterization by costume. It alsoexamines his depiction of clothing and textiles representing contemporary material culture while focusing attention on the literary meaning of clothing and fabrics as well as on their historic, economic and religious signification. Laura F. Hodges blends her interests in medieval literature and the history of costume in her publications, specializing in the semiotics of costume and fabrics in literature. A teacher of English literature for a number of years, she holds a doctorate in literature from Rice University.
Author: Braden Frieder
Publisher: Penn State Press
ISBN: 0271090758
Category : History
Languages : en
Pages : 258
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Book Description
Chivalry and the Perfect Prince is a survey of the ceremonial armor crafted for the Spanish Habsburg monarchs of the sixteenth century. It examines notable tournaments and pageantry held at the courts of Charles V and Philip II, and the artworks associated with them. Braden Frieder guides the reader through these tournaments, jousting, and other knightly exercises as part of a larger aristocratic culture that included arms and armor, paintings, tapestries, medals, and sculptures with chivalric themes. Frieder presents Habsburg tournaments in their proper historical context as an extension of imperial politics, drawing comparisons with popular chivalric literature of the period. Frieder’s study utilizes extensive primary source material and contemporary documents, many appearing for the first time in English. Included in this book are eighty-one illustrations of fine art and armor from the sixteenth century, the crescendo of the armorer's art in Europe. For the first time in print, these artworks are treated collectively, as integral parts of aristocratic life and culture during the Renaissance.
Author: Charlotte Colding Smith
Publisher: Routledge
ISBN: 131731963X
Category : History
Languages : en
Pages : 293
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Book Description
Using evidence from contemporary printed images, Smith examines the attitudes of Christian Europe to the Ottoman Empire and to Islam. She also considers the relationship between text and image, placing it in the cultural context of the Reformation and beyond.
Author: Margaret Scott
Publisher: Getty Publications
ISBN: 1606066129
Category : Art
Languages : en
Pages : 122
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Book Description
Explore medieval fashions through illuminated manuscripts—from the luxurious garments worn by royalty to the modest clothes of the peasantry. From the costly velvets and furs worn by kings to the undyed wools and rough linens of the peasantry, the clothing worn by the various classes in the Middle Ages played an integral role in medieval society. In addition to providing clues to status, profession, and/or geographic origin, textiles were a crucial element in the economies of many countries and cities. Much of what is known about medieval fashion is gleaned from the pages of manuscripts, which serve as a rich source of imagery. This volume provides a detailed look at both the actual fabrics and composition of medieval clothing as well as the period’s attitude toward fashion through an exploration of illuminated manuscripts in the collection of the J. Paul Getty Museum. The last portion of the book is dedicated to the depiction of clothing in biblical times and the ancient world as seen through a medieval lens. Throughout, excerpts from literary sources of the period help shed light on the perceived role and function of fashion in daily life.
Author:
Publisher: BRILL
ISBN: 9004215131
Category : History
Languages : en
Pages : 1402
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Book Description
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them. Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.
Author: Meg Twycross
Publisher: Routledge
ISBN: 135191930X
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Drawing on broad research, this study explores the different social and theatrical masking activities in England during the Middle Ages and the early 16th century. The authors present a coherent explanation of the many functions of masking, emphasizing the important links among festive practice, specialized ceremonial, and drama. They elucidate the intellectual, moral and social contexts for masking, and they examine the purposes and rewards for participants in the activity. The authors' insight into the masking games and performances of England's medieval and early Tudor periods illuminates many aspects of the thinking and culture of the times: issues of identity and community; performance and role-play; conceptions of the psyche and of the individual's position in social and spiritual structures. Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices, demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods; but is also useful for historians of culture, theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance, and with broader cultural and historical questions of social organization, identity and the self, the performance of power, and shifting spiritual understanding.
