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Author: Jim Pearce
Publisher: Boydell & Brewer
ISBN: 1571135995
Category : History
Languages : en
Pages : 169
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Book Description
Features the best scholarly essays from the 2013 Southeastern Renaissance Conference held at Duke University in Durham, North Carolina, including essays on Renaissance poetics, friendship, and representations of women. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2013 volume features essays from the conference held at Duke University in Durham, North Carolina. The volume opens with three reappraisals of Renaissance poetics. The first essay addresses the incarnational poetics in George Herbert's poetry; the second investigates the poetics of probability in Middleton's A Yorkshire Tragedy; and the third considers an image from Colluthus's Rape of Helen, proposing new ways to understand allusion in Marlowe's Hero and Leander. The volume then turns to Renaissance representations of women with a discussion of "swooning" in George Gascoigne's The Adventures of Master F.J.; a discussion of prostitution, performance, and the art of Anti-Sprezzatura; and a discussion of identity, loss, and narration in The Rapeof Lucrece. The center of the volume turns to an examination of friendship and the paratextual apparatus of Michel de Montaigne's Essais, and then shifts to Shakespearean drama with essays on The Comedy of Errors, Measure for Measure, and Cymbeline. The volume closes with an essay on John Milton's historical iconoclasm in his History of Britain. Contributors: John Wall, Kevin Chovanec, Pamela Macfie, Margaret Simon, Mara Amster, Ruth Stevenson, Andrew Keener, Christopher Crosbie, Ward Risvold, Patricia Wareh, and Paul Stapleton. Jim Pearce is an Associate Professor and Joanna Kucinski is an Assistant Professor at North Carolina Central University.
Author: Jim Pearce
Publisher: Boydell & Brewer
ISBN: 1571135995
Category : History
Languages : en
Pages : 169
Get Book Here
Book Description
Features the best scholarly essays from the 2013 Southeastern Renaissance Conference held at Duke University in Durham, North Carolina, including essays on Renaissance poetics, friendship, and representations of women. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2013 volume features essays from the conference held at Duke University in Durham, North Carolina. The volume opens with three reappraisals of Renaissance poetics. The first essay addresses the incarnational poetics in George Herbert's poetry; the second investigates the poetics of probability in Middleton's A Yorkshire Tragedy; and the third considers an image from Colluthus's Rape of Helen, proposing new ways to understand allusion in Marlowe's Hero and Leander. The volume then turns to Renaissance representations of women with a discussion of "swooning" in George Gascoigne's The Adventures of Master F.J.; a discussion of prostitution, performance, and the art of Anti-Sprezzatura; and a discussion of identity, loss, and narration in The Rapeof Lucrece. The center of the volume turns to an examination of friendship and the paratextual apparatus of Michel de Montaigne's Essais, and then shifts to Shakespearean drama with essays on The Comedy of Errors, Measure for Measure, and Cymbeline. The volume closes with an essay on John Milton's historical iconoclasm in his History of Britain. Contributors: John Wall, Kevin Chovanec, Pamela Macfie, Margaret Simon, Mara Amster, Ruth Stevenson, Andrew Keener, Christopher Crosbie, Ward Risvold, Patricia Wareh, and Paul Stapleton. Jim Pearce is an Associate Professor and Joanna Kucinski is an Assistant Professor at North Carolina Central University.
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588390225
Category : Tapestry, Renaissance
Languages : en
Pages : 606
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Book Description
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Author: Ward J. Risvold
Publisher: Boydell & Brewer
ISBN: 164014112X
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
Collection of the best scholarly essays from the 2020 Southeastern Renaissance Conference plus essays submitted directly to the journal. Topics run from the epic to influence studies to the perennial problem of love and beyond. Renaissance Papers 2020 features essays from the conference held virtually at Mercer University, as well as essays submitted directly to the journal. The volume opens with an essay that discusses the "ultimate story," the epic, and argues, pointing to the Henriad and The Faerie Queen, that some of the most ambitious remain unfinished; an essay on "just war" and Henry V follows, suggesting why such epic inconclusion may not be such a bad thing. A trio of influence studies investigate post-Marian virginity, Miltonic environmentalism, and cross-dressing knights. Three essays then interrogate the perennial problem of love: in popular ballads, in Hero and Leander, and in The Rape of Lucrece. An essay argues counterintuitively for Amelia Lanyer and Margaret Cavendish as exemplars of the Cavalier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.
Author: Andrew Pettegree
Publisher:
ISBN: 9780300110098
Category : History
Languages : en
Pages : 421
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Book Description
The dawn of print was a major turning point in the early modern world. It rescued ancient learning from obscurity, transformed knowledge of the natural and physical world, and brought the thrill of book ownership to the masses. But, as Andrew Pettegree reveals in this work of great historical merit, the story of the post-Gutenberg world was rather more complicated than we have often come to believe. The Book in the Renaissance reconstructs the first 150 years of the world of print, exploring the complex web of religious, economic, and cultural concerns surrounding the printed word. From its very beginnings, the printed book had to straddle financial and religious imperatives, as well as the very different requirements and constraints of the many countries who embraced it, and, as Pettegree argues, the process was far from a runaway success. More than ideas, the success or failure of books depended upon patrons and markets, precarious strategies and the thwarting of piracy, and the ebb and flow of popular demand. Owing to his state-of-the-art and highly detailed research, Pettegree crafts an authoritative, lucid, and truly pioneering work of cultural history about a major development in the evolution of European society.
Author: C. S. Lewis
Publisher: Cambridge University Press
ISBN: 1107658926
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
An invaluable collection for those who read and love Lewis and medieval and Renaissance literature.
Author: Angela Nuovo
Publisher: BRILL
ISBN: 9004208496
Category : History
Languages : en
Pages : 492
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Book Description
This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.
Author: Beatrice Paolozzi Strozzi
Publisher:
ISBN: 9788874611867
Category : Art
Languages : en
Pages : 548
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Book Description
Florence is justly named the 'cradle of the renaissance'. It was here that, inspired by the revival of interest in classical antiquity, fuelled by civic pride and fostered by the wealthy Medici family, a visual language was created that was to be spoken
Author: Bradley J. Irish
Publisher: Taylor & Francis
ISBN: 1040269435
Category : History
Languages : en
Pages : 292
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Book Description
Envy and jealousy are the emotions that fuel interpersonal rivalry, and interpersonal rivalry is a cornerstone of literature. Emerging from growing scholarly interest in the history of emotion, The Rivalrous Renaissance is the first full-length study of envy and jealousy in Renaissance England. The book introduces readers both to the cultural dynamics of affective rivalry in the period and to how these crucial feelings inspired literary works across a wide range of genres, by luminary authors such as Philip Sidney, Edmund Spenser, Mary Wroth, William Shakespeare, and John Milton. Early modern concepts of envy and jealousy were more actively theorized as central components of human experience than is typical today. Bradley J. Irish argues that literature is the key domain where this Renaissance theorization of affective rivalry was brought to life. Poetry, drama, and narrative prose created the conditions for these concepts to become most socially meaningful, simulating the interpersonal experiences in which the emotions practically manifest. This volume will appeal to scholars interested in the history of emotion and affect, as well as more broadly to scholars of the literature and social dynamics of early modern England, and to undergraduate and graduate students in specialized seminars.
Author: Rachel Rubin
Publisher: NYU Press
ISBN: 0814771386
Category : History
Languages : en
Pages : 360
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Book Description
The Renaissance Faire—a 50 year-long party, communal ritual, political challenge and cultural wellspring—receives its first sustained historical attention with Well Met. Beginning with the chaotic communal moment of its founding and early development in the 1960s through its incorporation as a major “family friendly” leisure site in the 2000s, Well Met tells the story of the thinkers, artists, clowns, mimes, and others performers who make the Faire. Well Met approaches the Faire from the perspective of labor, education, aesthetics, business, the opposition it faced, and the key figures involved. Drawing upon vibrant interview material and deep archival research, Rachel Lee Rubin reveals the way the faires established themselves as a pioneering and highly visible counter cultural referendum on how we live now—our family and sexual arrangements, our relationship to consumer goods, and our corporate entertainments. In order to understand the meaning of the faire to its devoted participants,both workers and visitors, Rubin has compiled a dazzling array of testimony, from extensive conversations with Faire founder Phyllis Patterson to interviews regarding the contemporary scene with performers, crafters, booth workers and “playtrons.” Well Met pays equal attention what came out of the faire—the transforming gifts bestowed by the faire’s innovations and experiments upon the broader American culture: the underground press of the 1960s and 1970s, experimentation with “ethnic” musical instruments and styles in popular music, the craft revival, and various forms of immersive theater are all connected back to their roots in the faire. Original, intrepid, and richly illustrated, Well Met puts the Renaissance Faire back at the historical center of the American counterculture.
Author: Leila Avrin
Publisher: American Library Association
ISBN: 0838910386
Category : Language Arts & Disciplines
Languages : en
Pages : 394
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Book Description
In this detailed overview of the history of the handmade book, Avrin looks at the development of scripts and styles of illumination, the making of manuscripts, and the technological processes involved in paper-making and book-binding. Readers will have a greater understanding of ancient books and texts with More than 300 plates and illustrations Examples of the different forms of writing from ancient times to the printing press Coverage of cultural and religious books Full bibliography Reference librarians and educators will find this resource indispensable.
