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Author: Christopher Cobb
Publisher: Camden House
ISBN: 1571133976
Category : Literary Collections
Languages : en
Pages : 185
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Book Description
The best essays submitted to the Southeastern Renaissance Conference in 2008, with a focus on the performance history of Renaissance drama.
Author: Christopher Cobb
Publisher: Camden House
ISBN: 1571133976
Category : Literary Collections
Languages : en
Pages : 185
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Book Description
The best essays submitted to the Southeastern Renaissance Conference in 2008, with a focus on the performance history of Renaissance drama.
Author: James M. Pearce
Publisher: Boydell & Brewer
ISBN: 1640141871
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. This volume examines the sacred and the profane in the early modern period. The 2023 volume features essays from the conference held at the University of North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The opening essay juxtaposes Socratic irony and Hermeticism in its exploration of the Neoplatonic influences in Spenser's Faerie Queene. It is followed by three analyses of religious poems; the first demonstrates the ways in which William Baldwin resurrects Edward the sixth in his "Funeralles of King Edward" to promote his own evangelical agenda; the second takes a close look at Herrick's "Rex Tragicus," arguing that it is a powerful expression of "English religious identity." The final essay in this group seeks to complicate the history of the early modern female sonneteer. Returning to the secular, the next essay compares a work by Polish writer Andrzej Modrzewski to Sir Thomas More's Utopia. Art history is the focus of the following triad of essays, which illuminate the visual cultures of the Netherlands and Spain; they address the collaborative organization of the Spanish sculptor Alonso Berruguete's workshop, the related phenomenon of fiction, faith, and spectacle in Maarten van Heemskerck's religious imagery, and the political dimensions of the aesthetics of Habsburg portraiture. The volume concludes with an exuberant analysis of the role of fiction in the art of biographical writing, using the example of Katherine Rundell's Super-Infinite: The Transformations of John Donne. Contributors: Sunmin Cha, Ilenia Colón Mendoza, Scott Lucas, Gerardo Rappazzo Amura, Mary Ruth Robinson, Jesse Russell, Paul J. Stapleton, John Wall, Vaclav Zheng.
Author: Adriano Autino
Publisher: Lulu.com
ISBN: 1312094656
Category : Education
Languages : en
Pages : 190
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Book Description
The scope of this book is to provide items to understand how and why the Space Renaissance movement was conceived and was born. Therefore I collected hereafter the main works which stand in the background of the Space Renaissance philosophical elaboration, since 2008 (year of birth of the Space Renaissance very first concept), but even before, with some papers authored by the founder Adriano Autino, or co-authored with Patrick Collins and other dealers of the Astronautic Humanist current.
Author: Ward J. Risvold
Publisher: Boydell & Brewer
ISBN: 164014112X
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
Collection of the best scholarly essays from the 2020 Southeastern Renaissance Conference plus essays submitted directly to the journal. Topics run from the epic to influence studies to the perennial problem of love and beyond. Renaissance Papers 2020 features essays from the conference held virtually at Mercer University, as well as essays submitted directly to the journal. The volume opens with an essay that discusses the "ultimate story," the epic, and argues, pointing to the Henriad and The Faerie Queen, that some of the most ambitious remain unfinished; an essay on "just war" and Henry V follows, suggesting why such epic inconclusion may not be such a bad thing. A trio of influence studies investigate post-Marian virginity, Miltonic environmentalism, and cross-dressing knights. Three essays then interrogate the perennial problem of love: in popular ballads, in Hero and Leander, and in The Rape of Lucrece. An essay argues counterintuitively for Amelia Lanyer and Margaret Cavendish as exemplars of the Cavalier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.
Author: Brian W. Ogilvie
Publisher: University of Chicago Press
ISBN: 0226620867
Category : Science
Languages : en
Pages : 402
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Book Description
Out of the diverse traditions of medical humanism, classical philology, and natural philosophy, Renaissance naturalists created a new science devoted to discovering and describing plants and animals. Drawing on published natural histories, manuscript correspondence, garden plans, travelogues, watercolors, and drawings, The Science of Describing reconstructs the evolution of this discipline of description through four generations of naturalists. In the late fifteenth and early sixteenth centuries, naturalists focused on understanding ancient and medieval descriptions of the natural world, but by the mid-sixteenth century naturalists turned toward distinguishing and cataloguing new plant and animal species. To do so, they developed new techniques of observing and recording, created botanical gardens and herbaria, and exchanged correspondence and specimens within an international community. By the early seventeenth century, naturalists began the daunting task of sorting through the wealth of information they had accumulated, putting a new emphasis on taxonomy and classification. Illustrated with woodcuts, engravings, and photographs, The Science of Describing is the first broad interpretation of Renaissance natural history in more than a generation and will appeal widely to an interdisciplinary audience.
Author: Hendrik D. L. Vervliet
Publisher: BRILL
ISBN: 9004169822
Category : Literary Criticism
Languages : en
Pages : 584
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Book Description
This collection of thirteen essays examines sixteenth-century type design in France. Typefaces developed during this period were to influence decisively the typography of the centuries which followed, and they continue to influence a great many contemporary typefaces. The papers' common goal is to establish the paternity of the typefaces described and critically to appraise their attributions, many of which have previously been inadequately ascribed. Such an approach will be of interest to type historians and type designers seeking better-documented attributions, and to historians, philologists, and bibliographers, whose study of historical imprints will benefit from more accurate type descriptions. The papers and illustrations focus on the most important letter-cutters of the French Renaissance, including Simon de Colines, Robert Estienne, Claude Garamont, Robert Granjon, Pierre Haultin, and also include a number of minor masters of the period.
Author: Margaret Cavendish
Publisher: Penguin UK
ISBN: 0141904828
Category : Fiction
Languages : en
Pages : 320
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Book Description
Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the power and freedom a woman can achieve in the disguise of a man.
Author: Ella O Williams
Publisher: AuthorHouse
ISBN: 145203057X
Category : History
Languages : en
Pages : 238
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Book Description
“PRIOR TO THE HARLEM RENAISSANCE, BLACKS PORTRAY THEMSELVES AS STRANGS OBJECTS, ALIENATED FROM OTHERS IN THE SOCIETY.” The social activities in literature, art, theatre and entertainment in Harlem Renaissanc: a Handbook are documented for the period 1910-1940. A few intellectuals, specifically James Weldon Johnson, W E B DuBois, Charles Johnson and Alain Locke perceive that they, themselves, are the “New Negro.” Thus they produce and record the visual arts, literature and music they personally create as well as that of younger literary artists: Langston Hughes, Arna Bontemps, Countee Cullen and Roland Hayes. The literature, scholarship and criticism created among these intellectuals are mainly responsible for bringing about a renaissance. What is so unique about the Harlem Renaissance is that it is totally perceived and criticized by white American literary standards. At no time in African American history has there been an era wherein self-proclaimed intellectuals record their own literary activities as they are being created. That single concept is the focus of the research in Harlem Renaissance: a Handbook. Identifying each Major and Other Figures of the Harlem Renaissance permits the reader to experience the life and time of the era. The influx of African American literature requires the need to study the artists and to document the literary and creative arts of the Harlem Renaissance. View the photos and read the biography of the intellectuals as they live through an era devoted to illuminating Negro life as it actually exists in America. Most helpful to the reader is the Chronology of literary arts and corresponding activities of the Harlem Renaissance. During the years 1910-1940 the titles of articles, theatrical productions, books, poetry, music, visual arts and literature created during this period have been documented. The items chosen for the Chronology are not exhaustive, but they represent nearly all the literature and activities created during the Harlem Renaissance. Harlem Renaissance, a Handbook is a journey through time wherein literary and artistic history is documented as it occurs. With the aid of local New York Publishing companies, intellectuals encourage younger literary artists to publish only Negro folk life and culture as it actually exists.
Author: Armando Maggi
Publisher: University of Chicago Press
ISBN: 0226501302
Category : History
Languages : en
Pages : 257
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Book Description
In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, demi-gods, and spiritual creatures, including the gods of the household, the lares and penates. But Armando Maggi, an expert in Renaissance demonology, argues throughout In the Company of Demons that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies. Through close readings of Giovan Francesco Pico della Mirandola, Strozzi Cigogna, Pompeo della Barba, Ludovico Sinistrari, and others, Mag.
Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642691
Category : English drama
Languages : en
Pages : 199
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Book Description
MEDIEVAL AND RENAISSANCE DRAMA IN ENGLAND, now over twenty years in publication, is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. MaRDiE 23 features essays by MacDonald P. Jackson on authorship as related to Shakespeare, Kyd, and Arden of Faversham. James Hirsh considers the editing of Hamlet's 'To be, or not to be' in light of both conventional and emerging editorial theory. Politics and prophecy, as they influence Friar Bacon and Friar Bungay is at the centre of Brian Walsh's contribution, while John Curran uses declamation as a rhetorical strategy in order to focus on character in the Fletcher-Massinger plays. Chris Fitter considers vagrancy and 'vestry values' in Shakespeare's As You Like It and June Schlueter reconsiders the matter of theatrical cartography and The View of London from the North. The collection of reviews range from books on early modern dietaries and Shakespeare's plays to those on male friendship and theatre economics.
