Author: Jeremy Warren
Publisher: Ashmolean Museum
ISBN:
Category : Architecture
Languages : en
Pages : 148
Book Description
Published in association with the Daniel Katz Gallery, London, to mark the centenary of the death of one of the Museum's major benefactors, C D E Fortnum, whose bequest to the Ashmolean formed the nucleus of what is now one of the finest collections of Renaissance bronzes in Europe.
Renaissance Master Bronzes from the Ashmolean Museum, Oxford
Author: Jeremy Warren
Publisher: Ashmolean Museum
ISBN:
Category : Architecture
Languages : en
Pages : 148
Book Description
Published in association with the Daniel Katz Gallery, London, to mark the centenary of the death of one of the Museum's major benefactors, C D E Fortnum, whose bequest to the Ashmolean formed the nucleus of what is now one of the finest collections of Renaissance bronzes in Europe.
Publisher: Ashmolean Museum
ISBN:
Category : Architecture
Languages : en
Pages : 148
Book Description
Published in association with the Daniel Katz Gallery, London, to mark the centenary of the death of one of the Museum's major benefactors, C D E Fortnum, whose bequest to the Ashmolean formed the nucleus of what is now one of the finest collections of Renaissance bronzes in Europe.
Italian Renaissance and Baroque Bronzes in the Metropolitan Museum of Art
Author: Denise Allen
Publisher: Metropolitan Museum of Art
ISBN: 1588397106
Category : Art
Languages : en
Pages : 571
Book Description
he revival of the bronze statuette popular in classical antiquity stands out as an enduring achievement of the Italian Renaissance. These small sculptures attest to early modern artists' technical prowess, ingenuity, and desire to emulate—or even surpass—the ancients. From the studioli, or private studies, of humanist scholars in fifteenth-century Padua to the Fifth Avenue apartments of Gilded Age collectors, viewers have delighted in the mysteries of these objects: how they were made, what they depicted, who made them, and when. This catalogue is the first systematic study of The Metropolitan Museum of Art's European Sculpture and Decorative Arts collection of Italian bronzes. The collection includes statuettes of single mythological or religious figures, complex figural groups, portrait busts, reliefs, utilitarian objects like lamps and inkwells, and more. Stunning new photography of celebrated masterpieces by leading artists such as Antico, Riccio, and Giambologna; enigmatic bronzes that continue to perplex; quotidian objects; later casts; replicas; and even forgeries show the importance of each work in this complex field. International scholars provide in-depth discussions of 200 objects included in this volume, revealing new attributions and dating for many bronzes. An Appendix presents some 100 more complete with provenance and references. An essay by Jeffrey Fraiman provides further insight into Italian bronze statuettes in America with a focus on the history of The Met's collection, and Richard E. Stone, who pioneered the technical study of bronzes, contributes an indispensable text on how artists created these works and what their process conveys about the object's maker. A personal reminiscence by James David Draper, who oversaw the Italian sculpture collection for decades, rounds out this landmark catalogue that synthesizes decades of research on these beloved and complex works of art.
Publisher: Metropolitan Museum of Art
ISBN: 1588397106
Category : Art
Languages : en
Pages : 571
Book Description
he revival of the bronze statuette popular in classical antiquity stands out as an enduring achievement of the Italian Renaissance. These small sculptures attest to early modern artists' technical prowess, ingenuity, and desire to emulate—or even surpass—the ancients. From the studioli, or private studies, of humanist scholars in fifteenth-century Padua to the Fifth Avenue apartments of Gilded Age collectors, viewers have delighted in the mysteries of these objects: how they were made, what they depicted, who made them, and when. This catalogue is the first systematic study of The Metropolitan Museum of Art's European Sculpture and Decorative Arts collection of Italian bronzes. The collection includes statuettes of single mythological or religious figures, complex figural groups, portrait busts, reliefs, utilitarian objects like lamps and inkwells, and more. Stunning new photography of celebrated masterpieces by leading artists such as Antico, Riccio, and Giambologna; enigmatic bronzes that continue to perplex; quotidian objects; later casts; replicas; and even forgeries show the importance of each work in this complex field. International scholars provide in-depth discussions of 200 objects included in this volume, revealing new attributions and dating for many bronzes. An Appendix presents some 100 more complete with provenance and references. An essay by Jeffrey Fraiman provides further insight into Italian bronze statuettes in America with a focus on the history of The Met's collection, and Richard E. Stone, who pioneered the technical study of bronzes, contributes an indispensable text on how artists created these works and what their process conveys about the object's maker. A personal reminiscence by James David Draper, who oversaw the Italian sculpture collection for decades, rounds out this landmark catalogue that synthesizes decades of research on these beloved and complex works of art.
British Models of Art Collecting and the American Response
Author: Dr Inge Reist
Publisher: Ashgate Publishing, Ltd.
ISBN: 147243806X
Category : Art
Languages : en
Pages : 289
Book Description
This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.
Publisher: Ashgate Publishing, Ltd.
ISBN: 147243806X
Category : Art
Languages : en
Pages : 289
Book Description
This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.
Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge
Author: Victoria Avery
Publisher: Gli Ori
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
In the introductory essay to the catalogue of bronzes from the Fitzwilliam Museum 'Dr. Avery provides the first detailed account of Boscawen himself, of the loans and gifts he made to the Museum during his lifetime and his sister's extraordinarily generous bequest.' (Foreword)
Publisher: Gli Ori
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
In the introductory essay to the catalogue of bronzes from the Fitzwilliam Museum 'Dr. Avery provides the first detailed account of Boscawen himself, of the loans and gifts he made to the Museum during his lifetime and his sister's extraordinarily generous bequest.' (Foreword)
Renaissance Master Bronzes from the Collection of the Kunsthistorisches Museum, Vienna
Author: Manfred Leithe-Jasper
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
European Sculpture and Metalwork
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394417
Category : Art
Languages : en
Pages : 290
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588394417
Category : Art
Languages : en
Pages : 290
Book Description
The Ashmolean
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
Book Description
Michelangelo Drawings
Author: Hugo Chapman
Publisher: Yale University Press
ISBN: 9780300111477
Category : Art
Languages : en
Pages : 334
Book Description
Presents a catalog to accompany an exhibition of drawings by Michelangelo.
Publisher: Yale University Press
ISBN: 9780300111477
Category : Art
Languages : en
Pages : 334
Book Description
Presents a catalog to accompany an exhibition of drawings by Michelangelo.
Private Collectors of Islamic Art in Late Nineteenth-Century London
Author: Isabelle Gadoin
Publisher: Routledge
ISBN: 1000437000
Category : Art
Languages : en
Pages : 232
Book Description
This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.
Publisher: Routledge
ISBN: 1000437000
Category : Art
Languages : en
Pages : 232
Book Description
This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.
Bronze
Author: Frits Scholten
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 126
Book Description
"Tracing the origin of these ideas in religion, alchemy, astrology and political ideology, the catalogue explores the association of bronze with perceptions about nature and cycles of life and death."--BOOK JACKET.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 126
Book Description
"Tracing the origin of these ideas in religion, alchemy, astrology and political ideology, the catalogue explores the association of bronze with perceptions about nature and cycles of life and death."--BOOK JACKET.