Renaissance Literature and its Formal Engagements PDF Download
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Author: M. Rasmussen
Publisher: Springer
ISBN: 113707177X
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
What might a self-conscious turn to formal analysis look like in Renaissance literary studies today, after theory and the new historicism? The essays collected here address this question from a variety of critical perspectives, as part of a renewed willingness within literary and cultural studies to engage questions of form. Essays by Paul Alpers, Douglas Bruster, Stephen Cohen, Heather Dubrow, William Flesch, Joseph Loewenstein, Elizabeth Harris Sagaser, and Mark Womack, together with an introduction of Mark David Rasmussen and an afterword by Richard Strier.
Author: M. Rasmussen
Publisher: Springer
ISBN: 113707177X
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
What might a self-conscious turn to formal analysis look like in Renaissance literary studies today, after theory and the new historicism? The essays collected here address this question from a variety of critical perspectives, as part of a renewed willingness within literary and cultural studies to engage questions of form. Essays by Paul Alpers, Douglas Bruster, Stephen Cohen, Heather Dubrow, William Flesch, Joseph Loewenstein, Elizabeth Harris Sagaser, and Mark Womack, together with an introduction of Mark David Rasmussen and an afterword by Richard Strier.
Author: Elizabeth Scott-Baumann
Publisher: OUP Oxford
ISBN: 0199676526
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Forms of Engagement sheds light on questions of poetic form in women's poetry. It traces the influences on the work of Lucy Hutchinson, Katherine Philips, and Margaret Cavendish, allowing readers to understand better both how women composed their poems and how they engaged with their contemporaries.
Author: Allison Deutermann
Publisher: Manchester University Press
ISBN: 1526111020
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
How do the formal properties of early modern texts, together with the materials that envelop and shape them, relate to the cultural, political, and social world of their production? Formal matters: Reading the materials of English Renaissance literature answers this question by linking formalist analysis with the insights of book history. It thus represents the new English Renaissance literary historiography tying literary composition to the materials and material practices of writing. The book combines studies of familiar and lesser known texts, from the poems and plays of Shakespeare to jests and printed commonplace books. Its ten studies make important, original contributions to research on the genres of early modern literature, focusing on the involvement of literary forms in the scribal and print cultures of compilation, continuation, translation, and correspondence, as well as in matters of political republicanism and popular piety, among others. Taken together, the collection’s essays exemplify how an attention to form and matter can historicise writing without abandoning a literary focus.
Author: V. Theile
Publisher: Springer
ISBN: 1137010495
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Bringing together scholars who have critically followed New Formalism's journey through time, space, and learning environment, this collection of essays both solidifies and consolidates New Formalism as a burgeoning field of literary criticism and explicates its potential as a varied but viable methodology of contemporary critical theory.
Author: Michelle M. Dowd
Publisher: Springer
ISBN: 0230620396
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Dowd investigates literature's engagement with the gendered conflicts of early modern England by examining the narratives that seventeenth-century dramatists created to describe the lives of working women.
Author: David Houston Wood
Publisher: Routledge
ISBN: 1317010124
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Exploiting a link between early modern concepts of the medical and the literary, David Houston Wood suggests that the recent critical attention to the gendered, classed, and raced elements of the embodied early modern subject has been hampered by its failure to acknowledge the role time and temporality play within the scope of these admittedly crucial concerns. Wood examines the ways that depictions of time expressed in early modern medical texts reveal themselves in contemporary literary works, demonstrating that the early modern recognition of the self as a palpably volatile entity, viewed within the tenets of contemporary medical treatises, facilitated the realistic portrayal of literary characters and served as a structuring principle for narrative experimentation. The study centers on four canonical, early modern texts notorious among scholars for their structural- that is, narrative, or temporal- difficulties. Wood displays the cogency of such analysis by working across a range of generic boundaries: from the prose romance of Philip Sidney's Arcadia, to the staged plays of William Shakespeare's Othello and The Winter's Tale, to John Milton's stubborn reliance upon humoral theory in shaping his brief epic (or closet drama), Samson Agonistes. As well as adding a new dimension to the study of authors and texts that remain central to early modern English literary culture, the author proposes a new method for analyzing the conjunction of character emotion and narrative structure that will serve as a model for future scholarship in the areas of historicist, formalist, and critical temporal studies.
Author: Mary Arshagouni Papazian
Publisher: Associated University Presse
ISBN: 9780874130256
Category : History
Languages : en
Pages : 392
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Book Description
This collection of 13 original essays addresses how properly to define the intersection between the sacred and profane in early modern English literature. These essays cover a variety of works published in 16th and 17th century England, as well as a variety of genres.
Author: Hugh Grady
Publisher: Cambridge University Press
ISBN: 0521514754
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
This book examines Shakespeare's plays and defines specific Shakespearean aesthetic practices in his use of desire, death and mourning.
Author: Lara Dodds
Publisher: U of Nebraska Press
ISBN: 1496231538
Category : Literary Criticism
Languages : en
Pages : 375
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Book Description
This volume examines the relationship between gender and form in early modern women's writing by exploring women's debts to and appropriations of different literary genres and offering practical suggestions for the teaching of women's texts.
Author: Maria Teresa Micaela Prendergast
Publisher: Routledge
ISBN: 1317071700
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Railing, Reviling, and Invective in English Literary Culture, 1588-1617 is the first book to consider railing plays and pamphlets as participating in a coherent literary movement that dominated much of the English literary landscape during the late Elizabethan/early Jacobean period. Author Prendergast considers how these crisis-ridden texts on religious, gender, and aesthetic controversies were encouraged and supported by the emergence of the professional theater and print pamphlets. She argues that railing texts by Shakespeare, Nashe, Jonson, Jane Anger and others became sites for articulating anxious emotions-including fears about the stability of England after the death of Queen Elizabeth and the increasing factional splits between Protestant groups. But, given that railings about religious and political matters often led to censorship or even death, most railing writers chose to circumvent such possible repercussions by railing against unconventional gender identity, perverse sexual proclivities, and controversial aesthetics. In the process, Prendergast argues, railers shaped an anti-aesthetics that was itself dependent on the very expressions of perverse gender and sexuality that they discursively condemned, an aesthetics that created a conceptual third space in which bitter enemies-male or female, conformist or nonconformist-could bond by engaging in collaborative experiments with dialogical invective. By considering a literary mode of articulation that vehemently counters dominant literary discourse, this book changes the way that we look at late Elizabethan and early Jacobean literature, as it associates works that have been studied in isolation from each other with a larger, coherent literary movement.
