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Author: Eugenio Garin
Publisher: University of Chicago Press
ISBN: 0226283569
Category : History
Languages : en
Pages : 314
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Book Description
Compared to the Middle Ages, the Renaissance is brief—little more than two centuries, extending roughly from the mid-fourteenth century to the end of the sixteenth century—and largely confined to a few Italian city states. Nevertheless, the epoch marked a great cultural shift in sensibilities, the dawn of a new age in which classical Greek and Roman values were "reborn" and human values in all fields, from the arts to civic life, were reaffirmed. With this volume, Eugenio Garin, a leading Renaissance scholar, has gathered the work of an international team of scholars into an accessible account of the people who animated this decisive moment in the genesis of the modern mind. We are offered a broad spectrum of figures, major and minor, as they lived their lives: the prince and the military commander, the cardinal and the courtier, the artist and the philosopher, the merchant and the banker, the voyager, and women of all classes. With its concentration on the concrete, the specific, even the anecdotal, the volume offers a wealth of new perspectives and ideas for study.
Author: Eugenio Garin
Publisher: University of Chicago Press
ISBN: 0226283569
Category : History
Languages : en
Pages : 314
Get Book
Book Description
Compared to the Middle Ages, the Renaissance is brief—little more than two centuries, extending roughly from the mid-fourteenth century to the end of the sixteenth century—and largely confined to a few Italian city states. Nevertheless, the epoch marked a great cultural shift in sensibilities, the dawn of a new age in which classical Greek and Roman values were "reborn" and human values in all fields, from the arts to civic life, were reaffirmed. With this volume, Eugenio Garin, a leading Renaissance scholar, has gathered the work of an international team of scholars into an accessible account of the people who animated this decisive moment in the genesis of the modern mind. We are offered a broad spectrum of figures, major and minor, as they lived their lives: the prince and the military commander, the cardinal and the courtier, the artist and the philosopher, the merchant and the banker, the voyager, and women of all classes. With its concentration on the concrete, the specific, even the anecdotal, the volume offers a wealth of new perspectives and ideas for study.
Author: John E. Curran
Publisher:
ISBN: 9781611495263
Category : Characters and characteristics in literature
Languages : en
Pages : 0
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Book Description
This book explores representations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside Shakespearean exceptionalism, the study reads a wide variety of plays to explain how intellectual context could allow for such characterization.
Author: Cathy Diez-Luckie
Publisher:
ISBN: 9780981856667
Category :
Languages : en
Pages : 48
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Book Description
Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838644724
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
An international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes nine new articles and reviews of three books.
Author: Martin A. Ruehl
Publisher: Cambridge University Press
ISBN: 1107036992
Category : History
Languages : en
Pages : 343
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Book Description
Explores German engagement with the Italian Renaissance in the decades from German unification to the Weimar republic.
Author: Y. Ivory
Publisher: Springer
ISBN: 023024243X
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? This book answers that question by showing how the Victorian coupling of criminality with self-fashioning under the sign of the Renaissance provided queer intellectuals with an enduring model of ruthlessly permissive individualism.
Author: Cathy Diez-Luckie
Publisher: National Geographic Books
ISBN: 1944481079
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
Make 21 articulated puppets from the Middle Ages and Renaissance! Cut out the arms, legs, and body parts. Then put them together with a hole punch and mini brads to make a paper doll that moves. This fun hands-on history craft will inspire your children t Assembling these figures requires mini-brads and a 1/8-inch hole punch (not included). Famous Figures of the Middle Ages & Renaissance Have fun learning more about history with articulated puppets from the Middle Ages & Renaissance! First, cut out the arms, legs, and body parts. Then put them together with a hole punch and mini brads to make an articulated puppet from the Middle Ages that moves. Use your imagination to make them come to life with the real stories of the history. Inspire your child with this fun history craft. Perfect for eager children who want more hands-on activities and love crafts. Use them to motivate reluctant learners. Add this history activity to your homeschool history lesson. Have your child make the paper dolls while reading a biography. Have your child narrate what they have learned with the puppet and build history retention. A great hands-on craft and history project for elementary kids. Make 21 Jointed Paper Dolls from the Middle Ages & Renaissance The 21 famous people in this book come in two versions: one colored and one to color. The card stock pages make sturdy paper dolls wearing costumes from the time of the Middle Ages & Renaissance. You may laminate the pages before cutting them out to strengthen them. We label the back of each paper doll with a letter key for easy identification and assembly. Cut out the pieces. Use a 1/8? round hole punch to form a hole at each joint. Finally, place a mini brad through the joint hole and you have a moving historical character! Includes Facts and a Reading List There is a short description about each person at the beginning of the book, along with a list of books to read aloud. The list of books may be a teaching resource for books to read while your child is making the jointed paper dolls. Or, use the historical paper dolls with biographies, with lap books, as a unit study, on a timeline, or with any Renaissance history curriculum. Hours of fun and educational play for hands-on learners. Paint the Mona Lisa with Leonardo da Vinci. Explore the stars and planets with Galileo Galilei. Print the first Bible with Johannes Gutenberg. Learn while playing with paper dolls from Famous Figures of the Middle Ages & Renaissance!
Author: Hugh Mackay
Publisher: Pearson UK
ISBN: 1292003928
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Author: Sylvia Adamson
Publisher: Cambridge University Press
ISBN: 0521866405
Category : History
Languages : en
Pages : 238
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Book Description
A collection of essays, each tackling a Renaissance figure of speech in literature.
Author: Andrew Escobedo
Publisher: University of Notre Dame Pess
ISBN: 0268101698
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
Modern readers and writers find it natural to contrast the agency of realistic fictional characters to the constrained range of action typical of literary personifications. Yet no commentator before the eighteenth century suggests that prosopopoeia signals a form of reduced agency. Andrew Escobedo argues that premodern writers, including Spenser, Marlowe, and Milton, understood personification as a literary expression of will, an essentially energetic figure that depicted passion or concept transforming into action. As the will emerged as an isolatable faculty in the Christian Middle Ages, it was seen not only as the instrument of human agency but also as perversely independent of other human capacities, for example, intellect and moral character. Renaissance accounts of the will conceived of volition both as the means to self-creation and the faculty by which we lose control of ourselves. After offering a brief history of the will that isolates the distinctive features of the faculty in medieval and Renaissance thought, Escobedo makes his case through an examination of several personified figures in Renaissance literature: Conscience in the Tudor interludes, Despair in Doctor Faustus and book I of The Faerie Queen, Love in books III and IV of The Faerie Queen, and Sin in Paradise Lost. These examples demonstrate that literary personification did not amount to a dim reflection of “realistic” fictional character, but rather that it provided a literary means to explore the numerous conundrums posed by the premodern notion of the human will. This book will be of great interest to faculty and graduate students interested in medieval studies and Renaissance literature.
