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Author: Wm H. Goodyear
Publisher: Forgotten Books
ISBN: 9780484561334
Category : Art
Languages : en
Pages : 330
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Book Description
Excerpt from Renaissance and Modern Art Which keeps closest in touch with the point of view which recognizes Renaissance Italy as the main source of modern culture, while Ranke's histories, especially his History of the Popes and his History of England, are the best general reference for the sixteenth and seventeenth cen turies at large. Fiske's Discovery of America, and Campbell's Puritan in Holland, England, and America, are the books best calculated to bring our own American history into line with that of continental Europe. I have mentioned these various books from the conviction that the only true philosophy of modern history is that which moves from the Renaissance as its elementary basis, that the study Of Renaissance art is the best approach to Renaissance history, and that the best Supplementary reading is that of the historians whose point of view is the largest and most comprehensive. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Wm H. Goodyear
Publisher: Forgotten Books
ISBN: 9780484561334
Category : Art
Languages : en
Pages : 330
Get Book Here
Book Description
Excerpt from Renaissance and Modern Art Which keeps closest in touch with the point of view which recognizes Renaissance Italy as the main source of modern culture, while Ranke's histories, especially his History of the Popes and his History of England, are the best general reference for the sixteenth and seventeenth cen turies at large. Fiske's Discovery of America, and Campbell's Puritan in Holland, England, and America, are the books best calculated to bring our own American history into line with that of continental Europe. I have mentioned these various books from the conviction that the only true philosophy of modern history is that which moves from the Renaissance as its elementary basis, that the study Of Renaissance art is the best approach to Renaissance history, and that the best Supplementary reading is that of the historians whose point of view is the largest and most comprehensive. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Leader Scott
Publisher: Forgotten Books
ISBN: 9781528534000
Category : Art
Languages : en
Pages : 316
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Book Description
Excerpt from Sculpture, Renaissance and Modern IT is not an easy task to fulfil the title of this series of books, and to combine the Weight of history with the necessary slightness of a hand-book. It can only be done by a resolute compression of facts which is necessarily cramping to the author and probably dry for the reader. I have done my best to comply with the conditions and avoid the dangers: with how, little or how much success I fear to judge; for after all, my little. Work is more an outline than substantial history to the student it may prove useful as a. Classification of the different schools, and to the amateur as a gallery-companion in continental travel. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Peter Murray
Publisher: Forgotten Books
ISBN: 9781334041778
Category : Art
Languages : en
Pages : 292
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Book Description
Excerpt from The Art of the Renaissance Lorenzo Valla in proclaiming the perfections of the Latin language: 'the glory of Latinity was allowed to decay in rust and mould. And many, indeed, and varied are the opinions of wise men on how'this happened. I neither accept nor reject any of these, daring only to declare soberly that those arts which are most closely related to the liberal arts, the arts of painting, sculpture, modelling, and archi tecture, had degenerated for so long and so greatly and had almost: died with letters themselves, and that in this age they have been) aroused and come to life again, so greatly increased is the number of good artists and men of letters who now ourish. Thus, the Renaissance was thought of both as a revival of good Latin literature and of the figurative arts. One reason for, the apparently overwhelm ing importance which the men of the age attached to good Latinity was, of course, the fact that it was the common tongue of all educated men - a tiny proportion of the population in any country; another, less obvious, reason was the fact that the new European states were coming into existence; some, like France and England, with central ized monarchies, and others, like most of the Italian states, indepen dent merchant communities. These states needed a professional administrative class, well grounded in Roman Law, which was still a living thing. They were inevitably exponents of the new, lay, _ learning, which, like the professional studies of the clergy, was based on Latin. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: Elie Faure
Publisher: Forgotten Books
ISBN: 9780331576993
Category : Art
Languages : en
Pages : 542
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Book Description
Excerpt from History of Art: Modern Art French painting, for a hundred years, has aecom plished the same task. It is still misunderstood, especially by the French. It is one of the miracles of history, comparable to the most surprising. It has produced ten men of genius, more than the great century of Holland, or of Flanders, or of Spain, as many as the great centuries Of Italy. It appeared precisely on the morrow of the spread of revolution over Europe, offering to souls waiting in silence the power of liberation which the march of the republican armies brought to the legitimate appetites of the peoples and to the ideas of their shepherds. It is thanks to that march that it appeared in France and not in some other place, as it was thanks to the struggle of Germany to regain possession of herself from Napoleon, that the great German music, through Richard Wagner, closed its heroic cycle. The explosion Of sentiment, so long deferred, employs color as its expression. Conquered Europe and the Orient, faintly in view, tumultuously enter the sensuous emotion of the French. The Romantic dream and classical realism clash and mingle in France, where Italy and Germany meet for the third time. And it is here that the Renaissance of the south and the Renaissance of the north confront each other to affirm a definitive accord. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Edwin Wiley
Publisher: Forgotten Books
ISBN: 9780267157426
Category : Literary Collections
Languages : en
Pages : 264
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Book Description
Excerpt from The Old and the New Renaissance: A Group of Studies in Art and Letters The writer of these papers sends them forth well aware of their limitations. Written for the most part as lectures, they have the inherent faults of such work - faults that all revision could not have wholly eradicated had such revi sion, indeed, been deemed advisable. Nor does he claim any particular originality in material or method of treatment; to do so in the face of the work of more competent and scholarly writers, to whom he owes a debt quite beyond repay ment, would be manifest supererogation. He will have sufiiciently attained his object, how ever, if he has put in a more or less popular and accessible form facts about certain men and movements that have had transcendent influence upon the art and culture of the modern times. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: James Ward
Publisher: Forgotten Books
ISBN: 9781528053662
Category : Art
Languages : en
Pages : 370
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Book Description
Excerpt from History and Methods of Ancient Modern Painting, Vol. 2: Italian Painting From the Beginning of the Renaissance Period Including the Work of the Principal Artists From Cimabue to the Pollaiuoli Pollaiuoli. I h0pe in the third volume, which will shortly follow the publication of the present one, to complete a survey of the work and methods of the principal masters of Italy who practised their art in the sixteenth and seven teenth centuries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Albert C. Barnes
Publisher: Forgotten Books
ISBN: 9781396841705
Category :
Languages : en
Pages : 562
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Book Description
Excerpt from The Art in Painting In this book an effort is made to trace in the history Of painting the essential continuity Of the great traditions and to Show that the best Of the modern painters use the same means, to the same general ends, as did the great Florentines, Venetians, Dutchmen and Spaniards. TO Show that continuity, it has been necessary to analyze the plastic forms of the principal painters from the dawn Of the Italian Renaissance down to the present day. His torical data are treated as merely incidental: no attempt has been made to present a complete summary Of the history of painting, although no important movement and no really first-class artist has been entirely left out of account in the general evaluations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Karl Mantzius
Publisher: Forgotten Books
ISBN: 9780267911189
Category : Drama
Languages : en
Pages : 456
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Book Description
Excerpt from A History of Theatrical Art in Ancient and Modern Times, Vol. 2: The Middle Ages and the Renaissance The present volume does not claim to present a com plete picture of the theatrical art of the Renaissance, but limits itself to describing a few of its phenomena. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Emerich Edward Dalberg Acton
Publisher: Forgotten Books
ISBN: 9780282007379
Category : History
Languages : en
Pages : 846
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Book Description
Excerpt from The Cambridge Modern History, Vol. 1: The Renaissance The aim of this work is to record, in the way most useful to the greatest number of readers, the fulness of knowledge in the field of modern history which the nineteenth century has bequeathed to its successor. The idea of a universal Modern History is not in itself new; it has already been successfully carried into execution both in France and Germany. But we believe that the present work may, without presumption, aim higher than its predecessors, and may seek to be something more than a useful compilation or than a standard work of reference. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Selwyn Brinton
Publisher: Forgotten Books
ISBN: 9780267710744
Category : Art
Languages : en
Pages : 162
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Book Description
Excerpt from The Renaissance in Italian Art (Sculpture and Painting), Vol. 1 of 3: A Handbook for Students and Travellers They become interested in art, they' gain a certain knowledge of certain favourite painters, and there their progress remains; it is to this class, so large and so constantly increasing, in England, on the Continent, and in America, that this work appeals, because it presents a detailed, and yet, it is believed, a clearly-written and interesting account of the Italian schools, studied from that standpoint of evolution, which alone affords a chain of continued interest. In a work of this nature, which is thus essentially popular in its aim, a difficulty occurs in this fact, that points of more purely technical criticism, such, for instance, as the much-debated Rafaelle sketch book question (treated in Part III, Appendix) would affect the straightforward and simple character of the work, and yet in some cases can hardly be passed over. I have tried to meet this difficulty by treating them separately in' the Appendix, which I will none the less commend to the reader's more careful interest. The work will consist of three parts, which will deal, speaking broadly, with the Florentine, Venetian, and, Roman schools, though the lesser schools will find their place in the analysis. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
