Author: Richard E. Spear
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
The discovery of an unknown collection of old master paintings is today a rare occurrence. This volume catalogues and illustrates more than sixty Italian, French, German, and Netherlandish paintings of outstanding quality from the fifteenth through the eighteenth centuries (including several masterpieces by major Baroque artists, such as Guido Reni, Carlo Maratta, and Luca Giordano). The provenance of many of these previously unpublished paintings was the distinguished Barberini collection. The author received the 1972 Dana Borghese Prize for this contribution to the study of Renaissance and Baroque painting.
Renaissance and Baroque Paintings from the Sciarra and Fiano Collections
Author: Richard E. Spear
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
The discovery of an unknown collection of old master paintings is today a rare occurrence. This volume catalogues and illustrates more than sixty Italian, French, German, and Netherlandish paintings of outstanding quality from the fifteenth through the eighteenth centuries (including several masterpieces by major Baroque artists, such as Guido Reni, Carlo Maratta, and Luca Giordano). The provenance of many of these previously unpublished paintings was the distinguished Barberini collection. The author received the 1972 Dana Borghese Prize for this contribution to the study of Renaissance and Baroque painting.
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
The discovery of an unknown collection of old master paintings is today a rare occurrence. This volume catalogues and illustrates more than sixty Italian, French, German, and Netherlandish paintings of outstanding quality from the fifteenth through the eighteenth centuries (including several masterpieces by major Baroque artists, such as Guido Reni, Carlo Maratta, and Luca Giordano). The provenance of many of these previously unpublished paintings was the distinguished Barberini collection. The author received the 1972 Dana Borghese Prize for this contribution to the study of Renaissance and Baroque painting.
Buying Baroque
Author: Edgar Peters Bowron
Publisher: Penn State Press
ISBN: 0271079460
Category : Art
Languages : en
Pages : 203
Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
Publisher: Penn State Press
ISBN: 0271079460
Category : Art
Languages : en
Pages : 203
Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
Valentin de Boulogne
Author: Annick Lemoine
Publisher: Metropolitan Museum of Art
ISBN: 1588396029
Category : Art
Languages : en
Pages : 290
Book Description
Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as "the most energetic and passionate of Caravaggio's naturalist followers." In Rome, Valentin—who loved the tavern as much as the painter's pallette—fell in with a rowdy confederation of artists but eventually received commissions from some of the city's most prominent patrons. It was in this artistically rich but violent metropolis that Valentin created such masterworks as a major altarpiece in Saint Peter's Basilica and superb renderings of biblical and secular subjects—until his tragic death at the age of forty-one cut short his ascendant career. With discussions of nearly fifty works, representing practically all of his painted oeuvre, Valentin de Boulogne: Beyond Caravaggio explores both the the artist's superlative depictions of daily life and the tumultuous context in which they were produced. Essays by a team of international scholars consider his key attributions to European painting, his devotion to everyday objects and models from life, his technique of staging pictures with the immediacy of unfolding drama, and his place in the pantheon of French artists. An extensive chronology surveys the rare extant documents that chronicle his biography, while individual entries help situate his works in the contexts of his times. Rich with incident and insight, and beautifully illustrated in Valentin's complex, suggestive paintings, Valentin de Boulogne: Beyond Caravaggio reveals a seminal artist, a practitioner of realism in the seventeenth century who prefigured the naturalistic modernism of Gustave Courbet and Edouard Manet two centuries later.
Publisher: Metropolitan Museum of Art
ISBN: 1588396029
Category : Art
Languages : en
Pages : 290
Book Description
Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as "the most energetic and passionate of Caravaggio's naturalist followers." In Rome, Valentin—who loved the tavern as much as the painter's pallette—fell in with a rowdy confederation of artists but eventually received commissions from some of the city's most prominent patrons. It was in this artistically rich but violent metropolis that Valentin created such masterworks as a major altarpiece in Saint Peter's Basilica and superb renderings of biblical and secular subjects—until his tragic death at the age of forty-one cut short his ascendant career. With discussions of nearly fifty works, representing practically all of his painted oeuvre, Valentin de Boulogne: Beyond Caravaggio explores both the the artist's superlative depictions of daily life and the tumultuous context in which they were produced. Essays by a team of international scholars consider his key attributions to European painting, his devotion to everyday objects and models from life, his technique of staging pictures with the immediacy of unfolding drama, and his place in the pantheon of French artists. An extensive chronology surveys the rare extant documents that chronicle his biography, while individual entries help situate his works in the contexts of his times. Rich with incident and insight, and beautifully illustrated in Valentin's complex, suggestive paintings, Valentin de Boulogne: Beyond Caravaggio reveals a seminal artist, a practitioner of realism in the seventeenth century who prefigured the naturalistic modernism of Gustave Courbet and Edouard Manet two centuries later.
Library of Congress Catalogs
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
Book Description
Important Italian Baroque Paintings, 1600-1700
Author:
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 104
Book Description
Library of Congress Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1024
Book Description
Beginning with 1953, entries for Motion pictures and filmstrips, Music and phonorecords form separate parts of the Library of Congress catalogue. Entries for Maps and atlases were issued separately 1953-1955.
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1024
Book Description
Beginning with 1953, entries for Motion pictures and filmstrips, Music and phonorecords form separate parts of the Library of Congress catalogue. Entries for Maps and atlases were issued separately 1953-1955.
Getty Research Journal
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606066501
Category : Art
Languages : en
Pages : 264
Book Description
The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. This issue features essays on works by Bolognese painter Guido Reni and his studio; a collection of late nineteenth-century images by one of Iran’s most prolific photographers, Antoin Sevruguin; Le Corbusier’s encounters with and monumentalization of the konak, a type of Ottoman house; the correspondence between René Magritte and his wife while he stayed at the London home of patron and collector Edward James; the activities of Belgian surrealist Édouard Léon Théodore Mesens as art dealer and collector; and art historian and critic Leo Steinberg’s unpublished research on Titian. Shorter texts include notices on three joining fragments of an Urartian bronze belt; a sketchbook newly attributed to Florentine architect, engineer, and set designer Giulio Parigi; photo albums documenting the plague pandemic in late nineteenth-century Bombay; four scrapbooks produced by Neue Sachlichkeit photographer Albert Renger-Patzsch; and the correspondence between Swiss curator Harald Szeemann and Russian artist Lev Nusberg.
Publisher: Getty Publications
ISBN: 1606066501
Category : Art
Languages : en
Pages : 264
Book Description
The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. This issue features essays on works by Bolognese painter Guido Reni and his studio; a collection of late nineteenth-century images by one of Iran’s most prolific photographers, Antoin Sevruguin; Le Corbusier’s encounters with and monumentalization of the konak, a type of Ottoman house; the correspondence between René Magritte and his wife while he stayed at the London home of patron and collector Edward James; the activities of Belgian surrealist Édouard Léon Théodore Mesens as art dealer and collector; and art historian and critic Leo Steinberg’s unpublished research on Titian. Shorter texts include notices on three joining fragments of an Urartian bronze belt; a sketchbook newly attributed to Florentine architect, engineer, and set designer Giulio Parigi; photo albums documenting the plague pandemic in late nineteenth-century Bombay; four scrapbooks produced by Neue Sachlichkeit photographer Albert Renger-Patzsch; and the correspondence between Swiss curator Harald Szeemann and Russian artist Lev Nusberg.
The Inventory of Paintings of Cardinal Pietro Ottobini (1667-1740)
Author: Edward J. Olszewski
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 466
Book Description
The Inventory of Paintings of Cardinal Pietro Ottoboni (1667-1740) is the study of the inventory of more than 500 art works, assembled on the death of Cardinal Pietro Ottoboni who had been vice-chancellor of the Church for fifty years. The cardinal's commissions are distinguished from the 387 paintings inherited from his great-uncle, Pope Alexander VIII, in 1691. The cardinal's taste and patronage are characterized from approximately 100 works identified in modern collections. Other archival information, diary accounts, artists' biographies, testaments, and guidebooks are consulted for insights into the cardinal's collecting habits.
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 466
Book Description
The Inventory of Paintings of Cardinal Pietro Ottoboni (1667-1740) is the study of the inventory of more than 500 art works, assembled on the death of Cardinal Pietro Ottoboni who had been vice-chancellor of the Church for fifty years. The cardinal's commissions are distinguished from the 387 paintings inherited from his great-uncle, Pope Alexander VIII, in 1691. The cardinal's taste and patronage are characterized from approximately 100 works identified in modern collections. Other archival information, diary accounts, artists' biographies, testaments, and guidebooks are consulted for insights into the cardinal's collecting habits.
Experience and Adventures of a Collector
Author: George Encil
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440
Book Description
Always, whenever George Encil acquired a new work of art, something completely ovbious, and yet very rare, then happened. He didn't just become the owner: rather he undertook a sponsorship. He has adopted a piece from the orphanage of the world's art supply and received it into his collection. In many cases, a deed was established which brought to the work an Interpretation which befitted it for the first time since the piece issued from the shaping hands of the artist. Each stage play, each performance of a piece of music, brings today nearly perfect expositions of its creator's intentions; only in the area of visual art, do people think it permissable to make a junk room out of the gallery, from which, in case of financial need, a piece can be thrown upon the slave block of the international art market. The author opposes this attitude wehemently. In the examples taken from the narrative of his experiences he demonstrates that with the acquisition of a work of art commences the duty of preserving it, of restoring it, finding the requisite frame, and alloting it a worthy place for itself. The exposition and proclamation of this conviction is the mission to which the author feels called. His report is an appeal for people to take an interest in the ever dwindling supply of works of art and he would prefer to see every collector become a godfather rather than a possessor; an interpreter rather than a beneficiary. This proclamation does not exempt public collections, in which, following exemplary interpretations, even stepchildren of art will be sheltered. A lifetime spent as a collector qualifies the author for this proclamation, and the presentation before us supports and explains this attitude.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440
Book Description
Always, whenever George Encil acquired a new work of art, something completely ovbious, and yet very rare, then happened. He didn't just become the owner: rather he undertook a sponsorship. He has adopted a piece from the orphanage of the world's art supply and received it into his collection. In many cases, a deed was established which brought to the work an Interpretation which befitted it for the first time since the piece issued from the shaping hands of the artist. Each stage play, each performance of a piece of music, brings today nearly perfect expositions of its creator's intentions; only in the area of visual art, do people think it permissable to make a junk room out of the gallery, from which, in case of financial need, a piece can be thrown upon the slave block of the international art market. The author opposes this attitude wehemently. In the examples taken from the narrative of his experiences he demonstrates that with the acquisition of a work of art commences the duty of preserving it, of restoring it, finding the requisite frame, and alloting it a worthy place for itself. The exposition and proclamation of this conviction is the mission to which the author feels called. His report is an appeal for people to take an interest in the ever dwindling supply of works of art and he would prefer to see every collector become a godfather rather than a possessor; an interpreter rather than a beneficiary. This proclamation does not exempt public collections, in which, following exemplary interpretations, even stepchildren of art will be sheltered. A lifetime spent as a collector qualifies the author for this proclamation, and the presentation before us supports and explains this attitude.
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 612
Book Description
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 612
Book Description