Author: William Shakespeare
Publisher: Demitra Papadinis
ISBN:
Category : Drama
Languages : en
Pages : 292
Book Description
Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.
Renaissance Acting Editions: The Tragedie of Othello, the Moore of Venice [Othello, the Moor of Venice]
Author: William Shakespeare
Publisher: Demitra Papadinis
ISBN:
Category : Drama
Languages : en
Pages : 292
Book Description
Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.
Publisher: Demitra Papadinis
ISBN:
Category : Drama
Languages : en
Pages : 292
Book Description
Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.
Shakespeare Quarterly
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 366
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 366
Book Description
The Cambridge Bibliography of English Literature
Author: Frederick Wilse Bateson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 736
Book Description
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 736
Book Description
Bibliographic Guide to Theatre Arts
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 224
Book Description
The British National Bibliography
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1696
Book Description
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1696
Book Description
The Cambridge bibliography of English literature, edited by F.W. ...
Author: F.W. Bateson
Publisher:
ISBN:
Category :
Languages : en
Pages : 736
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 736
Book Description
The Cambridge Companion to Shakespeare and Religion
Author: Hannibal Hamlin
Publisher: Cambridge University Press
ISBN: 1107172594
Category : Drama
Languages : en
Pages : 331
Book Description
A wide-ranging yet accessible investigation into the importance of religion in Shakespeare's works, from a team of eminent international scholars.
Publisher: Cambridge University Press
ISBN: 1107172594
Category : Drama
Languages : en
Pages : 331
Book Description
A wide-ranging yet accessible investigation into the importance of religion in Shakespeare's works, from a team of eminent international scholars.
Shakespeare for the wiser sort
Author: Steve Sohmer
Publisher: Manchester University Press
ISBN: 1526135124
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
William Shakespeare’s plays are riddled with passages, scenes and sudden plot twists which baffle and confound the most devoted playgoer and the most attentive commentator. Why, for example, didn’t Hamlet succeed to the throne of Denmark at the instant of his father’s death? (It’s not because the Danish throne was elective.) Why does Chorus in Romeo and Juliet promise his audience ‘two houres trafficke of our stage’ when the play obviously runs almost three hours? How is it that Old Hamlet sent his son to school in (Protestant) Wittenberg but his Ghost was sent to (Catholic) Purgatory? and is there cause-and-effect here? How can Lancelot Gobbo be correct (and he is) when he claims Black Monday (the day after Easter) and Ash Wednesday (the 41st day before Easter) once fell on the same day? And what is a ‘dram of eale’? This engaging and lucid book solves these tantalizing riddles and many others.
Publisher: Manchester University Press
ISBN: 1526135124
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
William Shakespeare’s plays are riddled with passages, scenes and sudden plot twists which baffle and confound the most devoted playgoer and the most attentive commentator. Why, for example, didn’t Hamlet succeed to the throne of Denmark at the instant of his father’s death? (It’s not because the Danish throne was elective.) Why does Chorus in Romeo and Juliet promise his audience ‘two houres trafficke of our stage’ when the play obviously runs almost three hours? How is it that Old Hamlet sent his son to school in (Protestant) Wittenberg but his Ghost was sent to (Catholic) Purgatory? and is there cause-and-effect here? How can Lancelot Gobbo be correct (and he is) when he claims Black Monday (the day after Easter) and Ash Wednesday (the 41st day before Easter) once fell on the same day? And what is a ‘dram of eale’? This engaging and lucid book solves these tantalizing riddles and many others.
Othello
Author: William Shakespeare
Publisher:
ISBN: 9780774711029
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780774711029
Category :
Languages : en
Pages : 0
Book Description
Utopia
Author: Thomas More
Publisher: e-artnow
ISBN: 8027303583
Category : Political Science
Languages : en
Pages : 105
Book Description
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
Publisher: e-artnow
ISBN: 8027303583
Category : Political Science
Languages : en
Pages : 105
Book Description
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.