Author: Kenneth Gouwens
Publisher: BRILL
ISBN: 9004247394
Category : History
Languages : la
Pages : 251
Book Description
An assessment of how four humanists in the court of Pope Clement VII - Pietro Alcionio, Pietro Corsi, Jacopo Sadoleto, and Pierio Valeriano - interpreted the cataclysmic Sack of Rome (1527), which called into question their earlier images of the Renaissance papacy. Building upon recent discussions in literary criticism and cognitive psychology, the author elucidates how these humanists' narratives gave meaningful shape to their memories and, in so doing, helped to redefine the image of Renaissance Rome as it would be "remembered" by subsequent generations.
Remembering in the Renaissance
Author: Kenneth Gouwens
Publisher: BRILL
ISBN: 9004247394
Category : History
Languages : la
Pages : 251
Book Description
An assessment of how four humanists in the court of Pope Clement VII - Pietro Alcionio, Pietro Corsi, Jacopo Sadoleto, and Pierio Valeriano - interpreted the cataclysmic Sack of Rome (1527), which called into question their earlier images of the Renaissance papacy. Building upon recent discussions in literary criticism and cognitive psychology, the author elucidates how these humanists' narratives gave meaningful shape to their memories and, in so doing, helped to redefine the image of Renaissance Rome as it would be "remembered" by subsequent generations.
Publisher: BRILL
ISBN: 9004247394
Category : History
Languages : la
Pages : 251
Book Description
An assessment of how four humanists in the court of Pope Clement VII - Pietro Alcionio, Pietro Corsi, Jacopo Sadoleto, and Pierio Valeriano - interpreted the cataclysmic Sack of Rome (1527), which called into question their earlier images of the Renaissance papacy. Building upon recent discussions in literary criticism and cognitive psychology, the author elucidates how these humanists' narratives gave meaningful shape to their memories and, in so doing, helped to redefine the image of Renaissance Rome as it would be "remembered" by subsequent generations.
Remember Me: Renaissance Portraits
Author: Sara van Dijk
Publisher: Nai010 Publishers
ISBN: 9789462086500
Category : Art
Languages : en
Pages : 268
Book Description
Around 1500, portraiture flourished like never before. In countless European cities major Renaissance artists like Hans Holbein II, Albrecht Dürer, Hans Memling and Antonello da Messina produced lifelike portraits at the highest artistic level. For the first time in history, they not only immortalized kings and noblemen but also, and increasingly, powerful bankers, wealthy merchants and renowned scholars. These paintings, busts, medallions, prints and drawings still bear witness to their power, status, ambitions, friendships and religious convictions.00'Remember Me ' uses international masterpieces and surprising unknowns to tell the personal stories of the people portrayed. How did they want to be remembered? Whether they are lovers, celebrities or believers worshipping saints, the people portrayed implore the onlookers not to forget them.00Exhibition: Rijksmuseum, Amsterdam, The Netherlands (01.10.2021 - 16.01.2022).
Publisher: Nai010 Publishers
ISBN: 9789462086500
Category : Art
Languages : en
Pages : 268
Book Description
Around 1500, portraiture flourished like never before. In countless European cities major Renaissance artists like Hans Holbein II, Albrecht Dürer, Hans Memling and Antonello da Messina produced lifelike portraits at the highest artistic level. For the first time in history, they not only immortalized kings and noblemen but also, and increasingly, powerful bankers, wealthy merchants and renowned scholars. These paintings, busts, medallions, prints and drawings still bear witness to their power, status, ambitions, friendships and religious convictions.00'Remember Me ' uses international masterpieces and surprising unknowns to tell the personal stories of the people portrayed. How did they want to be remembered? Whether they are lovers, celebrities or believers worshipping saints, the people portrayed implore the onlookers not to forget them.00Exhibition: Rijksmuseum, Amsterdam, The Netherlands (01.10.2021 - 16.01.2022).
Remembering the Harlem Renaissance
Author: Cary D. Wintz
Publisher: Routledge
ISBN: 1136520007
Category : Literary Criticism
Languages : en
Pages : 477
Book Description
This volume tracks the many surveys of black literature created during the Harlem Renaissance. Noted works by such authors as Sterling Brown, Benjamin Brawley, and Langston Hughes are covered. Retrospectives also appeared in the journal Phylon , and many of those also appear in this collection.
Publisher: Routledge
ISBN: 1136520007
Category : Literary Criticism
Languages : en
Pages : 477
Book Description
This volume tracks the many surveys of black literature created during the Harlem Renaissance. Noted works by such authors as Sterling Brown, Benjamin Brawley, and Langston Hughes are covered. Retrospectives also appeared in the journal Phylon , and many of those also appear in this collection.
The Italian Renaissance and Cultural Memory
Author: Patricia Emison
Publisher: Cambridge University Press
ISBN: 9781107005266
Category : Art
Languages : en
Pages : 0
Book Description
Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance - from 1300 to 1600 - synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style's self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists - Leonardo, Michelangelo, and Raphael - and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism.
Publisher: Cambridge University Press
ISBN: 9781107005266
Category : Art
Languages : en
Pages : 0
Book Description
Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance - from 1300 to 1600 - synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style's self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists - Leonardo, Michelangelo, and Raphael - and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism.
The History of the Renaissance World: From the Rediscovery of Aristotle to the Conquest of Constantinople
Author: Susan Wise Bauer
Publisher: W. W. Norton & Company
ISBN: 0393059766
Category : History
Languages : en
Pages : 816
Book Description
A chronicle of the years between 1100 and 1453 describes the Crusades, the Inquisition, the emergence of the Ottomans, the rise of the Mongols, and the invention of new currencies, weapons, and schools of thought.
Publisher: W. W. Norton & Company
ISBN: 0393059766
Category : History
Languages : en
Pages : 816
Book Description
A chronicle of the years between 1100 and 1453 describes the Crusades, the Inquisition, the emergence of the Ottomans, the rise of the Mongols, and the invention of new currencies, weapons, and schools of thought.
Humanism and Creativity in the Renaissance
Author: Christopher S. Celenza
Publisher:
ISBN:
Category : History
Languages : en
Pages : 442
Book Description
This collection of original essays, gathered in honor of distinguished historian Ronald G. Witt, explores a range of issues of interest to scholars of Renaissance and Early Modern Europe. Contributors include Robert Black, Melissa Bullard, Anthony D'Elia, Anthony Grafton, Paul Grendler, James Hankins, John Headley, John Monfasani, and Louise Rice.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 442
Book Description
This collection of original essays, gathered in honor of distinguished historian Ronald G. Witt, explores a range of issues of interest to scholars of Renaissance and Early Modern Europe. Contributors include Robert Black, Melissa Bullard, Anthony D'Elia, Anthony Grafton, Paul Grendler, James Hankins, John Headley, John Monfasani, and Louise Rice.
The Italian Renaissance
Author: Kenneth Gouwens
Publisher: Wiley-Blackwell
ISBN: 9780631231646
Category : History
Languages : en
Pages : 320
Book Description
These primary sources open a window onto the ways that women and men in Renaissance Italy sought to communicate their beliefs, desires, fears, and hopes, both about their own lives and about the dynamic culture they helped to shape. An ideal complement to Paula Findlen’s ‘The Italian Renaissance: Essential Readings’ (Blackwell Publishing, 2002). Includes canonical texts alongside newly available ones that give fresh perspectives. Selections address topical issues, such as the family strategies of women, attitudes towards non-Italians, and women as patrons of art. Genres represented include correspondence, poetry, the story, dialogue, oratory, and autobiography. Brings the teaching of the Italian Renaissance to life, showing how citizens communicated about their beliefs, desires, fears, and hopes.
Publisher: Wiley-Blackwell
ISBN: 9780631231646
Category : History
Languages : en
Pages : 320
Book Description
These primary sources open a window onto the ways that women and men in Renaissance Italy sought to communicate their beliefs, desires, fears, and hopes, both about their own lives and about the dynamic culture they helped to shape. An ideal complement to Paula Findlen’s ‘The Italian Renaissance: Essential Readings’ (Blackwell Publishing, 2002). Includes canonical texts alongside newly available ones that give fresh perspectives. Selections address topical issues, such as the family strategies of women, attitudes towards non-Italians, and women as patrons of art. Genres represented include correspondence, poetry, the story, dialogue, oratory, and autobiography. Brings the teaching of the Italian Renaissance to life, showing how citizens communicated about their beliefs, desires, fears, and hopes.
Eros and Magic in the Renaissance
Author: Ioan P. Culianu
Publisher: University of Chicago Press
ISBN: 0226123162
Category : History
Languages : en
Pages : 286
Book Description
It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.
Publisher: University of Chicago Press
ISBN: 0226123162
Category : History
Languages : en
Pages : 286
Book Description
It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.
Princes of the Renaissance
Author: Mary Hollingsworth
Publisher: Simon and Schuster
ISBN: 1643135473
Category : History
Languages : en
Pages : 412
Book Description
A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.
Publisher: Simon and Schuster
ISBN: 1643135473
Category : History
Languages : en
Pages : 412
Book Description
A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.
Erasmus of Rotterdam
Author: William Barker
Publisher: Reaktion Books
ISBN: 1789144515
Category : Biography & Autobiography
Languages : en
Pages : 311
Book Description
The first English-language popular biography of widely influential northern Renaissance scholar Erasmus of Rotterdam in twenty years. Erasmus of Rotterdam came from an obscure background but, through remarkable perseverance, skill, and independent vision, became a powerful and controversial intellectual figure in Europe in the early sixteenth century. He was known for his vigorous opposition to war, intolerance, and hypocrisy, and at the same time for irony and subtlety that could confuse his friends as well as his opponents. His ideas about language, society, scholarship, and religion influenced the rise of the Reformation and had a huge impact on the humanities, and that influence continues today. This book shows how an independent textual scholar was able, by the power of the printing press and his wits, to attain both fame and notoriety. Drawing on the immense wealth of recent scholarship devoted to Erasmus, Erasmus of Rotterdam is the first English-language popular biography of this crucial thinker in twenty years.
Publisher: Reaktion Books
ISBN: 1789144515
Category : Biography & Autobiography
Languages : en
Pages : 311
Book Description
The first English-language popular biography of widely influential northern Renaissance scholar Erasmus of Rotterdam in twenty years. Erasmus of Rotterdam came from an obscure background but, through remarkable perseverance, skill, and independent vision, became a powerful and controversial intellectual figure in Europe in the early sixteenth century. He was known for his vigorous opposition to war, intolerance, and hypocrisy, and at the same time for irony and subtlety that could confuse his friends as well as his opponents. His ideas about language, society, scholarship, and religion influenced the rise of the Reformation and had a huge impact on the humanities, and that influence continues today. This book shows how an independent textual scholar was able, by the power of the printing press and his wits, to attain both fame and notoriety. Drawing on the immense wealth of recent scholarship devoted to Erasmus, Erasmus of Rotterdam is the first English-language popular biography of this crucial thinker in twenty years.