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Author: James A. Ganz
Publisher: Prestel Publishing
ISBN: 9783791352244
Category : Art, European
Languages : en
Pages : 0
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Book Description
San Francisco's Fine Arts Museums are home to an astonishing collection of graphic arts, including a vibrant holding of essential masterworks by Rembrandt--arguably his generation's most influential artist. This stunning book places Rembrandt's achievements in context, setting the stage primarily with prints and drawings from the turn of the 17th century and tracing the impact he had on his many followers. In a series of thematic sections, author James A. Ganz explores the rich print culture of the era, focusing on representations of artists and their world, portraiture, natural history, scenes of daily life, landscape, and subjects drawn from mythology and religion. This visually compelling survey balances the contributions of painter-printmakers like Rembrandt, Ostade, Castiglione, and Ribera against the works of such specialized graphic artists as Callot, Hollar, and Doomer. Filled with virtuosic engravings to ambient etchings, exquisite ink drawings to fanciful watercolors and more, this book illustrates the enormous range and appeal of printmaking and drawing techniques in Rembrandt's century.
Author: James A. Ganz
Publisher: Prestel Publishing
ISBN: 9783791352244
Category : Art, European
Languages : en
Pages : 0
Get Book Here
Book Description
San Francisco's Fine Arts Museums are home to an astonishing collection of graphic arts, including a vibrant holding of essential masterworks by Rembrandt--arguably his generation's most influential artist. This stunning book places Rembrandt's achievements in context, setting the stage primarily with prints and drawings from the turn of the 17th century and tracing the impact he had on his many followers. In a series of thematic sections, author James A. Ganz explores the rich print culture of the era, focusing on representations of artists and their world, portraiture, natural history, scenes of daily life, landscape, and subjects drawn from mythology and religion. This visually compelling survey balances the contributions of painter-printmakers like Rembrandt, Ostade, Castiglione, and Ribera against the works of such specialized graphic artists as Callot, Hollar, and Doomer. Filled with virtuosic engravings to ambient etchings, exquisite ink drawings to fanciful watercolors and more, this book illustrates the enormous range and appeal of printmaking and drawing techniques in Rembrandt's century.
Author: Michael Zell
Publisher: Univ of California Press
ISBN: 0520227417
Category : Art
Languages : en
Pages : 287
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Book Description
"This book embeds Rembrandt's art in the pluralistic religious context of seventeenth-century Amsterdam, arguing for the restoration of this historical dimension to contemporary discussions of the artists. By incorporating this perspective, Zell confirms and revises one of the most forceful myths attached to Rembrandt's art and life: his presumed attraction and sensitivity to the Jews of early modern Amsterdam."--BOOK JACKET.
Author: Paul Crenshaw
Publisher: Cambridge University Press
ISBN: 0521858259
Category : Art
Languages : en
Pages : 152
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Book Description
Examines the causes, circumstances, and effects of the 1656 bankruptcy by Rembrandt van Rijn.
Author: Michael Zell
Publisher:
ISBN: 9789463726429
Category :
Languages : en
Pages :
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Book Description
This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.
Author: Michiel Kersten
Publisher:
ISBN: 9789492371300
Category : Art
Languages : en
Pages : 90
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Book Description
Rembrandt Etchings is an accessible book that will guide you on your visual journey of discovery, and allow you to see why Rembrandt was the greatest of all 17th-century printmakers. You will learn a great deal about the technical aspect of printmaking, Rembrandt's choice of papers, and his expertise in marketing his etchings.
Author: Roland E. Fleischer
Publisher: Penn State Press
ISBN: 9780915773022
Category : Art
Languages : en
Pages : 252
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Book Description
This is a study of seventeenth-century Dutch painting.
Author: Ortrud Westheider
Publisher: National Geographic Books
ISBN: 3791359630
Category : Art
Languages : en
Pages : 0
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Book Description
This book sheds light on the fascinating ways Rembrandt and other Golden Age painters were influenced by Eastern culture. In the 17th century, Amsterdam was a vibrant hub of the burgeoning European trade with Asia, Africa, and the Levant, importing copious amounts of foreign items that powerfully stimulated the imagination of numerous Dutch artists. This was notably the case with Rembrandt, whose curiosity and voraciousness as a collector were legendary in his time. Throughout his prolific career, he drew on Eastern influences in genres as diverse as history painting and portraiture, including depictions in which he himself adopted Oriental styled attire. This lavishly illustrated book explores the inventive ways in which Rembrandt and his contemporaries accommodated Eastern imagery into their own repertoire, set within the wider context of Holland's rapidly expanding commercial and cultural exchange with its non-European trading partners. The problematic term "Orient" was widely used in Rembrandt's time and will be discussed at great length in this catalogue.
Author: Anthony M. Amore
Publisher: St. Martin's Press
ISBN: 0230337422
Category : Art
Languages : en
Pages : 272
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Book Description
Anthony M. Amore and Tom Mashberg's Stealing Rembrandts is a spellbinding journey into the high-stakes world of art theft Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston, Worcester to Ohio - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves - even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces. Stealing Rembrandts is an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.
Author: Steven M. Nadler
Publisher: University of Chicago Press
ISBN: 9780226567372
Category : Art
Languages : en
Pages : 284
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Book Description
There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries. Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance. Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.
Author: H. Perry Chapman
Publisher:
ISBN: 9780691002965
Category : Art
Languages : en
Pages : 189
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Book Description
H. Perry Chapman has produced the first comprehensive treatment of the entire body of Rembrandt's self-portraits in their cultural and historical setting and in the context of the artist's life. Prevailing scholarship has tried to discredit the idea that the self-portraits stemmed from any particular inner need, but Chapman counters by presenting fascinating evidence that they represent a conscious and progressive quest for individual identity in a truly modern sense. "H. Perry Chapman, in my view, gives us the Rembrandt we need in the 1990s. . . . [Her] sensitivity to questions of style and expression, combined with original research, leads to a conclusion . . . that `Rembrandt's lifelong preoccupation with self-portraiture can be seen as a necessary process of identity formation or self-definition'--in short, autobiography."--Walter Liedtke, The Journal of Art "Chapman is a graceful writer. Her arguments are balanced, well documented, and vigorously pursued. . . . The publication of this book is cause for gratitude and joy."--Thomas D'Evelyn, Christian Science Monitor
