Remarks on the French and English Ladies, etc PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Remarks on the French and English Ladies, etc PDF full book. Access full book title Remarks on the French and English Ladies, etc by John Andrews. Download full books in PDF and EPUB format.
Author: John Andrews
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Get Book Here
Book Description
Author: John Andrews
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Get Book Here
Book Description
Author: J. Moores
Publisher: Springer
ISBN: 1137380144
Category : History
Languages : en
Pages : 246
Get Book Here
Book Description
Between 1740 and 1832, England witnessed what has been called its 'golden age of caricature', coinciding with intense rivalry and with war with France. This book shows how Georgian satirical prints reveal attitudes towards the French 'Other' that were far more complex, ambivalent, empathetic and multifaceted than has previously been recognised.
Author: Elaine Chalus
Publisher: Clarendon Press
ISBN: 0191535605
Category : History
Languages : en
Pages : 284
Get Book Here
Book Description
Based on wide-ranging, original research into political, personal, and general correspondences across a period of significant social and political change, this book explores the gendered nature of politics and political life in eighteenth-century England by focusing on the political involvement of female members of the political elite. Elaine Chalus challenges the notion that only exceptional women were involved in politics, that their participation was necessarily limited and indirect, and that their involvement was inevitably declining after the 1784 Westminster Election. While exceptional women did exist and gender did condition women's participation, the personal, social, and particularly the familial nature of eighteenth-century politics provided more women with a wider variety of opportunities for involvement than ever before. Women from politically active families grew up with politics, absorbing its rituals, and their own involvement extended from politicized socializing up to borough control and election management. Their participation was often accepted, expected, or even demanded, depending upon family traditions, personal abilities, and the demands of political expediency. Chalus reveals that, although women's involvement in political life was always potentially more problematic than men's, given contemporary concerns about the links between sex, politics, and corruption, their participation was largely unproblematic as long as their activities could be explained by recourse to a familial model which depicted their participation as subordinate and supportive of men's. It was when they came to be seen as the leading political actors in a cause that they overstepped the mark and became targets of sexualized criticism. Contemporary critics worried that politically active women posed a threat to male polity, but what actually made them threatening was that they proved that women were not politically incompetent and implicitly demonstrated that gender was not a reason for political exclusion. Although the dividing line between acceptable and unacceptable female political behaviours was sharper from the late eighteenth century onward, Chalus suggests that women who were willing to work creatively within the familial model could and did remain politically active into - and through - the nineteenth century.
Author: Peter McNeil
Publisher: Yale University Press
ISBN: 0300217463
Category : Design
Languages : en
Pages : 258
Get Book Here
Book Description
"The term "macaroni" was once as familiar a label as "punk" or "hipster" is today. In this handsomely illustrated book devoted to notable 18th-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late 18th century. For thirty years, macaroni was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius "Soubise," and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men."--Publisher's website.
Author: Robert Tombs
Publisher: Vintage
ISBN: 0307547981
Category : History
Languages : en
Pages : 820
Get Book Here
Book Description
That Sweet Enemy brings both British wit (Robert Tombs is a British historian) and French panache (Isabelle Tombs is a French historian) to bear on three centuries of the history of Britain and France. From Waterloo to Chirac’s slandering of British cooking, the authors chart this cross-channel entanglement and the unparalleled breadth of cultural, economic, and political influence it has wrought on both sides, illuminating the complex and sometimes contradictory aspects of this relationship—rivalry, enmity, and misapprehension mixed with envy, admiration, and genuine affection—and the myriad ways it has shaped the modern world. Written with wit and elegance, and illustrated with delightful images and cartoons from both sides of the Channel, That Sweet Enemy is a unique and immensely enjoyable history, destined to become a classic.
Author: Leslie Ritchie
Publisher: Routledge
ISBN: 1351536621
Category : Literary Criticism
Languages : en
Pages : 280
Get Book Here
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Author: Leanne Maunu
Publisher: Associated University Presse
ISBN: 9780838756706
Category : Literary Criticism
Languages : en
Pages : 320
Get Book Here
Book Description
Women Writing the Nation: National Identity, Female Community, and the British - French Connection, 1770-1820 engages in recent discussions of the development of British nationalism during the eighteenth century and Romantic period. Leanne Maunu argues that women writers looked not to their national identity, but rather to their gender to make claims about the role of women within the British nation. Discussing texts by Frances Burney, Charlotte Smith, Mary Wollstonecraft, and others in the late-eighteenth and early-nineteenth centuries, Maunu demonstrates that women writers of this period imagined themselves as members of a fairly stable community, even if such a community was composed of many different women with many different beliefs. They appropriated the model of collectivity posed by the nation, mimicking a national imagined community.
Author: Katherine Turner
Publisher: Routledge
ISBN: 1351807749
Category : Religion
Languages : en
Pages : 256
Get Book Here
Book Description
This title was first published in 2001: Hundreds of European travelogues produced by British travellers between 1750 and 1800 remain out of sight in most libraries and have generally been out of print since the 18th century. While many people with a working knowledge of the 18th century are familiar with works including Sterne's "A Sentimental Journey" and Smollett's "Travels through France and Italy", those produced by less "literary" travellers are largely unknown. This study aims to recreate the world of 18th-century travel writing in order to illuminate its central role in shaping Britain's emerging sense of national identity - an identity which proves to be more complex an less homogeneous than some cultural and historical studies would suggest. The author finds that the developing discourse of national character is bound up with questions of gender: national and authorial virtue are projected in terms of appropriately gendered behaviour, for male and female travel writers alike. In turn, gender intersects with class, most obviously in the tendency to denigrate aristocratic travellers as effeminate and celebrate the more manly activities of the middle-class traveller. These then - national identity, authorship and gender - are the central preoccupations of the study
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
Get Book Here
Book Description
Author: Ruth Bernard Yeazell
Publisher: University of Chicago Press
ISBN: 9780226950969
Category : Literary Criticism
Languages : en
Pages : 332
Get Book Here
Book Description
Combining evidence from conduct books and ladies' magazines with the arguments of influential theorists like Hume, Rousseau, and Wollstonecraft, this book begins by asking why writers were devoted to the anxious remaking of women's "nature" and to codifying rules for their porper behavior. Fictions of Modesty shows how the culture at once tried to regulate young women's desires and effectively opened up new possibilities of subjectivity and individual choice. Yeazell goes on to demonstrate that modest delaying actions inform a central tradition of English narrative. On the Continent, the English believed, the jeune fille went from the artificial innocence of the convent to an arranged marriage and adultery; the natural modesty of the Englishwoman, however, enabled her to choose her own mate and to marry both prudently and with affection. Rather than taking its narrative impetus from adultery, then, English fiction concentrated on courtship and the consciousness of the young woman choosing. After paired studies of Richardson's Pamela and Cleland's Memoirs of a Woman of Pleasure (even Fanny Hill, Yeazell argues, is a modest English heroine at heart), Yeazell investigates what women novelists made of the virtues of modesty in works by Burney, Austen, Charlotte Bronte, and Gaskell.
