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Author: James Elkins
Publisher: Psychology Press
ISBN: 9780415969895
Category : Art
Languages : en
Pages : 156
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Book Description
Can contemporary art say anything about spirituality? Answering this question and more, On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art.
Author: James Elkins
Publisher: Psychology Press
ISBN: 9780415969895
Category : Art
Languages : en
Pages : 156
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Book Description
Can contemporary art say anything about spirituality? Answering this question and more, On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art.
Author: Anthony Padgett
Publisher: Lulu.com
ISBN: 0956158730
Category : Reference
Languages : en
Pages : 221
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Book Description
These essays explore the relationship between art and religion. The first part, 2001-2002, is essays about "The Ism," where 1994-9 Padgett united religious and spiritual perspectives by uniting the art-forms appropriate to them. The second part is essays from 2002-2005, when Padgett studied at Wimbledon School of Art, London, for an MA in Theory of Contemporary Art and Performance. Padgett looks at artists (Damien Hirst, Thomas Hirschhorn, Anton Artaud, Jake and Dinos Chapman Brothers, Guillermo Gomez-Pena etc) and develops the idea of "Postmodern Religious Art." His program of uniting the art-forms is progressed by uniting the specific material forms of religions in semi-irony with the profane - whilst keeping the sacred as of highest importance. The final part is the questionnaire that Padgett submitted to the Employment Tribunals, giving the main arguments behind his claim that the Tate Galleries were exercising religious discrimination in the way they selected artworks.
Author: Ronald R. Bernier
Publisher: Taylor & Francis
ISBN: 1000868451
Category : Art
Languages : en
Pages : 475
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Book Description
Religion and Contemporary Art sets the theoretical frameworks and interpretive strategies for exploring the re-emergence of religion in the making, exhibiting, and discussion of contemporary art. Featuring essays from both established and emerging scholars, critics, and artists, the book reflects on what might be termed an "accord" between contemporary art and religion. It explores the common strategies contemporary artists employ in the interface between religion and contemporary art practice. It also includes case studies to provide more in-depth treatments of specific artists grappling with themes such as ritual, abstraction, mythology, the body, popular culture, science, liturgy, and social justice, among other themes. It is a must-read resource for working artists, critics, and scholars in this field, and an invitation to new voices "curious" about its promises and possibilities.
Author: Aaron Rosen
Publisher: Wipf and Stock Publishers
ISBN: 1532649312
Category : Art
Languages : en
Pages : 230
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Book Description
Contemporary artists are engaging more deeply than ever with religious imagery, themes, practices, and audiences. With a bracing, jargon-free style, Aaron Rosen—a leading scholar, art critic, and curator—takes readers into studios, galleries, and worship spaces as he paints a compelling picture of art and religion today. Focusing on individual artists, from eminent names to emerging stars, Rosen’s essays and interviews tackle key questions, from how art might sustain communities to how it might offer new approaches to conflict resolution. Drawing on years spent developing relationships with artists around the globe—from Algeria to India to the United States—Rosen gets artists to talk, often for the first time, about how religion impacts their practice. Whether inspiring or unsettling, these brushes with faith challenge and invigorate the artists in question, and those who ponder the results. Replete with more than seventy color images of works ranging from video art to outdoor installations, this volume is indispensable reading for those looking to see contemporary art in a new light.
Author: Daniel A. Siedell
Publisher: Baker Academic
ISBN: 0801031842
Category : Art
Languages : en
Pages : 192
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Book Description
An art historian develops a theological, philosophical, and historical framework within which to experience and interpret modern and contemporary art that is in dialogue with the Christian faith.
Author: James Elkins
Publisher: Psychology Press
ISBN: 9780415969888
Category : Art
Languages : en
Pages : 154
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Book Description
Can contemporary art say anything about spirituality? Answering this question and more, On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art.
Author: Alena Alexandrova
Publisher:
ISBN: 9780823274529
Category : Art and religion
Languages : en
Pages : 283
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Book Description
In recent decades curators and artists have shown a distinct interest in religion, its different traditions, manifestations in public life, gestures and images. Breaking Resemblance explores the complex relationship between contemporary art and religion by focusing on the ways artists re-work religious motifs as a means to reflect critically on our desire to believe in images, on the history of seeing them, and on their double power-- iconic and political. It discusses a number of exhibitions that take religion as their central theme, and a selection of works by Bill Viola, Lawrence Malstaf, Victoria Reynolds, and Berlinde de Bruyckere--all of whom, in their respective ways and media, recycle religious motifs and iconography and whose works resonate with, or problematize the motif of, the true image.
Author: W. David O. Taylor
Publisher: InterVarsity Press
ISBN: 0830890300
Category : Religion
Languages : en
Pages : 268
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Book Description
The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound. On one hand, the leaders of local congregations, seminaries, and other Christian ministries often don't know what to make of works by contemporary artists. Not only are these artists mostly unknown to church leaders, they and their work often lead them to regard the world of contemporary art with indifference, frustration, or even disdain. On the other hand, many artists lack any meaningful experience with the contemporary church and are mostly ignorant of its mission. Not infrequently, these artists regard religion as irrelevant to their work, are disinclined to trust the church and its leaders, and have experienced personal rejection from these communities. In response to this situation, the 2015 biennial conference of Christians in the Visual Arts (CIVA) facilitated a conversation between these two worlds. This volume gathers together essays and reflections by artists, theologians, and church leaders as they sought to explore misperceptions, create a hospitable space to learn from each other, and imagine the possibility of a renewed and mutually fruitful relationship. Contemporary Art and the Church seeks common ground for the common good of both the church and the contemporary art world. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
Author: Jonathan A. Anderson
Publisher: InterVarsity Press
ISBN: 0830899979
Category : Art
Languages : en
Pages : 388
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Book Description
Christianity Today Book of the Year Award of Merit - Culture and the Arts For many Christians, engaging with modern art raises several questions: Is the Christian faith at odds with modern art? Does modernism contain religious themes? What is the place of Christian artists in the landscape of modern art? Nearly fifty years ago, Dutch art historian and theologian Hans Rookmaaker offered his answers to these questions when he published his groundbreaking work, Modern Art and the Death of a Culture, which was characterized by both misgivings and hopefulness. While appreciating Rookmaaker's invaluable contribution to the study of theology and the arts, this volume—coauthored by an artist and a theologian—responds to his work and offers its own answers to these questions by arguing that there were actually strong religious impulses that positively shaped modern visual art. Instead of affirming a pattern of decline and growing antipathy towards faith, the authors contend that theological engagement and inquiry can be perceived across a wide range of modern art—French, British, German, Dutch, Russian, and North American—and through particular works by artists such as Gauguin, Picasso, David Jones, Caspar David Friedrich, van Gogh, Kandinsky, Warhol, and many others. This Studies in Theology and the Arts volume brings together the disciplines of art history and theology and points to the signs of life in modern art in order to help Christians navigate these difficult waters. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
Author: Anthony Padgett
Publisher: Lulu.com
ISBN: 0956158749
Category : Art
Languages : en
Pages : 82
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Book Description
This lavish photographic book documents the artwork of Anthony Padgett in his groundbreaking and influential quest to understand religion and art. THEISM/ THE-ISM (1994 - 2001) was his modernist ism to end all isms. A spiritual search to reconcile the Mystical & Moral perspectives through art. POSTMODERN RELIGIOUS ART - (2002-2006) was his uniting a diversity of faiths in superficial work that was still a genuine expression of faith. Included are his numerous exhibitions, Artist-in-Residency, Art Technology Award 2002, International Jewish Artist of the Year Award 2004 finalist work, commission for Liverpool Biennial 2004, performance at Edinburgh Fringe 2005 and legal case against the Tate Galleries 2005-7. He has been featured in the Guardian, the Mail on Sunday, Times, Times Educational Supplement and BBC Radio 4. He gave talks at the New York Studio School of Art, the Institute of Contemporary Art and Tate Modern. Padgett has an MA in Theory of Contemporary Art & Performance.
