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Author: Leon Rubin
Publisher: Routledge
ISBN: 0429750196
Category : Drama
Languages : en
Pages : 181
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Book Description
Rehearsing Shakespeare offers a dynamic guide to practice in rehearsals and workshops for actors, directors and trainers in a UK and global context. The book analyses the roots and development of modern-day approaches to Shakespeare and applies theory of verse analysis to practical work, ranging from the drama student to the highest professional level in major global theatres. At the heart of the book are a series of carefully tested acting exercises, worked with professional actors and drama students across the world, both in English and in translation. Featuring several case studies from the author’s own work and the work of others, it explores how acting and directing relate to design and other forms of artistic collaboration during Shakespeare production. An excellent resource for students and teachers of acting and directing courses, drama and English literature students at all levels, new professional actors and professional actors undertaking the exciting task of acting and directing Shakespeare at an international level, Rehearsing Shakespeare offers practical approaches to cutting and editing through to the core challenges of any Shakespearian play.
Author: Leon Rubin
Publisher: Routledge
ISBN: 0429750196
Category : Drama
Languages : en
Pages : 181
Get Book Here
Book Description
Rehearsing Shakespeare offers a dynamic guide to practice in rehearsals and workshops for actors, directors and trainers in a UK and global context. The book analyses the roots and development of modern-day approaches to Shakespeare and applies theory of verse analysis to practical work, ranging from the drama student to the highest professional level in major global theatres. At the heart of the book are a series of carefully tested acting exercises, worked with professional actors and drama students across the world, both in English and in translation. Featuring several case studies from the author’s own work and the work of others, it explores how acting and directing relate to design and other forms of artistic collaboration during Shakespeare production. An excellent resource for students and teachers of acting and directing courses, drama and English literature students at all levels, new professional actors and professional actors undertaking the exciting task of acting and directing Shakespeare at an international level, Rehearsing Shakespeare offers practical approaches to cutting and editing through to the core challenges of any Shakespearian play.
Author: Tiffany Stern
Publisher: Oxford University Press
ISBN: 0198186819
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected thecreation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
Author: B. Reynolds
Publisher: Springer
ISBN: 0230505031
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
To 'rematerialize' in the sense of Rematerializing Shakespeare: Authority and Representation on the Early Modern English Stage is not to recover a lost material infrastructure, as Marx spoke of, nor is it to restore to some material existence its priority over the imaginary. Indeed, this collection of work by some of the most highly-regarded critics in Shakespeare studies does not offer a single theoretical stance on any of the various forms of critical materialism (Marxism, cultural materialism, new historicism, transversal poetics, gender studies, or performance criticism), but rather demonstrates that the materiality of Shakespeare is multidimensional and consists of the imagination, the intended, and the desired. Nothing returns in this rematerialization, unless it is a return in the sense of the repressed, which, when it comes back, comes back as something else. An all-star line-up of contributors includes Kate McLuskie, Terence Hawkes, Catherine Belsey and Doug Bruster.
Author: Paul Franssen
Publisher: Cambridge University Press
ISBN: 1107125618
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
In this book, Franssen investigates the use of Shakespeare as a fictional character in different literary genres, periods and cultures.
Author: Lois Potter
Publisher: John Wiley & Sons
ISBN: 1118281527
Category : Literary Criticism
Languages : en
Pages : 514
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Book Description
The Life of William Shakespeare is a fascinating and wide-ranging exploration of Shakespeare's life and works focusing on oftern neglected literary and historical contexts: what Shakespeare read, who he worked with as an author and an actor, and how these various collaborations may have affected his writing. Written by an eminent Shakespearean scholar and experienced theatre reviewer Pays particular attention to Shakespeare's theatrical contemporaries and the ways in which they influenced his writing Offers an intriguing account of the life and work of the great poet-dramatist structured around the idea of memory Explores often neglected literary and historical contexts that illuminate Shakespeare's life and works
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521523547
Category : Drama
Languages : en
Pages : 232
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Book Description
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Paul Budra
Publisher: Springer
ISBN: 1137595418
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
This book examines how early modern and recently emerging theories of consciousness and cognitive science help us to re-imagine our engagements with Shakespeare in text and performance. Papers investigate the connections between states of mind, emotion, and sensation that constitute consciousness and the conditions of reception in our past and present encounters with Shakespeare’s works. Acknowledging previous work on inwardness, self, self-consciousness, embodied self, emotions, character, and the mind-body problem, contributors consider consciousness from multiple new perspectives—as a phenomenological process, a materially determined product, a neurologically mediated reaction, or an internally synthesized identity—approaching Shakespeare’s plays and associated cultural practices in surprising and innovative ways.
Author: R. King
Publisher: Springer
ISBN: 0230228275
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
A lively collection of essays from scholars from across Europe, North America and Australia. The book ranges from Shakespeare's use of manuals on war written for the sixteenth-century English public by an English mercenary, to reflections on the ways in which Shakespeare has been represented in Nazi Germany, wartime Denmark, or cold war Romania.
Author: Alison Findlay
Publisher: A&C Black
ISBN: 1472557514
Category : Literary Criticism
Languages : en
Pages : 677
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Book Description
This is a comprehensive reference guide examining the language employed by Shakespeare to represent women in the full range of his poetry and plays. Including over 350 entries, Alison Findlay shows the role of women within Shakespearean drama, their representations on the Shakespearean stage, and their place in Shakespeare's personal and professional lives.
Author: Lina Perkins Wilder
Publisher: Cambridge University Press
ISBN: 0521764556
Category : Drama
Languages : en
Pages : 231
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Book Description
Wilder examines the excessive remembering of figures such as Romeo, Falstaff, and Hamlet as a way of defining Shakespeare's theatricality.
