Statuts et reglemens, etc. The statutes and by-Laws of the Corporation of the Governor and Directors of the Hospital for poor French Protestants and their descendants, residing in Great Britain PDF Download
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Author: Hospital for Poor French Protestants (LONDON)
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
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Book Description
Author: Hospital for Poor French Protestants (LONDON)
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Get Book Here
Book Description
Author: Scottish Rite (Masonic order)
Publisher:
ISBN:
Category : Freemasonry
Languages : en
Pages : 182
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Book Description
Author: Québec (Province)
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 698
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Book Description
Author: Québec (Province).
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 704
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Book Description
Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 710
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Book Description
Author: Québec (Province).
Publisher:
ISBN:
Category :
Languages : en
Pages : 698
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Sean Heath
Publisher: Bloomsbury Publishing
ISBN: 1350173207
Category : History
Languages : en
Pages : 296
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Book Description
Historians of the ancien régime have long been interested in the relationship between religion and politics, and yet many issues remain contentious, including the question of sacral monarchy. Scholars are divided over how - and, indeed, if - it actually operated. With its nuanced analysis of the cult of Saint Louis, covering a vast swathe of French history from the Wars of Religion through the zenith of absolute monarchy under Louis XIV to the French Revolution and Restoration, Sacral Kingship in Bourbon France makes a major contribution to this debate and to our overall understanding of France in this fascinating period. Saint Louis IX was the ancestor of the Bourbons and widely regarded as the epitome of good Christian kingship. As such, his cult and memory held a significant place in the political, religious, and artistic culture of Bourbon France. However, as this book reveals, likenesses to Saint Louis were not only employed by royal flatterers but also used by opponents of the monarchy to criticize reigning kings. What, then, does Saint Louis' cult reveal about how monarchies fostered a culture of loyalty, and how did sacral monarchy interact with the dramatic religious, political and intellectual developments of this era? From manuscripts to paintings to music, Sean Heath skilfully engages with a vast array of primary source material and modern debates on sacral kingship to provide an enlightening and comprehensive analysis of the role of Saint Louis in early modern France.
Author: Roger King
Publisher: Taylor & Francis
ISBN: 1351886169
Category : History
Languages : en
Pages : 244
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Book Description
The early decades of the eighteenth century saw the appearance of a completely new type of surgical practitioner in France: the dentiste. The use of this title was of the utmost significance, indicating not just the making of a new practitioner but of an entirely new practice - the dentiste was, quite literally, making a name for himself. Appearing on the back of dramatic changes within surgery in general, the practice of the dentiste, although it focused only on the teeth, was nevertheless extensive. In addition to extractions, there was also a wide-ranging field of operations on offer, the performance of which had only been hinted at by the surgeon of the seventeenth century. This new sphere of practice represented a radical departure from what had gone before and, as this book reveals, it was all built solidly on sound surgical foundations, with the dentiste occupying a respected position within society in general and the medical world in particular. This book places the making of the dentiste within social, political and technical contexts, and in so doing re-contextualises the purely progressive stories told in conventional histories of dentistry. In doing so, it brings surgery back to its central role in this story, and reveals for the first time the origins of the dentise in the French surgical profession.
Author: Susanne Anderson-Riedel
Publisher: Cambridge Scholars Publishing
ISBN: 1443820202
Category : Art
Languages : en
Pages : 275
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Book Description
The study investigates the engravers’ rise within the French academic system and demonstrates their success in transforming a reproductive medium into a creative and original art genre. In the nineteenth century, graphic artists developed an artistic language that was independent and on par with the original model that they reproduced. The Académie royale de peinture et de sculpture welcomed graphic artists into its ranks in 1655. As talented reproductive artists were able to disseminate works of art produced at the Academy, engravers rose to occupy administrative positions at the compagnie in the eighteenth century. Their success notwithstanding, graphic artists remained unable to overcome the perception of being reproductive artisans rather than creative and original fine artists. The proof of their predicament was the continuous refusal of advanced artistic training for graphic artists within the French academic system. The Section de Gravure at the Institut de France, established in 1803, was the first academic institution that distinguished between imitative and creative artistic execution in the reproductive graphic arts. Through patronage, the supervision of competitions, and the administration of the Prix de Rome program for graphic artists, the Engraving Department established specific guidelines for artistic reproduction and encouraged the formulation of an independent, artistic language in the reproductive arts. Finally, it defined the characteristics of fine engraving as a creative art medium. The Prix de Rome for engraving was crucial in consolidating the new understanding of engraving as an original art form. The engravers’ participation in the Grand Prix competition transformed their artisanal training practice in the master’s workshop into an artistic and academic education of graphic artists in the engraving ateliers. Furthermore, their sojourn at the French Academy in Rome encouraged the collegial collaboration between painters, sculptors, and engravers, leading engravers to develop a free and graphic interpretation of their model. The reproductive engraver was now able to rival painters and sculptors and, consequently, he emerged as a creative and original artist.
