Author: University of Melbourne. Centre for Studies in Australian Music
Publisher:
ISBN: 9780959883169
Category : Dissertations, Academic
Languages : en
Pages : 116
Book Description
Register of Theses in Australian Music
Author: University of Melbourne. Centre for Studies in Australian Music
Publisher:
ISBN: 9780959883169
Category : Dissertations, Academic
Languages : en
Pages : 116
Book Description
Publisher:
ISBN: 9780959883169
Category : Dissertations, Academic
Languages : en
Pages : 116
Book Description
Towards Federation 2001
Author: National Library of Australia
Publisher: National Library Australia
ISBN: 9780642105905
Category : Computers
Languages : en
Pages : 304
Book Description
Collection of papers from the 'Towards Federation 2001' conference, held in Canberra on 23-26 March 1992 and attended by 140 participants from libraries nationwide. Includes the final report and resolutions along with agenda, working and background papers. Topics addressed include access to information by particular groups such as the Aboriginal community and the disabled, and preservation of material. Refers to a range of types of documentation such as cartographic material, microforms, machine-readable records, theses, and oral history and folklore.
Publisher: National Library Australia
ISBN: 9780642105905
Category : Computers
Languages : en
Pages : 304
Book Description
Collection of papers from the 'Towards Federation 2001' conference, held in Canberra on 23-26 March 1992 and attended by 140 participants from libraries nationwide. Includes the final report and resolutions along with agenda, working and background papers. Topics addressed include access to information by particular groups such as the Aboriginal community and the disabled, and preservation of material. Refers to a range of types of documentation such as cartographic material, microforms, machine-readable records, theses, and oral history and folklore.
Information Sources in Music
Author: Lewis Foreman
Publisher: Guides to Information Sources
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 480
Book Description
From medieval chorales, to light operetta, to electronically generated 'musique concrete', this title offers meticulous coverage of musical composition and criticism, past and present.
Publisher: Guides to Information Sources
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 480
Book Description
From medieval chorales, to light operetta, to electronically generated 'musique concrete', this title offers meticulous coverage of musical composition and criticism, past and present.
Australian Journal of Music Education
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 414
Book Description
Australian Directory of Music Research
Author: Philip J. Drummond
Publisher: Sydney : Australia Music Centre
ISBN:
Category : Music
Languages : en
Pages : 438
Book Description
Publisher: Sydney : Australia Music Centre
ISBN:
Category : Music
Languages : en
Pages : 438
Book Description
Studies in Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 132
Book Description
Register of Theses in Music
Author: Paul Doe
Publisher:
ISBN:
Category :
Languages : en
Pages : 25
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 25
Book Description
Australia’s Music: Themes of a New Society (2nd ed.)
Author: Roger Covell
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 073403783X
Category : Music
Languages : en
Pages : 342
Book Description
Described on its first publication in 1967 as “a scholarly account of Australian music that is also entertaining social history”, Roger Covell’s Austrlaia’s Music: Themes of a New Society has become a classic of Australian music history for its beautifully written explorations of almost two hundred years of music-making across classical, Indigenous and Anglo-Celtic traditions. This revised edition, including more than sixty musical examples, is supplemented by a new postscript written by the author.
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 073403783X
Category : Music
Languages : en
Pages : 342
Book Description
Described on its first publication in 1967 as “a scholarly account of Australian music that is also entertaining social history”, Roger Covell’s Austrlaia’s Music: Themes of a New Society has become a classic of Australian music history for its beautifully written explorations of almost two hundred years of music-making across classical, Indigenous and Anglo-Celtic traditions. This revised edition, including more than sixty musical examples, is supplemented by a new postscript written by the author.
Statistical Register of South Australia
Author:
Publisher:
ISBN:
Category : South Australia
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : South Australia
Languages : en
Pages : 480
Book Description
The First Fleet Piano: Volume One
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.