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Author: Zara Anishanslin
Publisher: Yale University Press
ISBN: 0300220553
Category : History
Languages : en
Pages : 432
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Book Description
Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.
Author: Zara Anishanslin
Publisher: Yale University Press
ISBN: 0300220553
Category : History
Languages : en
Pages : 432
Get Book Here
Book Description
Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.
Author: John Davis
Publisher: John Wiley & Sons
ISBN: 1118542495
Category : Art
Languages : en
Pages : 663
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Book Description
A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
Author: Wisam Abdul Jabbar
Publisher: iUniverse
ISBN: 0595343287
Category : Juvenile Nonfiction
Languages : en
Pages : 266
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Book Description
A Preface to Colonial American Poetry is a practical source for anyone interested in American literature. Encyclopedic and groundbreaking, A Preface to Colonial American Poetry presents a critical, analytical survey of Colonial American poetry within the context of American literature in general. In clear and easy to understand language, the book chronicles significant events from the arrival of the first emigrants at the Jamestown colony to the Declaration of Independence. The poetry of New England, Middle and South colonies is discussed with its fascinating interplay of diverse influences. The early settlers had already burned most of their bridges to the traditional culture behind them when they sailed for America and yet their writers kept looking back for inspiration. Author Wisam Khalid brings his modest experience with foreign students to the formation of this book to help international students better understand American history and literature in terms of discovery, foundation, periods and pioneers. Author Wisam Khalid has tailored this book to fit the needs of not only foreign seekers but also native undergraduates who will find interesting comparative insights into American and English poetry.
Author: Matthew Baigell
Publisher: Taylor & Francis
ISBN: 0429971273
Category : Art
Languages : en
Pages : 462
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Book Description
This clear, thorough, and reliable survey of American painting and sculpture from colonial times to the present day covers all the major artists and their works, outlines the social and cultural backgrounds of each period, and includes 409 illustrations integrated with the text. Although some determining factors in American art are considered, Matthew Baigell views the rich and diverse achievements of American art as the result of the efforts and talents of a pluralistic society rather than as fitting into a particular mold.This edition includes corrections and revisions to the text, an updated bibliography, and 13 new illustrations.
Author: Monika Elbert
Publisher: Springer Nature
ISBN: 3030555526
Category : Fiction
Languages : en
Pages : 370
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Book Description
American Women’s Regionalist Fiction: Mapping the Gothic seeks to redress the monolithic vision of American Gothic by analyzing the various sectional or regional attempts to Gothicize what is most claustrophobic or peculiar about local history. Since women writers were often relegated to inferior status, it is especially compelling to look at women from the Gothic perspective. The regionalist Gothic develops along the line of difference and not unity—thus emphasizing regional peculiarities or a sense of superiority in terms of regional history, natural landscapes, immigrant customs, folk tales, or idiosyncratic ways. The essays study the uncanny or the haunting quality of “the commonplace,” as Hawthorne would have it in his introduction to The House of the Seven Gables, in regionalist Gothic fiction by a wide range of women writers between ca. 1850 and 1930. This collection seeks to examine how/if the regionalist perspective is small, limited, and stultifying and leads to Gothic moments, or whether the intersection between local and national leads to a clash that is jarring and Gothic in nature.
Author: Rachel Sailor
Publisher: BRILL
ISBN: 9004519769
Category : Photography
Languages : en
Pages : 236
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Book Description
This book is an investigation of the widely overlooked photographic style of pictorialism in the American West between 1900 and 1950 and argues that western pictorialist photographers were regionalists that had their roots in the formidable photographic heritage of the nineteenth-century American West.
Author: Estill Curtis Pennington
Publisher: University Press of Kentucky
ISBN: 0813126126
Category : Social Science
Languages : en
Pages : 278
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Book Description
Between 1802, when the young Kentucky artist William Edward West began to paint portraits while on a downriver journey, and 1920, when the last of Frank Duveneck's students worked in Louisville, a large number of notable portrait artists were active in Kentucky and the Ohio River Valley. In Lessons in Likeness: Portrait Painters in Kentucky and the Ohio River Valley, 1802-1920, Estill Curtis Pennington charts the course of those artists as they painted a variety of sitters drawn from both urban and rural society. The work is illustrated, when possible, from The Filson Historical Society collection of some four hundred portraits representing one of the most extensive holdings available for study in the region. Portraiture involves artists and subjects, known as sitters, and is an art that combines elements of biography, aesthetics, and cultural history. Private portraits often attract an oral history that enlivens the more colorful aspects of local tradition and culture. Public portraits of towering figures such as George Washington, Henry Clay, and Abraham Lincoln were often reproduced in printed format to satisfy popular demand and subsequently attained an iconic, timeless status. Lessons in Likeness is organized in two parts. Part One, the cultural chronology, serves as a backdrop to the biographies of the portrait artists. This section identifies stylistic sources and significant historical moments that influenced the artists and their milieus. Rather than working in isolation, portrait artists were connected to the world around them and influenced by prevailing trends in their trade. Early in the nineteenth century, for instance, Matthew Jouett journeyed to Boston for study with Gilbert Stuart, and upon his return to Kentucky painted in a style that subsequently influenced an entire generation. Later artists, notably Oliver Frazer and William Edward West, studied the lessons of Thomas Sully in Philadelphia. Sully popularized the lush, warmly colored, and highly flattering style of portraiture practiced by many of the itinerant artists whose careers were facilitated by the introduction of steam and rail travel. The Civil War provoked a dramatic shift in the cultural terrain, further augmented by the rise of photography and the emergence of academic art centers. Painters who had previously worked with a master painter, or learned on their own, were now able to study at established schools, especially in Cincinnati, which became one of the leading centers for the teaching of art in late nineteenth-century America. Several of the teachers there, Frank Duveneck and Thomas Satterwhite Noble in particular, had firsthand experience with avant-garde European styles, notably the realism and naturalism practiced in Munich and Paris in the last quarter of the nineteenth century and then taught in the art schools of New York and Philadelphia. Part Two profiles the artists from this area and period who have appeared in previous art historical literature and have an identifiable body of work represented in public and private collections. Individual biographies provide details of the artists' lives, sources for further study, and locations of works in public collections.
Author: Simon Henderson
Publisher: Routledge
ISBN: 113409874X
Category : History
Languages : en
Pages : 261
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Book Description
Aspects of American History examines major themes, personalities and issues across American history, using topic focused essays. Each chapter focuses on key events and time periods within a broad framework looking at liberty and equality, the role of government and national identity. The volume engages with its central themes through a broad ranging examination of aspects of the American past, including discussions of political history, foreign policy, presidential leadership and the construction of national memory. In each essay, Simon Henderson: introduces fresh angles to traditional topics consolidates recent research in themed essays analyzes views of different historians offers an interpretive rather than narrative approach gives concise treatment to complex issues. Including an introduction which places key themes in context, this book enables readers to make comparisons and trace major thematic developments across American history.
Author: Edward Watts
Publisher: University of Georgia Press
ISBN: 0820373702
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Mapping Region in Early American Writing is a collection of essays that study how early American writers thought about the spaces around them. The contributors reconsider the various roles regions—imagined politically, economically, racially, and figuratively—played in the formation of American communities, both real and imagined. These texts vary widely: some are canonical, others archival; some literary, others scientific; some polemical, others simply documentary. As a whole, they recreate important mental mappings and cartographies, and they reveal how diverse populations imagined themselves, their communities, and their nation as occupying the American landscape. Focusing on place-specific, local writing published before 1860, Mapping Region in Early American Writing examines a period often overlooked in studies of regional literature in America. More than simply offering a prehistory of regionalist writing, these essays offer new ways of theorizing and studying regional spaces in the United States as it grew from a union of disparate colonies along the eastern seaboard into an industrialized nation on the verge of overseas empire building. They also seek to amplify lost voices of diverse narratives from minority, frontier, and outsider groups alongside their more well-known counterparts in a time when America’s landscapes and communities were constan
Author: Michael C. Steiner
Publisher:
ISBN:
Category : Human geography
Languages : en
Pages : 526
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Book Description
