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Author: Constantin-George Sandulescu
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 488
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Book Description
In the same way that students of Shakespeare discuss their "Supreme Quartet" of plays, so Irish Studies has its own quartet of writers, Yeats, Joyce, Beckett and Wilde, whose fame is outstanding and worldwide. The inclusion of Wilde in the quartet may surprise some, but it is an incontrovertible fact that scholars are coming to appreciate Wilde's importance as a major influence on 20th century literature. Over the past years, conferences on all four members of this Irish quartet have been organized by the Princess Grace Irish Library of Monaco (the proceedings of each being published in this series), the most recent, on Wilde, in 1993. This collection of papers given at that conference, covers every aspect of Wilde's oeuvre, not only considering his plays, poetry and novels, but his family, his influence on writers both in English (such as Joyce and Stoppard) and in other languages (including Marti, Dario, Borges and Lispector). How influential and far-reaching he has become can be seen by the nationalities of those who attended the conference and contributed papers: Antonio Ballesteros Gonzalez, Mariano Baselga, Pia Brinzeu, Edward Burns, Richard Allen Cave, Davis Coakley, Jean M. Ellis D'Allessandro, Masolino D' Amico, Lawrence Danson, Denis Donoghue, Joseph Donoghue, Irene Eynat-Confino, Michael Patrick Gillespie, Robert Gordon, Warwick Gould, Merlin Holland, Joel H. Kaplan, Patricia Kellogg-Dennis, Melissa Knox, Jacques de Langlade, Donald Lawler, Jerusha Mccormack, Bart J. Moore-Gilbert, Isobel Murray, Sylvia Ostermann, Norman Page, Kerry Powell, Maria Pilar Pulido, Peter Raby, Gerd Rohmann, Roy Rosenstein, Neil Sammells, Ronald Schuchard, Theorharis Constantine Theoharis, Deirdre Toomey, Emmaneul Vernadakis, and Marie-Noelle Zeender. This is the eighth volume in the Princess Grace Irish Library Series.
Author: Constantin-George Sandulescu
Publisher: Rowman & Littlefield Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 488
Get Book Here
Book Description
In the same way that students of Shakespeare discuss their "Supreme Quartet" of plays, so Irish Studies has its own quartet of writers, Yeats, Joyce, Beckett and Wilde, whose fame is outstanding and worldwide. The inclusion of Wilde in the quartet may surprise some, but it is an incontrovertible fact that scholars are coming to appreciate Wilde's importance as a major influence on 20th century literature. Over the past years, conferences on all four members of this Irish quartet have been organized by the Princess Grace Irish Library of Monaco (the proceedings of each being published in this series), the most recent, on Wilde, in 1993. This collection of papers given at that conference, covers every aspect of Wilde's oeuvre, not only considering his plays, poetry and novels, but his family, his influence on writers both in English (such as Joyce and Stoppard) and in other languages (including Marti, Dario, Borges and Lispector). How influential and far-reaching he has become can be seen by the nationalities of those who attended the conference and contributed papers: Antonio Ballesteros Gonzalez, Mariano Baselga, Pia Brinzeu, Edward Burns, Richard Allen Cave, Davis Coakley, Jean M. Ellis D'Allessandro, Masolino D' Amico, Lawrence Danson, Denis Donoghue, Joseph Donoghue, Irene Eynat-Confino, Michael Patrick Gillespie, Robert Gordon, Warwick Gould, Merlin Holland, Joel H. Kaplan, Patricia Kellogg-Dennis, Melissa Knox, Jacques de Langlade, Donald Lawler, Jerusha Mccormack, Bart J. Moore-Gilbert, Isobel Murray, Sylvia Ostermann, Norman Page, Kerry Powell, Maria Pilar Pulido, Peter Raby, Gerd Rohmann, Roy Rosenstein, Neil Sammells, Ronald Schuchard, Theorharis Constantine Theoharis, Deirdre Toomey, Emmaneul Vernadakis, and Marie-Noelle Zeender. This is the eighth volume in the Princess Grace Irish Library Series.
Author: Melissa Knox
Publisher: Camden House
ISBN: 9781571130426
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
An examination of the most significant literary criticism on Wilde at the turn of the century. In 1891, Oscar Wilde defined 'the highest criticism' as 'the record of one's own soul, and insisted that only by 'intensifying his own personality' could the critic interpret the personality and work of others. This book exploreswhat Wilde meant by that statement, arguing that it provides the best standard for judging literary criticism about Wilde a century after his death. Melissa Knox examines a range of Wilde criticism in English -- including the work of Lawrence Danson, Michael Patrick Gillespie, Ed Cohen, and Julia Prewitt Brown. Applying Wilde's standards to his critics, Knox discovers that the best of them take to heart Wilde's idea of the aim of criticism -- 'to see theobject as in itself it really is not.' By this, Wilde appreciates Walter Pater's profound observation that everyone sees through a 'thick wall of personality' and that, therefore, objectivity as conceived by Matthew Arnold does not exist. Admiring Pater, Wilde became a prophet for Freud, his exact contemporary. Their intellectual sympathies, made obvious in Knox's exegesis, help to make the case for Wilde as a modern, not a Victorian. Melissa Knox's book Oscar Wilde: A Long and Lovely Suicide was published in 1994. She teaches at the University of Duisburg-Essen, Germany.
Author: Paul K. Saint-Amour
Publisher: Cornell University Press
ISBN: 0801457963
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
They borrow from published works without attribution. They remake literary creation in the image of consumption. They celebrate the art of scissors and paste. Who are these outlaws? Postmodern culture-jammers or file-sharing teens? No, they are the Copywrights—Victorian and modernist writers, among them Oscar Wilde and James Joyce, whose work wrestled with the intellectual property laws of their day. In a highly readable and thought-provoking book that places today's copyright wars in historical context, Paul K. Saint-Amour asks: Would their art have survived the copyright laws of the new millennium? Revisiting major works by Wilde and Joyce as well as centos assembled by anonymous writers from existing poems, Saint-Amour sees the period 1830–1930 as a time when imaginative literature became aware of its own status as intellectual property and began to register that awareness in its subjects, plots, and formal architecture. The authors of these self-reflexive literary texts were more conscious than their precursors of the role played by consumption in both the composition and the consecration of literature. The texts in question became, in turn, part of what Saint-Amour characterizes as a "counterdiscourse" to extensive monopoly copyright, a vocal minority that insisted on a broadly conceived public domain not only as indispensable to free expression and fresh creation but as a good in itself. Recent events such as the court battle over the Copyright Term Extension Act (CTEA), which extends copyright terms by 20 years, the patenting of the human genome and of genetically altered seed lines, and high-stakes controversies over literary parody have increased public awareness of intellectual property law. In The Copywrights, Saint-Amour challenges the notion that copyright's function ends with the provision of private incentives to creation and innovation. The cases he examines lead him to argue that copyright performs a range of political, emotional, and even sacred functions that are too often ignored and that what seems to have emerged as copyright's primary function—the creation of private property incentives—must not be an end in itself.
Author: Uwe Böker
Publisher: Rodopi
ISBN: 9789042014008
Category : Authors, Irish
Languages : en
Pages : 308
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Book Description
The present collection of essays is the outcome of the Oscar Wilde conference held at the Technical University of Dresden, 31 August - 3 September 2000. The papers cover a wide range of historical and comparative aspects: they look into the status of Wilde as poet, dramatist, essayist and intellectual during his own times as well as investigate the meaning of his work for subsequent writers and critics, thus, giving an outline of the Wildean history of literary reception, intellectual discourse and media transformation. Intellectually brilliant and challenging, Oscar Wilde had been a favourite of the late Victorians, performing the roles of the dandy and the poet of art for art's sake. However, due to his questioning of prevalent moral double standards and his insistence on the autonomy of art, he was indicted for gross indecencies, convicted, and sent to prison. Instead of being ostracised, he became a source of inspiration for writers and artists on the British isles as well as on the European continent. The papers in this volume explore such topics as Wilde's concepts of socialism and aestheticism, his fashioning of the femme fatale and of the dandy, his use of fashion and of simulation, his impact on modernism and postmodernism as well as on genres such as crime writing and fictional biography, and the influence of Wilde on writers such as James Joyce, W.B. Yeats, Joe Orton, Peter Ackroyd, Tom Stoppard, David Hare and Mark Ravenhill. Other papers focus on the reception of Wilde in Russia, former Yugoslavia, Hungary and Germany as well as on cinematic and Internet representations of Wilde. Critical and creative responses vary from the general to the specific - from traditional assessments to analyses of the arts of camp, parody, and pastiche; thus, indicative of the (sub)cultural appropriation of 'Saint Oscar' (Terry Eagleton).
Author: Kimberly J. Stern
Publisher: Springer Nature
ISBN: 3030246043
Category : Language Arts & Disciplines
Languages : en
Pages : 271
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Book Description
Oscar Wilde: A Literary Life tracks the intellectual biography of one of the most influential minds of the nineteenth century. Rather than focusing on the dramatic events of Wilde’s life, this volume documents Wilde’s impressive forays into education, religion, science, philosophy, and social reform. In so doing, it provides an accessible and yet detailed account that reflects Wilde’s own commitment to the “contemplative life.” Suitable for seasoned readers as well as those new to the study of his work, Oscar Wilde: A Literary Life brings Wilde’s intellectual investments into sharp focus, while placing him within a cultural landscape that was always evolving and often fraught with contradiction.
Author: Joseph Bristow
Publisher: Yale University Press
ISBN: 0300208308
Category : Literary Criticism
Languages : en
Pages : 485
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Book Description
In Oscar Wilde's Chatterton, Joseph Bristow and Rebecca N. Mitchell explore Wilde's fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wilde's substantial “Chatterton” notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume, which covers the whole span of Wilde's career, reveals that his research on Chatterton informs his deepest engagements with Romanticism, plagiarism, and forgery, especially in later works such as “The Portrait of Mr. W. H.,”The Picture of Dorian Gray, and The Importance of Being Earnest. Grounded in painstaking archival research that draws on previously undiscovered sources,Oscar Wilde's Chatterton explains why, in Wilde's personal canon of great writers (which included such figures as Charles Baudelaire, Gustave Flaubert, Théophile Gautier, and Dante Gabriel Rossetti), Chatterton stood as an equal in this most distinguished company.
Author: Oscar Wilde
Publisher: Createspace Independent Publishing Platform
ISBN:
Category : History
Languages : en
Pages : 76
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Book Description
He did not wear his scarlet coat, For blood and wine are red, And blood and wine were on his hands When they found him with the dead, The poor dead woman whom he loved, And murdered in her bed. He walked amongst the Trial Men In a suit of shabby grey; A cricket cap was on his head, And his step seemed light and gay; But I never saw a man who looked So wistfully at the day. I never saw a man who looked With such a wistful eye Upon that little tent of blue Which prisoners call the sky, And at every drifting cloud that went With sails of silver by.
Author: Peter Raby
Publisher: Cambridge University Press
ISBN: 9780521479875
Category : Drama
Languages : en
Pages : 344
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Book Description
The Cambridge Companion to Oscar Wilde offers an essential introduction to one of the theatre's most important and enigmatic writers. Although a general overview, the volume also offers some of the latest thinking on the dramatist and his impact on the twentieth century. Part One places Wilde's work within the cultural and historical context of his time and includes an opening essay by Wilde's grandson, Merlin Holland. Further chapters also examine Wilde and the Victorians and his image as a Dandy. Part Two looks at Wilde's essential work as playwright and general writer, including his poetry, critiques, and fiction, and provides detailed analysis of such key works as Salome and The Importance of Being Earnest among others. The third group of essays examines the themes and factors which shaped Wilde's work and includes Wilde and his view of the Victorian woman, Wilde's sexual identities, and interpreting Wilde on stage. This 1997 volume also contains a detailed chronology of Wilde's work, a guide to further reading, and illustrations from important productions.
Author: Oscar Wilde
Publisher: Oxford University Press
ISBN: 0199540764
Category : Foreign Language Study
Languages : en
Pages : 673
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Book Description
This book contains five stories by Irish author Oscar Wilde and are retold, with an introduction by Oscar Wilde's grandson. The book was edited by Merlin Holland.
Author: Josephine M. Guy
Publisher: OUP Oxford
ISBN: 9780198119616
Category : Literary Criticism
Languages : en
Pages : 704
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Book Description
Volume IV of the Oxford English Texts Complete Works of Oscar Wilde is the first variorum edition of Wilde's major critical writing; it includes the critical essays which were re-published in book-form in his life-time - that is, those anthologised in Intentions and The Soul of Man - as well as his graduate essay usually known by the title The Rise of Historical Criticism, but which this volume titles Historical Criticism. The Introduction gives a detailed account of the composition of each of the essays: it gives a new explanation for the relationship between the 'The Decay of Lying' and 'Pen, Pencil, and Poison' (arguing that they are best understood as companion pieces); it provides the first concrete demonstration that Wilde did, on occasions, knowingly 'copy' his own work; and it reveals that substantial cuts were made to some of Wilde's essays (without his full consent) by the periodical editors with whom he worked. The edition also provides, for the first time, a full collation of the textual variants between the published versions of Wilde's essays (that is, both book and periodical), and all extant manuscripts; in addition it establishes a new, authoritative text for Historical Criticism, based on an examination of the original manuscript, which differs significantly from that printed by Robert Ross in his 1908 Collected Edition (and subsequently reprinted in the Collins Complete Works). The annotation to the edition reveals the full extent of Wilde's 'borrowings' both from his own work, and from other writers; it also reveals that much of Historical Criticism is in fact paraphrasing or translating well-known classical texts, and that the some of denseness of the argument is due to ellipses in Wilde's text that were disguised by earlier editors.
