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Author: Bartholomew F. Bland
Publisher: Hudson River Museum
ISBN: 9780943651361
Category : Art
Languages : en
Pages : 36
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Book Description
Red Grooms' dazzling installation, was created as a working gift shop for the Hudson River Museum in 1979. After extensive conservation, this beloved Westchester landmark has been reinstalled in its own gallery. The Bookstore incorporates many of the themes that run through Grooms' best work: the marriage of art and commerce, the clash of high and low, colorful New York characters, and an inviting three-dimensional space that envelops and transports the viewer. The Bookstore deftly joins two favorite haunts of New York City booklover - the lively, oldest secondhand bookshop in NYC, the Isaac Mendoza Book Company, and the Pierpont Morgan Library - into a work of art. In terms of materials, The Bookstore was one of a limited number of pieces in which Grooms incorporated vinyl figures. The figures are painted from the inside, a technique inspired by medieval glass-painting techniques, and then are stuffed and sewn. Tens of thousands of visitors passed through The Bookstore, and, embraced by its environment, it inevitably began to suffer ravages caused by its popularity. Plans were developed to restore the work and Grooms enthusiastically approved the conservation efforts and changes, which include altering the position of the two entrances to fit new gallery space, the creation of a central island that incorporated the original vinyl patrons, and the design of a painted floor. Grooms remains cautious of making too many changes to a piece that reflects a vision of New York in the 1970s, already passing into history. "An artist can overwork a thing - you can ruin the delicacy of a past moment very easily ... I think it's better to keep it like it was - primitive in that way."
Author: Bartholomew F. Bland
Publisher: Hudson River Museum
ISBN: 9780943651361
Category : Art
Languages : en
Pages : 36
Get Book Here
Book Description
Red Grooms' dazzling installation, was created as a working gift shop for the Hudson River Museum in 1979. After extensive conservation, this beloved Westchester landmark has been reinstalled in its own gallery. The Bookstore incorporates many of the themes that run through Grooms' best work: the marriage of art and commerce, the clash of high and low, colorful New York characters, and an inviting three-dimensional space that envelops and transports the viewer. The Bookstore deftly joins two favorite haunts of New York City booklover - the lively, oldest secondhand bookshop in NYC, the Isaac Mendoza Book Company, and the Pierpont Morgan Library - into a work of art. In terms of materials, The Bookstore was one of a limited number of pieces in which Grooms incorporated vinyl figures. The figures are painted from the inside, a technique inspired by medieval glass-painting techniques, and then are stuffed and sewn. Tens of thousands of visitors passed through The Bookstore, and, embraced by its environment, it inevitably began to suffer ravages caused by its popularity. Plans were developed to restore the work and Grooms enthusiastically approved the conservation efforts and changes, which include altering the position of the two entrances to fit new gallery space, the creation of a central island that incorporated the original vinyl patrons, and the design of a painted floor. Grooms remains cautious of making too many changes to a piece that reflects a vision of New York in the 1970s, already passing into history. "An artist can overwork a thing - you can ruin the delicacy of a past moment very easily ... I think it's better to keep it like it was - primitive in that way."
Author: Brooke Alexander
Publisher:
ISBN:
Category : Grooms, Red, 1937- --catalogues Raisonns
Languages : en
Pages : 40
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Book Description
Author: Red Grooms
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 52
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Book Description
February 6 - March 9, 2002
Author: Marlborough Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 58
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Book Description
April 21 - May 22, 1999
Author: William Olander
Publisher:
ISBN:
Category : Cleveland (Ohio)
Languages : en
Pages : 66
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Book Description
Author: Red Grooms
Publisher: Pennsylvania Academy of Fine Arts
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Author: Neil Welliver
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 24
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Book Description
February 7 - March 4, 1989
Author: Judd Tully
Publisher: George Braziller
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
"Ruckus Manhattan culminates a thirteen-month collaborative effort by Red Grooms and his multitalented crew of visual mercenaries to build a minutely documented sculptural environment of Manhattan Island, from New York Harbor and Wall Street at the southern tip all the way to The Cloisters, Rockefeller's medieval monument in Fort Tryon at 193rd Street" --Introduction.
Author: Mark Stevens
Publisher: Knopf
ISBN: 0375711163
Category : Biography & Autobiography
Languages : en
Pages : 770
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Book Description
Winner of the Pulitizer Prize and National Book Critics Award Circle Award. An authoritative and brilliant exploration of the art, life, and world of an American master. Willem de Kooning is one of the most important artists of the twentieth century, a true “painter’s painter” whose protean work continues to inspire many artists. In the thirties and forties, along with Arshile Gorky and Jackson Pollock, he became a key figure in the revolutionary American movement of abstract expressionism. Of all the painters in that group, he worked the longest and was the most prolific, creating powerful, startling images well into the 1980s. The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York school—just as American art began to dominate the international scene. Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figure—and his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank O’Hara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimer’s, he created a vast body of haunting and ethereal late work.
Author: Arthur C. Danto
Publisher: Routledge
ISBN: 1134395388
Category : Art
Languages : en
Pages : 221
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Book Description
Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and critical elements in Danto's new- Hegelian art theory. In a provocative encounter, they employ themes from Kantian aesthetics to elucidate the continuing persistence of taste in shaping even this most sophisticated philosophy of art.
