Monsters of the Gévaudan PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Monsters of the Gévaudan PDF full book. Access full book title Monsters of the Gévaudan by Jay M. Smith. Download full books in PDF and EPUB format.
Author: Jay M. Smith
Publisher: Harvard University Press
ISBN: 0674047168
Category : History
Languages : en
Pages : 392
Get Book Here
Book Description
In 1764 a peasant girl was killed and partially eaten while tending sheep. Eventually, over a hundred victims fell prey to a mysterious creature whose deadly efficiency mesmerized Europe. Monsters of the Gévaudan revisits this spellbinding tale and offers the definitive explanation for its mythic status in French folklore.
Author: Jay M. Smith
Publisher: Harvard University Press
ISBN: 0674047168
Category : History
Languages : en
Pages : 392
Get Book Here
Book Description
In 1764 a peasant girl was killed and partially eaten while tending sheep. Eventually, over a hundred victims fell prey to a mysterious creature whose deadly efficiency mesmerized Europe. Monsters of the Gévaudan revisits this spellbinding tale and offers the definitive explanation for its mythic status in French folklore.
Author: Mary Louise Roberts
Publisher: University of Chicago Press
ISBN: 9780226721248
Category : Biography & Autobiography
Languages : en
Pages : 382
Get Book Here
Book Description
All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home.".
Author: Randall Rosenfeld
Publisher: Routledge
ISBN: 1351557688
Category : Music
Languages : en
Pages : 473
Get Book Here
Book Description
The interdisciplinary approach of Music and Medieval Manuscripts is modeled on the work of the scholar to whom the book is dedicated. Professor Andrew Hughes is recognized internationally for his work on medieval manuscripts, combining the areas of paleography, performance, liturgy and music. All these areas of research are represented in this collection with an emphasis on the continuity between the physical characteristics of medieval manuscripts and their different uses. Albert Derolez provides a landmark and controversial essay on the origins of pre-humanistic script, while Margaret Bent proposes a new interpretation of a famous passage from a fifteenth-century poem by Martin Le Franc. Timothy McGee contributes an innovative essay on late-medieval music, text and rhetoric. David Hiley discusses musical changes and variation in the offices of a major saint‘s feast, and Craig Wright presents an original study of Guillaume Dufay. Jan Ziolkowski treats the topic of neumed classics, an under-explored aspect of the history of medieval pedagogy and the transmission of texts. The essays that comprise this volume offer a unique focus on medieval manuscripts from a wide range of perspectives, and will appeal to musicologists and medievalists alike.
Author: W. McAllister Johnson
Publisher: Kingston [Ont.] : Agnes Etherington Art Centre, Queen's University
ISBN:
Category : Artists
Languages : en
Pages : 224
Get Book Here
Book Description
Author: Lisa Regazzoni
Publisher: Taylor & Francis
ISBN: 1040267793
Category : History
Languages : en
Pages : 439
Get Book Here
Book Description
This book aims to reconceive the field of knowledge of the “Gallic past” in French discourse of the eighteenth and early nineteenth centuries by focusing on the monument as an object capable of underpinning insights into that past, the evolution of the concept, and the epistemic practices used to produce it. Through monuments, the book redirects our gaze toward the French provinces, where material and immaterial evidence of the Gallic past was “discovered” and transformed into epistemic objects. This perspective results in a “provincialization” of Paris as a site of knowledge production and sheds light on the crucial role of provincial scholarship, not only in the “invention” of the Gallic past but also in methodological and epistemological renewal. The result is a revision of recent historiography, which interpreted the narrative of an “autochthonous” pre-Roman, Gallic past as nation-building. This volume offers a pioneering contribution toward new directions in historical epistemology focused on the historicity of the “species” of evidence of each epoch.
Author:
Publisher:
ISBN:
Category : Microcards
Languages : en
Pages : 1004
Get Book Here
Book Description
Author: George Herbert Powell
Publisher: London, Lawrence & bullen
ISBN:
Category : Book collecting
Languages : en
Pages : 306
Get Book Here
Book Description
Author: Harvard University. Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 292
Get Book Here
Book Description
Author: Gustave Brunet
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 686
Get Book Here
Book Description
Author: Cormac Newark
Publisher: Oxford University Press
ISBN: 0197510558
Category : Music
Languages : en
Pages : 456
Get Book Here
Book Description
Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
