Author:
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ISBN:
Category :
Languages : fr
Pages : 151
Book Description
Recueil factice d'articles de presse sur les films sonores, parlants, en couleur, 1932-1935
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 151
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 151
Book Description
Recueil factice d'articles de presse sur le film parlant et sonore, 1929
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 124
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 124
Book Description
Recueil factice d'articles de presse sur le Cinéma sonore, parlant, en couleur, en relief, 1929
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 115
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 115
Book Description
Recueil factice d'articles de presse sur le film sonore et le film parlant, 1902-1946
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 195
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 195
Book Description
Recueil factice d'articles de presse sur le cinéma sonore et parlant, 1930
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 154
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 154
Book Description
Recueil factice d'articles de presse sur le Cinéma, 1932
Author: Fortunat Strowski
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6
Book Description
Oedipus at Thebes
Author: Bernard Knox
Publisher: Yale University Press
ISBN: 9780300074239
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.
Publisher: Yale University Press
ISBN: 9780300074239
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.
Satie the Bohemian
Author: Steven Moore Whiting
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610
Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610
Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
Beach-la-Mar to Bislama
Author: Terry Crowley
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 456
Book Description
Bislama is the variety of Melanesian Pidgin spoken in Vanuatu (formerly New Hebrides). In this learned study, Crowley traces the history and development of Bislama from the 1840s to the present. Drawing on written records and other historical sources, he examines the language's labor history, and discusses the evolution of its grammatical construction.
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 456
Book Description
Bislama is the variety of Melanesian Pidgin spoken in Vanuatu (formerly New Hebrides). In this learned study, Crowley traces the history and development of Bislama from the 1840s to the present. Drawing on written records and other historical sources, he examines the language's labor history, and discusses the evolution of its grammatical construction.
Disciplining Music
Author: Katherine Bergeron
Publisher: University of Chicago Press
ISBN: 9780226043685
Category : Music
Languages : en
Pages : 248
Book Description
Provocative and timely, Disciplining Music confronts a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it? This collection of essays addresses this issue by formulating questions about music's canons—rules that measure and order, negotiate cultural constraints, reconstruct the past, and shape the future. Written by scholars representing the fields of historical musicology, ethnomusicology, and music theory, many of the essays tug and push at the very boundaries of these traditional division within the study of music. "Fortunately, in a blaze of good-humored . . . scholarship, [this] book helps brains unaccustomed to thinking about the future without jeopardizing the past imagine the wonder classical-music life might become if it embraced all people and all musics."—Laurence Vittes, Los Angeles Reader "These essays will force us to rethink our position on many issues. . . [and] advance musicology into the twenty-first century."—Giulio Ongaro, American Music Teacher With essays by Katherine Bergeron, Philip V. Bohlman, Richard Cohn and Douglas Dempster, Philip Gossett, Robert P. Morgan, Bruno Nettl, Don Michael Randel, Ruth A. Solie, and Gary Tomlinson.
Publisher: University of Chicago Press
ISBN: 9780226043685
Category : Music
Languages : en
Pages : 248
Book Description
Provocative and timely, Disciplining Music confronts a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it? This collection of essays addresses this issue by formulating questions about music's canons—rules that measure and order, negotiate cultural constraints, reconstruct the past, and shape the future. Written by scholars representing the fields of historical musicology, ethnomusicology, and music theory, many of the essays tug and push at the very boundaries of these traditional division within the study of music. "Fortunately, in a blaze of good-humored . . . scholarship, [this] book helps brains unaccustomed to thinking about the future without jeopardizing the past imagine the wonder classical-music life might become if it embraced all people and all musics."—Laurence Vittes, Los Angeles Reader "These essays will force us to rethink our position on many issues. . . [and] advance musicology into the twenty-first century."—Giulio Ongaro, American Music Teacher With essays by Katherine Bergeron, Philip V. Bohlman, Richard Cohn and Douglas Dempster, Philip Gossett, Robert P. Morgan, Bruno Nettl, Don Michael Randel, Ruth A. Solie, and Gary Tomlinson.