Recueil factice d'articles de presse concernant Sarah Félix PDF Download
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Author: Marie-Celie Agnant
Publisher: Insomniac Press
ISBN: 1897414064
Category : Fiction
Languages : en
Pages : 206
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One of the biggest stumbling blocks we hit when setting out to make our dreams come true is appreciating what is going well. Most of us have an unfortunate tendency to dwell on the problems rather than on the good things in our lives ... and then we wonder why things just seem to keep getting worse instead of better. In The Power of Appreciation in Everyday Life, psychologist Noelle Nelson explains how you can achieve success in every area of your life through transforming your beliefs with appreciation.
Author: Alison Calder
Publisher: Coteau Books
ISBN: 1550504649
Category : Poetry
Languages : en
Pages : 97
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Book Description
A wolf tree is a tree in a bush or a thicket which is different in shape from those around it; a tree whose broader trunk and spreading branches indicate that it once grew alone but is now surrounded. Alison Calder’s poems shine the light of a poet’s curiosity on all manner of “natural occurrences,” which nevertheless stand out. The book opens with an examination of the extreme forms this nature may take – from the Dutch legend of the false child Sooterkin, to two-headed calves, Zip the Pinhead, and other medical curiosities, particularly those captured by 19th century photographic techniques. The disquieting feelings created by these subjects persist, causing the reader to proceed watchfully, even when the poet’s attention switches to more common themes and images - plastic clotheslines,wildflowers of western Canada, snow geese, the Porta Nigra in Trier, Germany. A selection of poems from this manuscript received the Bronwen Wallace Memorial Award for writing excellence by a writer under the age of 35. A section of this manuscript, Sexing the Prairie, was published in the journal Open Letter in Fall 2006.
Author: Steven Moore Whiting
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610
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Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
