Author: Donald Steele
Publisher: AuthorHouse
ISBN: 1728348609
Category : Biography & Autobiography
Languages : en
Pages : 160
Book Description
Rebel Without Applause is the story that captures the life and times of Jon Hall, the founder and chairman of the board of the family-owned and -operated Glastender, Inc., a very successful food equipment manufacturing business located in Saginaw, Michigan. Jon’s amazing story reveals that Glastender faced myriad challenges along its winding pathway to profitability. To overcome these challenges, he partnered with Jay Kegerreis, a Wake Forrest University Business School graduate. Jay added business acumen. When Jay passed, the adult children of Jon and Brenda Hall stepped up to the plate and built an engaged culture worthy of emulation by any family business enterprise. Jon’s imagination and creativity went unrecognized in school. To compensate for this, Jon sought out mentors who appreciated his talents and helped him refine his skills. Jon reveals his secret to success: “I only work half days — twelve hours per day.”
Rebel Without Applause
Author: Donald Steele
Publisher: AuthorHouse
ISBN: 1728348609
Category : Biography & Autobiography
Languages : en
Pages : 160
Book Description
Rebel Without Applause is the story that captures the life and times of Jon Hall, the founder and chairman of the board of the family-owned and -operated Glastender, Inc., a very successful food equipment manufacturing business located in Saginaw, Michigan. Jon’s amazing story reveals that Glastender faced myriad challenges along its winding pathway to profitability. To overcome these challenges, he partnered with Jay Kegerreis, a Wake Forrest University Business School graduate. Jay added business acumen. When Jay passed, the adult children of Jon and Brenda Hall stepped up to the plate and built an engaged culture worthy of emulation by any family business enterprise. Jon’s imagination and creativity went unrecognized in school. To compensate for this, Jon sought out mentors who appreciated his talents and helped him refine his skills. Jon reveals his secret to success: “I only work half days — twelve hours per day.”
Publisher: AuthorHouse
ISBN: 1728348609
Category : Biography & Autobiography
Languages : en
Pages : 160
Book Description
Rebel Without Applause is the story that captures the life and times of Jon Hall, the founder and chairman of the board of the family-owned and -operated Glastender, Inc., a very successful food equipment manufacturing business located in Saginaw, Michigan. Jon’s amazing story reveals that Glastender faced myriad challenges along its winding pathway to profitability. To overcome these challenges, he partnered with Jay Kegerreis, a Wake Forrest University Business School graduate. Jay added business acumen. When Jay passed, the adult children of Jon and Brenda Hall stepped up to the plate and built an engaged culture worthy of emulation by any family business enterprise. Jon’s imagination and creativity went unrecognized in school. To compensate for this, Jon sought out mentors who appreciated his talents and helped him refine his skills. Jon reveals his secret to success: “I only work half days — twelve hours per day.”
Rebel Without Applause
Author: Lemn Sissay
Publisher: Canongate Books
ISBN: 1847677185
Category : Poetry
Languages : en
Pages : 81
Book Description
Lemn Sissay's poems are laid into the streets of downtown Manchester, feature on the side of a public house in the same city and have been emblazoned on a central London bus route. He has been published in press as diverse as the the Times Literary Supplement and the Independent to The Face and Dazed & Confused. He has been commissioned to write poetry, documentaries and plays for Radio 1 and Radio 4. He has been involved in television in the roles of writing, performing and presenting. He is published in over sixty books and featured on the Leftfield album Leftism, which has sold over five million copies worldwide. Rebel Without Applause is the collection that started everything for Lemn Sissay.
Publisher: Canongate Books
ISBN: 1847677185
Category : Poetry
Languages : en
Pages : 81
Book Description
Lemn Sissay's poems are laid into the streets of downtown Manchester, feature on the side of a public house in the same city and have been emblazoned on a central London bus route. He has been published in press as diverse as the the Times Literary Supplement and the Independent to The Face and Dazed & Confused. He has been commissioned to write poetry, documentaries and plays for Radio 1 and Radio 4. He has been involved in television in the roles of writing, performing and presenting. He is published in over sixty books and featured on the Leftfield album Leftism, which has sold over five million copies worldwide. Rebel Without Applause is the collection that started everything for Lemn Sissay.
Rebels with Applause
Author: Scott Miller
Publisher: Heinemann Drama
ISBN:
Category : Education
Languages : en
Pages : 216
Book Description
The author pulls back the curtain on some of the greatest, most important American musicals, taking you on a tour of the milestones in the history of musical theatre. These are musicals that broke all the old rules and created new ones, and changed the way we looked at musical theatre forever: the savage political satire of The Cradle Will Rock in 1937; the surprisingly dark sexuality of Pal Joey in 1940; the profound innovations of Oklahoma! in 1943; the absurdist social satire of Anyone Can Whistle in 1964; the convention-shattering experiment that was Hair in 1967; the intimacy and emotional power of Jacques Brel in 1968; the provocative honesty of the gay-themed Ballad of Little Mikey in 1994; the abstract sophistication of the jazz/pop/R&B-flavored Songs for a New World in 1995; the emotional immensity of the "anti-spectacle" Floyd Collins in 1995; the overwhelming influence of the 1996 rock musical Rent. Offering insightful, provocative opinions on character, plot, musical and textual themes, lyrics, subtext, motivation, backstory, and historical context, the author reveals new details about what makes each one of these musicals great.
Publisher: Heinemann Drama
ISBN:
Category : Education
Languages : en
Pages : 216
Book Description
The author pulls back the curtain on some of the greatest, most important American musicals, taking you on a tour of the milestones in the history of musical theatre. These are musicals that broke all the old rules and created new ones, and changed the way we looked at musical theatre forever: the savage political satire of The Cradle Will Rock in 1937; the surprisingly dark sexuality of Pal Joey in 1940; the profound innovations of Oklahoma! in 1943; the absurdist social satire of Anyone Can Whistle in 1964; the convention-shattering experiment that was Hair in 1967; the intimacy and emotional power of Jacques Brel in 1968; the provocative honesty of the gay-themed Ballad of Little Mikey in 1994; the abstract sophistication of the jazz/pop/R&B-flavored Songs for a New World in 1995; the emotional immensity of the "anti-spectacle" Floyd Collins in 1995; the overwhelming influence of the 1996 rock musical Rent. Offering insightful, provocative opinions on character, plot, musical and textual themes, lyrics, subtext, motivation, backstory, and historical context, the author reveals new details about what makes each one of these musicals great.
The Backstagers Vol. 1
Author: James Tynion IV
Publisher: Boom! Studios
ISBN: 1613986645
Category : Young Adult Fiction
Languages : en
Pages : 115
Book Description
James Tynion IV (Detective Comics, The Woods) teams up with artist Rian Sygh (Munchkin, Stolen Forest) for an incredibly earnest story that explores what it means to find a place to fit in when you're kinda an outcast. When Jory transfers to an all-boys private high school, he's taken in by the lowly stage crew known as the Backstagers. Hunter, Aziz, Sasha, and Beckett become his new best friends and introduce him to an entire magical world that lives beyond the curtain that the rest of the school doesn't know about, filled with strange creatures, changing hallways, and a decades-old legend of a backstage crew that went missing and was never found. Collects the first four issues.
Publisher: Boom! Studios
ISBN: 1613986645
Category : Young Adult Fiction
Languages : en
Pages : 115
Book Description
James Tynion IV (Detective Comics, The Woods) teams up with artist Rian Sygh (Munchkin, Stolen Forest) for an incredibly earnest story that explores what it means to find a place to fit in when you're kinda an outcast. When Jory transfers to an all-boys private high school, he's taken in by the lowly stage crew known as the Backstagers. Hunter, Aziz, Sasha, and Beckett become his new best friends and introduce him to an entire magical world that lives beyond the curtain that the rest of the school doesn't know about, filled with strange creatures, changing hallways, and a decades-old legend of a backstage crew that went missing and was never found. Collects the first four issues.
Identities and Audiences in the Musical
Author: Raymond Knapp
Publisher: Oxford University Press
ISBN: 0190877804
Category : Music
Languages : en
Pages : 265
Book Description
Issues of identity have always been central to the American musical in all its guises. Who appears in musicals, who or what they are meant to represent, and how, over time, those representations have been understood and interpreted, provide the very basis for our engagement with the genre. In this third volume of the reissued Oxford Handbook of the American Musical, chapters focus on race, ethnicity, gender, and sexuality, regional vs. national identity, and the cultural and class significance of the musical itself. As important as the question of who appears in musicals are the questions of who watches and listens to them, and of how specific cultures of reception attend differently to the musical. Chapters thus address cultural codes inherent to the genre, in particular those found in traditional school theater programs.
Publisher: Oxford University Press
ISBN: 0190877804
Category : Music
Languages : en
Pages : 265
Book Description
Issues of identity have always been central to the American musical in all its guises. Who appears in musicals, who or what they are meant to represent, and how, over time, those representations have been understood and interpreted, provide the very basis for our engagement with the genre. In this third volume of the reissued Oxford Handbook of the American Musical, chapters focus on race, ethnicity, gender, and sexuality, regional vs. national identity, and the cultural and class significance of the musical itself. As important as the question of who appears in musicals are the questions of who watches and listens to them, and of how specific cultures of reception attend differently to the musical. Chapters thus address cultural codes inherent to the genre, in particular those found in traditional school theater programs.
Pal Joey
Author: Julianne Lindberg
Publisher: Oxford University Press
ISBN: 0190051221
Category : Music
Languages : en
Pages : 289
Book Description
When Rodgers and Hart's Pal Joey opened at the Barrymore on Christmas day, 1940, it flew in the face of musical comedy convention. The characters and situation were depraved. The setting was caustically realistic. Its female lead was frankly sexual and yet not purely comic. A narratively-driven dream ballet closed the first act, begging audiences to take seriously the inner life and desires of a confirmed heel. Pal Joey: The History of a Heel presents a behind-the-scenes look at the genesis, influence, and significance of this classic musical comedy. Although the show appears on many top-ten lists surveying the Golden Age, it is a controversial classic; its legacy is tied both to the fashionable scandal that it provoked, and, retrospectively, to the uncommon attention it paid to characterization and narrative cohesion. Through an archive-driven investigation of the show and its music, author Julianne Lindberg offers insight into the historical moment during which Joey was born, and to the process of genre classification, canon formation, and the ensuing critical debates related to musical and theatrical maturity. More broadly, the book argues that the critique and commentary on class and gender conventions in Pal Joey reveals a uniquely American concern over status, class mobility, and progressive gender roles in the pre-war era.
Publisher: Oxford University Press
ISBN: 0190051221
Category : Music
Languages : en
Pages : 289
Book Description
When Rodgers and Hart's Pal Joey opened at the Barrymore on Christmas day, 1940, it flew in the face of musical comedy convention. The characters and situation were depraved. The setting was caustically realistic. Its female lead was frankly sexual and yet not purely comic. A narratively-driven dream ballet closed the first act, begging audiences to take seriously the inner life and desires of a confirmed heel. Pal Joey: The History of a Heel presents a behind-the-scenes look at the genesis, influence, and significance of this classic musical comedy. Although the show appears on many top-ten lists surveying the Golden Age, it is a controversial classic; its legacy is tied both to the fashionable scandal that it provoked, and, retrospectively, to the uncommon attention it paid to characterization and narrative cohesion. Through an archive-driven investigation of the show and its music, author Julianne Lindberg offers insight into the historical moment during which Joey was born, and to the process of genre classification, canon formation, and the ensuing critical debates related to musical and theatrical maturity. More broadly, the book argues that the critique and commentary on class and gender conventions in Pal Joey reveals a uniquely American concern over status, class mobility, and progressive gender roles in the pre-war era.
Race, Sexuality, and Gender and the Musical Screen Adaptation
Author: Dominic Broomfield-McHugh
Publisher: Oxford University Press
ISBN: 0197663222
Category : Film adaptations
Languages : en
Pages : 329
Book Description
"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--
Publisher: Oxford University Press
ISBN: 0197663222
Category : Film adaptations
Languages : en
Pages : 329
Book Description
"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--
The Politics of the Musical Theatre Screen Adaptation
Author: Dominic Broomfield-McHugh
Publisher: Oxford University Press
ISBN: 0197649394
Category : Film adaptations
Languages : en
Pages : 441
Book Description
"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--
Publisher: Oxford University Press
ISBN: 0197649394
Category : Film adaptations
Languages : en
Pages : 441
Book Description
"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--
Enchanted Evenings
Author: Geoffrey Block
Publisher: Oxford University Press
ISBN: 0199741506
Category : Music
Languages : en
Pages : 615
Book Description
This new second edition of Enchanted Evenings offers theater lovers an illuminating behind-the-scenes tour of some of America's best loved, most admired, and most enduring musicals. Readers will find such all-time favorites as Show Boat, Carousel, Kiss Me, Kate, Guys and Dolls, My Fair Lady, West Side Story, Sweeney Todd, Sunday in the Park with George, and Phantom of the Opera. Geoffrey Block provides a documentary history of each of the musicals, showing how each work took shape and revealing, at the same time, how the American musical evolved from the 1920s to today, both on stage and on screen. The book's particular focus is on the music, offering a wealth of detail about how librettist, lyricist, composer, and director work together to shape the piece. Block also includes trenchant social commentary and lively backstage anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Kurt Weill, Rodgers and Hammerstein, Lerner and Loewe, Frank Loesser, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and other luminaries emerge as hardworking craftsmen under enormous pressure to sell tickets without compromising their dramatic vision. The second edition includes a greatly expanded chapter on Sondheim, a new chapter on Lloyd Webber, and two new chapters on the film adaptations of the main musicals featured in the text (including such hard to find films as the original 1936 version of Anything Goes and the 1959 film adaptation of Porgy and Bess). Packed with information, including a complete discography and plot synopses and song-by-song scenic outlines for each of the fourteen shows, Enchanted Evenings is an essential reference as well as a riveting history. "A solid and fascinating work that should become a model of how to investigate and report on the evolution of a musical. Block's research is persuasive and his writing vivid. . . Indispensable for anyone who cares to know more about Broadway musicals than Playbill can provide." --Steven Bach, The Los Angeles Times Book Review
Publisher: Oxford University Press
ISBN: 0199741506
Category : Music
Languages : en
Pages : 615
Book Description
This new second edition of Enchanted Evenings offers theater lovers an illuminating behind-the-scenes tour of some of America's best loved, most admired, and most enduring musicals. Readers will find such all-time favorites as Show Boat, Carousel, Kiss Me, Kate, Guys and Dolls, My Fair Lady, West Side Story, Sweeney Todd, Sunday in the Park with George, and Phantom of the Opera. Geoffrey Block provides a documentary history of each of the musicals, showing how each work took shape and revealing, at the same time, how the American musical evolved from the 1920s to today, both on stage and on screen. The book's particular focus is on the music, offering a wealth of detail about how librettist, lyricist, composer, and director work together to shape the piece. Block also includes trenchant social commentary and lively backstage anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Kurt Weill, Rodgers and Hammerstein, Lerner and Loewe, Frank Loesser, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and other luminaries emerge as hardworking craftsmen under enormous pressure to sell tickets without compromising their dramatic vision. The second edition includes a greatly expanded chapter on Sondheim, a new chapter on Lloyd Webber, and two new chapters on the film adaptations of the main musicals featured in the text (including such hard to find films as the original 1936 version of Anything Goes and the 1959 film adaptation of Porgy and Bess). Packed with information, including a complete discography and plot synopses and song-by-song scenic outlines for each of the fourteen shows, Enchanted Evenings is an essential reference as well as a riveting history. "A solid and fascinating work that should become a model of how to investigate and report on the evolution of a musical. Block's research is persuasive and his writing vivid. . . Indispensable for anyone who cares to know more about Broadway musicals than Playbill can provide." --Steven Bach, The Los Angeles Times Book Review
The American Musical and the Formation of National Identity
Author: Raymond Knapp
Publisher: Princeton University Press
ISBN: 0691186200
Category : Music
Languages : en
Pages : 384
Book Description
The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance themes related to American national identity. Written by a musicologist and supported by a wealth of illustrative audio examples (on the book's website), the book examines key historical antecedents to the musical, including the Gilbert and Sullivan operetta, nineteenth and early twentieth-century American burlesque and vaudeville, Tin Pan Alley, and other song types. It then proceeds thematically, focusing primarily on fifteen mainstream shows from the twentieth century, with discussions of such notable productions as Show Boat (1927), Porgy and Bess (1935), Oklahoma! (1943), West Side Story (1957), Hair (1967), Pacific Overtures (1976), and Assassins (1991). The shows are grouped according to their treatment of themes that include defining America, mythologies, counter-mythologies, race and ethnicity, dealing with World War II, and exoticism. Each chapter concludes with a brief consideration of available scholarship on related subjects; an extensive appendix provides information on each show discussed, including plot summaries and song lists, and a listing of important films, videos, audio recordings, published scores, and libretti associated with each musical.
Publisher: Princeton University Press
ISBN: 0691186200
Category : Music
Languages : en
Pages : 384
Book Description
The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance themes related to American national identity. Written by a musicologist and supported by a wealth of illustrative audio examples (on the book's website), the book examines key historical antecedents to the musical, including the Gilbert and Sullivan operetta, nineteenth and early twentieth-century American burlesque and vaudeville, Tin Pan Alley, and other song types. It then proceeds thematically, focusing primarily on fifteen mainstream shows from the twentieth century, with discussions of such notable productions as Show Boat (1927), Porgy and Bess (1935), Oklahoma! (1943), West Side Story (1957), Hair (1967), Pacific Overtures (1976), and Assassins (1991). The shows are grouped according to their treatment of themes that include defining America, mythologies, counter-mythologies, race and ethnicity, dealing with World War II, and exoticism. Each chapter concludes with a brief consideration of available scholarship on related subjects; an extensive appendix provides information on each show discussed, including plot summaries and song lists, and a listing of important films, videos, audio recordings, published scores, and libretti associated with each musical.