Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (2 Vol. Set)

Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (2 Vol. Set) PDF Author: Therese Martin
Publisher: BRILL
ISBN: 9004185550
Category : Architecture
Languages : en
Pages : 1185

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Book Description
The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.

Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (2 Vol. Set)

Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (2 Vol. Set) PDF Author: Therese Martin
Publisher: BRILL
ISBN: 9004185550
Category : Architecture
Languages : en
Pages : 1185

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Book Description
The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.

Reassessing the Roles of Women as 'makers' of Medieval Art and Architecture

Reassessing the Roles of Women as 'makers' of Medieval Art and Architecture PDF Author: Therese Martin
Publisher:
ISBN: 9786613665201
Category : Architecture and society
Languages : en
Pages : 1184

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Book Description
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today's standard division of artist from patron is not seen in medieval inscriptions--on paintings, metalwork, embroideries, or buildings--where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.

Material Culture and Queenship in 14th-century France

Material Culture and Queenship in 14th-century France PDF Author: Marguerite Keane
Publisher: BRILL
ISBN: 9004318836
Category : History
Languages : en
Pages : 273

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Book Description
In Material Culture and Queenship in 14th-century France Marguerite Keane analyzes the artistic and devotional context of the household of a medieval queen, Blanche of Navarre (1331-1398), as revealed through the evidence of her testaments of 1396 and 1398.

Early Medieval Stone Monuments

Early Medieval Stone Monuments PDF Author: Howard Williams
Publisher: Boydell & Brewer
ISBN: 1783270748
Category : Art
Languages : en
Pages : 295

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Book Description
New insights into inscribed and stone monuments from across Europe in the early middle ages.

Investigations in Medieval Stained Glass

Investigations in Medieval Stained Glass PDF Author:
Publisher: BRILL
ISBN: 9004395717
Category : History
Languages : en
Pages : 488

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Book Description
Mindful of already existing publications, the editors determined to foreground scholarly expertise and approaches to stained glass, as well as up-to-date bibliographies.

Push Me, Pull You

Push Me, Pull You PDF Author: Sarah Blick
Publisher: BRILL
ISBN: 900420573X
Category : Art
Languages : en
Pages : 1403

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Book Description
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.

The Year 1300 and the Creation of a New European Architecture

The Year 1300 and the Creation of a New European Architecture PDF Author: Alexandra Gajewski
Publisher: Brepols Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 244

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Book Description
The theme of the book is the origin of Late Gothic architecture in Europe around the year 1300. It was then that Gothic ecclesiastical architecture graduated from a largely French into a wholly European phenomenon with new centres of art production (Cologne, Florence, York, Prague, Krakow) and newly-empowered institutions: kings, the higher nobility, towns and friars. Profound changes in spiritual and devotional life had a lasting effect on the relationship between architecture and liturgy. In short, architecture around 1300 became at once more cosmopolitan and more heterogeneous. The book addresses these radical changes on their own terms- as an international phenomenon. By bringing together specialists in art, architecture and liturgy from many parts of Europe and from the USA it aims to employ their separate expertise, and to integrate each into a broader European perspective. Dr. Zoe Opacic is lecturer in the history and theory of architecture at Birkbeck College, University of London. She specialises in the field of late medieval architecture and art, particularly in Central Europe.Dr. Alexandra Gajewski, FSA is visiting assistant professor at the University of Michigan, Ann Arbor. She works on Burgundian Gothic architecture and on Cistercian art in medieval France and the Empire.

Byzantium in Eastern European Visual Culture in the Late Middle Ages

Byzantium in Eastern European Visual Culture in the Late Middle Ages PDF Author:
Publisher: BRILL
ISBN: 9004421378
Category : History
Languages : en
Pages : 320

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Book Description
Byzantium in Eastern European Visual Culture in the Late Middle Ages focuses on how the heritage of Byzantium was continued and transformed alongside local developments in the artistic and cultural traditions of Eastern Europe between the fourteenth and sixteenth centuries.

Crusader Art in the Holy Land, From the Third Crusade to the Fall of Acre

Crusader Art in the Holy Land, From the Third Crusade to the Fall of Acre PDF Author: Jaroslav Folda
Publisher: Cambridge University Press
ISBN: 0521835836
Category : Art
Languages : en
Pages : 804

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Book Description
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Revisiting Al-Andalus

Revisiting Al-Andalus PDF Author: Glaire D. Anderson
Publisher: BRILL
ISBN: 9004162275
Category : Social Science
Languages : en
Pages : 341

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Book Description
Revisiting al-Andalus brings together a range of new approaches to the material culture of Islamic Iberia, highlighting especially new directions in Anglo-American scholarship in this field since the influential exhibition in 1992, Al-Andalus: the Art of Islamic Spain.