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Author: Karen Cox
Publisher: LSU Press
ISBN: 0807169234
Category : History
Languages : en
Pages : 334
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Book Description
Much of American popular culture depicts the 1930s South either as home to a population that was intellectually, morally, and physically stunted, or as a romantic, sentimentalized haven untouched by the nation’s financial troubles. Though these images stand as polar opposites, each casts the South as an exceptional region that stood separate from American norms. Reassessing the 1930s South brings together historians, art critics, and literary scholars to provide a new social and cultural history of the Great Depression South that moves beyond common stereotypes of the region. Essays by Steven Knepper, Anthony J. Stanonis, and Bryan A. Giemza delve into the literary culture of the 1930s South and the multiple ways authors such as Sterling Brown, Tennessee Williams, and E. P. O’Donnell represented the region to outsiders. Lisa Dorrill and Robert W. Haynes explore connections between artists and the South in essays on New Deal murals and southern dramatists on Broadway. Rejecting traditional views of southern resistance to modernization, Douglas E. Thompson and Ted Atkinson survey the cultural impacts of technological advancement and industrialization. Emily Senefeld, Scott L. Matthews, Rebecca Sharpless, and Melissa Walker compare public representations of the South in the 1930s to the circumstances of everyday life. Finally, Ella Howard, Nicholas Roland, and Robert Hunt Ferguson examine the ways southern governments and activists shaped racial perceptions and realities in Georgia, Texas, and Tennessee. Reassessing the 1930s South provides an interpretation that focuses on the region’s embrace of technological innovation, promotion of government-sponsored programs of modernization, rejection of the plantation legend of the late nineteenth century, and experimentation with unionism and interracialism. Taken collectively, these essays provide a better understanding of the region’s identity, both real and perceived, as well as how southerners grappled with modernity during a decade of uncertainty and economic hardship.
Author: Karen Cox
Publisher: LSU Press
ISBN: 0807169234
Category : History
Languages : en
Pages : 334
Get Book Here
Book Description
Much of American popular culture depicts the 1930s South either as home to a population that was intellectually, morally, and physically stunted, or as a romantic, sentimentalized haven untouched by the nation’s financial troubles. Though these images stand as polar opposites, each casts the South as an exceptional region that stood separate from American norms. Reassessing the 1930s South brings together historians, art critics, and literary scholars to provide a new social and cultural history of the Great Depression South that moves beyond common stereotypes of the region. Essays by Steven Knepper, Anthony J. Stanonis, and Bryan A. Giemza delve into the literary culture of the 1930s South and the multiple ways authors such as Sterling Brown, Tennessee Williams, and E. P. O’Donnell represented the region to outsiders. Lisa Dorrill and Robert W. Haynes explore connections between artists and the South in essays on New Deal murals and southern dramatists on Broadway. Rejecting traditional views of southern resistance to modernization, Douglas E. Thompson and Ted Atkinson survey the cultural impacts of technological advancement and industrialization. Emily Senefeld, Scott L. Matthews, Rebecca Sharpless, and Melissa Walker compare public representations of the South in the 1930s to the circumstances of everyday life. Finally, Ella Howard, Nicholas Roland, and Robert Hunt Ferguson examine the ways southern governments and activists shaped racial perceptions and realities in Georgia, Texas, and Tennessee. Reassessing the 1930s South provides an interpretation that focuses on the region’s embrace of technological innovation, promotion of government-sponsored programs of modernization, rejection of the plantation legend of the late nineteenth century, and experimentation with unionism and interracialism. Taken collectively, these essays provide a better understanding of the region’s identity, both real and perceived, as well as how southerners grappled with modernity during a decade of uncertainty and economic hardship.
Author: Karen Cox
Publisher: LSU Press
ISBN: 0807169226
Category : History
Languages : en
Pages : 270
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Book Description
Much of American popular culture depicts the 1930s South either as home to a population that was intellectually, morally, and physically stunted, or as a romantic, sentimentalized haven untouched by the nation’s financial troubles. Though these images stand as polar opposites, each casts the South as an exceptional region that stood separate from American norms. Reassessing the 1930s South brings together historians, art critics, and literary scholars to provide a new social and cultural history of the Great Depression South that moves beyond common stereotypes of the region. Essays by Steven Knepper, Anthony J. Stanonis, and Bryan A. Giemza delve into the literary culture of the 1930s South and the multiple ways authors such as Sterling Brown, Tennessee Williams, and E. P. O’Donnell represented the region to outsiders. Lisa Dorrill and Robert W. Haynes explore connections between artists and the South in essays on New Deal murals and southern dramatists on Broadway. Rejecting traditional views of southern resistance to modernization, Douglas E. Thompson and Ted Atkinson survey the cultural impacts of technological advancement and industrialization. Emily Senefeld, Scott L. Matthews, Rebecca Sharpless, and Melissa Walker compare public representations of the South in the 1930s to the circumstances of everyday life. Finally, Ella Howard, Nicholas Roland, and Robert Hunt Ferguson examine the ways southern governments and activists shaped racial perceptions and realities in Georgia, Texas, and Tennessee. Reassessing the 1930s South provides an interpretation that focuses on the region’s embrace of technological innovation, promotion of government-sponsored programs of modernization, rejection of the plantation legend of the late nineteenth century, and experimentation with unionism and interracialism. Taken collectively, these essays provide a better understanding of the region’s identity, both real and perceived, as well as how southerners grappled with modernity during a decade of uncertainty and economic hardship.
Author: Kate Macdonald
Publisher: Routledge
ISBN: 1317303407
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
A collection of edited essays on the novelist John Buchan (1875-1940), author of, among many other works, "The Thirty-Nine Steps" (1915), "Witch Wood" (1927) and "Sick Heart River" (1940). It considers Buchan's writing and reputation from the perspective of the twenty-first century and examines Buchan's major fiction and non-fictional writing.
Author: Scott L. Matthews
Publisher: UNC Press Books
ISBN: 1469646463
Category : History
Languages : en
Pages : 329
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Book Description
In his expansive history of documentary work in the South during the twentieth century, Scott L. Matthews examines the motivations and methodologies of several pivotal documentarians, including sociologist Howard Odum, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen. Their work salvaged and celebrated folk cultures threatened by modernization or strived to reveal and reform problems linked to the region's racial caste system and exploitative agricultural economy. Images of alluring primitivism and troubling pathology often blurred together, neutralizing the aims of documentary work carried out in the name of reform during the Progressive era, New Deal, and civil rights movement. Black and white southerners in turn often resisted documentarians' attempts to turn their private lives into public symbols. The accumulation of these influential and, occasionally, controversial documentary images created an enduring, complex, and sometimes self-defeating mythology about the South that persists into the twenty-first century.
Author: Karen L. Cox
Publisher: University Press of Florida
ISBN: 0813063892
Category : History
Languages : en
Pages : 243
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Book Description
Wall Street Journal’s Five Best Books on the Confederates’ Lost Cause Southern Association for Women Historians Julia Cherry Spruill Prize Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South—all in the name of preserving Confederate culture. Karen Cox traces the history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause. In this edition, with a new preface, Cox acknowledges the deadly riots in Charlottesville, Virginia, showing why myths surrounding the Confederacy continue to endure. The Daughters, as UDC members were popularly known, were daughters of the Confederate generation. While southern women had long been leaders in efforts to memorialize the Confederacy, UDC members made the Lost Cause a movement about vindication as well as memorialization. They erected monuments, monitored history for "truthfulness," and sought to educate coming generations of white southerners about an idyllic past and a just cause—states' rights. Soldiers' and widows' homes, perpetuation of the mythology of the antebellum South, and pro-southern textbooks in the region's white public schools were all integral to their mission of creating the New South in the image of the Old. UDC members aspired to transform military defeat into a political and cultural victory, in which states' rights and white supremacy remained intact. To the extent they were successful, the Daughters helped to preserve and perpetuate an agenda for the New South that included maintaining the social status quo. Placing the organization's activities in the context of the postwar and Progressive-Era South, Cox describes in detail the UDC's origins and early development, its efforts to collect and preserve manuscripts and artifacts and to build monuments, and its later role in the peace movement and World War I. This remarkable history of the organization presents a portrait of two generations of southern women whose efforts helped shape the social and political culture of the New South. It also offers a new historical perspective on the subject of Confederate memory and the role southern women played in its development.
Author: Kathryn B. McKee
Publisher: LSU Press
ISBN: 0807170526
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
Kathryn B. McKee’s Reading Reconstruction situates Mississippi writer Katharine Sherwood Bonner McDowell (1849–1883) as an astute cultural observer throughout the 1870s and 1880s who portrayed the discord and uneasiness of the Reconstruction era in her fiction and nonfiction works. McKee reveals conflicts in Bonner’s writing as her newfound feminism clashes with her resurgent racism, two forces widely prevalent and persistently oppositional throughout the late nineteenth century. Reading Reconstruction begins by tracing the historical contexts that defined Bonner’s life in postwar Holly Springs. McKee explores how questions of race, gender, and national citizenship permeated Bonner’s social milieu and provided subject matter for her literary works. Examining Bonner’s writing across multiple genres, McKee finds that the author’s wry but dark humor satirizes the foibles and inconsistencies of southern culture. Bonner’s travel letters, first from Boston and then from the capitals of Europe, show her both embracing and performing her role as a southern woman, before coming to see herself as simply “American” when abroad. Like unto Like, the single novel she published in her lifetime, directly engages with Mississippi’s postbellum political life, especially its racial violence and the rise of Lost Cause ideology. Her two short story collections, including the raucously comic pieces in Dialect Tales and the more nostalgic Suwanee River Tales, indicate her consistent absorption in the debates of her time, as she ponders shifting definitions of citizenship, questions the evolving rhetoric of postwar reconciliation, and readily employs humor to disrupt conventional domestic scenarios and gender roles. In the end, Bonner’s writing offers a telling index of the paradoxes and irresolution of the period, advocating for a feminist reinterpretation of traditional gender hierarchies, but verging only reluctantly on the questions of racial equality that nonetheless unsettle her plots. By challenging traditional readings of postbellum southern literature, McKee offers a long-overdue reassessment of Sherwood Bonner’s place in American literary history.
Author: Nina Silber
Publisher: UNC Press Books
ISBN: 1469646552
Category : History
Languages : en
Pages : 249
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Book Description
The New Deal era witnessed a surprising surge in popular engagement with the history and memory of the Civil War era. From the omnipresent book and film Gone with the Wind and the scores of popular theater productions to Aaron Copeland's "A Lincoln Portrait," it was hard to miss America's fascination with the war in the 1930s and 1940s. Nina Silber deftly examines the often conflicting and politically contentious ways in which Americans remembered the Civil War era during the years of the Depression, the New Deal, and World War II. In doing so, she reveals how the debates and events of that earlier period resonated so profoundly with New Deal rhetoric about state power, emerging civil rights activism, labor organizing and trade unionism, and popular culture in wartime. At the heart of this book is an examination of how historical memory offers people a means of understanding and defining themselves in the present. Silber reveals how, during a moment of enormous national turmoil, the events and personages of the Civil War provided a framework for reassessing national identity, class conflict, and racial and ethnic division. The New Deal era may have been the first time Civil War memory loomed so large for the nation as a whole, but, as the present moment suggests, it was hardly the last.
Author: Daniela Felisini
Publisher: Springer
ISBN: 3319487221
Category : Political Science
Languages : en
Pages : 202
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Book Description
This book provides a critical reassessment of the role of the public sector during the Golden Age in both advanced and emerging economies. Contributions focus on a major player in the setting of mixed economies: the top managers of state-owned enterprises. Bringing together world-renowned scholars, this collection analyzes the actions of these managers and their contribution to the rise and fall of the mixed economy during the Golden Age, opening up a comparative perspective of the topic. The book forces readers to reconsider how crucial state-owned enterprises were for economic recovery and for the modernization of the production apparatus of many countries in Western Europe, India, Latin America and South Africa. Key chapters discuss state-owned enterprises in twentieth-century Europe, the managerial revolution in Italy, the role of the state in Argentine industrialization, and the organization of capital in the Indian economy. This insightful collection will appeal to scholars and students with an interest in economic history and the socio-economic impact of state-owned companies around the globe.
Author: Colin Bundy
Publisher: Routledge
ISBN: 1000261417
Category : Social Science
Languages : en
Pages : 365
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Book Description
Seven years since his death (2013), Nelson Mandela still occupies an extraordinary place in the global imagination. Internationally, Mandela’s renown seems intact and invulnerable. In South Africa, however, his legacy and his place in the country’s history have become matters of contention and dispute, especially amongst younger black South Africans. The essays in this book analyse aspects of Mandela’s life in the context of South Africa’s national history, and make an important contribution to the historiography of the anti-apartheid political struggle. They reassess: the political context of Mandela’s youth; his changing political beliefs and connections with the Left; his role in the African National Congress and the turn to armed struggle; his marriage to Winnie Madikizela-Mandela and their political relationship. By providing new context, they explore Mandela as an actor in broader social processes such as the rise of the ANC and the making of South Africa’s post-apartheid constitution. The detailed essays are linked in a substantial introduction by Colin Bundy and current debates are addressed in a concluding essay by Elleke Boehmer. This book provides a scholarly counterweight both to uncritical celebration of Mandela and also to a simplistic attribution of post-apartheid shortcomings to the person of Mandela. This book was originally published as a special issue of the Journal of Southern African Studies.
Author: Carrie Tipton
Publisher: Vanderbilt University Press
ISBN: 0826506410
Category : Music
Languages : en
Pages : 329
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Book Description
Listen as you read! From Dixie to Rocky Top: Book Playlist, now on Spotify. The first book to explore the history of college fight songs as a culturally important phenomenon, From Dixie to Rocky Top zeroes in on the US South, where college football has forged a powerful, quasi-religious sense of meaning and identity throughout the region. Tracing the story of Southeastern Conference (SEC) fight songs from the late nineteenth to the early twenty-first century, author Carrie Tipton places this popular repertory within the broader commercial music industry and uses fight songs to explore themes of authorship and copyright; the commodification of school spirit; and the construction of race, gender, and regional identity in Southern football culture. This book unearths the history embedded in SEC football’s music traditions, drawing from the archives of the seventeen universities currently or formerly in the conference. Alongside rich primary sources, Tipton incorporates approaches and literature from sports history, Southern and American history, Southern and American studies, and musicology. Chronicling iconic Southern fight songs’ origins, dissemination, meanings, and cultural reception over a turbulent century, From Dixie to Rocky Top weaves a compelling narrative around a virtually unstudied body of popular music.
