Philosophy of Science PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Philosophy of Science PDF full book. Access full book title Philosophy of Science by Samir Okasha. Download full books in PDF and EPUB format.
Author: Samir Okasha
Publisher: Oxford University Press
ISBN: 0198745583
Category : Philosophy
Languages : en
Pages : 161
Get Book Here
Book Description
"In this new edition Samir Ikasha reviews the main themes of contemporary philosophy of science. Beginning with a brief account of the history of modern science, he asks whether there is a discernible pattern to the way scientific ideas change over time. He examines scientific inference, scientific explanation, and the debate between realist and anti-realist views of science."--
Author: Samir Okasha
Publisher: Oxford University Press
ISBN: 0198745583
Category : Philosophy
Languages : en
Pages : 161
Get Book Here
Book Description
"In this new edition Samir Ikasha reviews the main themes of contemporary philosophy of science. Beginning with a brief account of the history of modern science, he asks whether there is a discernible pattern to the way scientific ideas change over time. He examines scientific inference, scientific explanation, and the debate between realist and anti-realist views of science."--
Author: Gupta Chhanda
Publisher:
ISBN: 9788170234364
Category :
Languages : en
Pages : 191
Get Book Here
Book Description
Author: Chhanda Gupta
Publisher: Rowman & Littlefield
ISBN: 9780742513877
Category : Philosophy
Languages : en
Pages : 186
Get Book Here
Book Description
Realism versus Realism defends the metaphysics of 'Internal Realism, ' a view authored by Hilary Putnam, and seeks to build on its basis an immanent realistic position to resolve two conflicts: the conflict between realism and some forms of anti-realism, especially relativism which involves constructivism and subjectivism; and also between two forms of realism itself, namely transcendent and immanent. Contra transcendent realism, author Chhanda Gupta rejects the absolute view of realities that (a) transcend our concept forming powers, (b) transcend our cognitive abilities, and (c) are said to have features by themselves, not as things appear to us. Contra relativism of the anti-realist stripe, Gupta defends conceptual relativity without letting it drift towards constructivism and subjectivism. This general theory of realism minus absolutism, and relativism minus subjectivism and constructivism, may be seen to have a relevance for our moral and social image of the world by showing how pluralism can avoid the ills of absolutism without ushering in intellectual and moral anarchy.
Author: Linda Nochlin
Publisher: CUP Archive
ISBN:
Category : Art, Modern
Languages : en
Pages : 360
Get Book Here
Book Description
Author: R. Andrew Sayer
Publisher: SAGE
ISBN: 9780761961246
Category : Social Science
Languages : en
Pages : 224
Get Book Here
Book Description
Realism and Social Science offers an authoritative guide to critical realism and an assessment of its virtues in comparison with other leading traditions in social science. It is illustrated throughout with relevant and accessible examples.
Author: Stuart Brock
Publisher: Routledge
ISBN: 1317494261
Category : Philosophy
Languages : en
Pages : 226
Get Book Here
Book Description
There are a bewildering variety of ways the terms "realism" and "anti-realism" have been used in philosophy and furthermore the different uses of these terms are only loosely connected with one another. Rather than give a piecemeal map of this very diverse landscape, the authors focus on what they see as the core concept: realism about a particular domain is the view that there are facts or entities distinctive of that domain, and their existence and nature is in some important sense objective and mind-independent. The authors carefully set out and explain the different realist and anti-realist positions and arguments that occur in five key domains: science, ethics, mathematics, modality and fictional objects. For each area the authors examine the various styles of argument in support of and against realism and anti-realism, show how these different positions and arguments arise in very different domains, evaluate their success within these fields, and draw general conclusions about these assorted strategies. Error theory, fictionalism, non-cognitivism, relativism and response-dependence are taken as the most important positions in opposition to the realist and these are explored in depth. Suitable for advanced level undergraduates, the book offers readers a clear introduction to a subject central to much contemporary work in metaphysics, epistemology and philosophy of language.
Author: Michiel van Ingen
Publisher: Routledge
ISBN: 1351621114
Category : Social Science
Languages : en
Pages : 276
Get Book Here
Book Description
In assessing the current state of feminism and gender studies, whether on a theoretical or a practical level, it has become increasingly challenging to avoid the conclusion that these fields are in a state of disarray. Indeed, feminist and gender studies discussions are beset with persistent splits and disagreements. This reader suggests that returning to, and placing centre-stage, the role of philosophy, especially critical realist philosophy of science, is invaluable for efforts that seek to overcome or mitigate the uncertainty and acrimony that have resulted from this situation. In particular, it claims that the dialectical logic that runs through critical realist philosophy is ideally suited to advancing feminist and gender studies discussions about broad ontological and epistemological questions and considerations, intersectionality, and methodology, methods, and empirical research. By bringing together four new and eight existing writings this reader provides both a focal point for renewed discussions about the potential and actual contributions of critical realist philosophy to feminism and gender studies and a timely contribution to these discussions.
Author: Sandy Petrey
Publisher: Cornell University Press
ISBN: 150172441X
Category : Literary Criticism
Languages : en
Pages : 226
Get Book Here
Book Description
Sandy Petrey here looks at the emergence of nineteenth-century French realism in the light of the concept of speech acts as defined by J. L. Austin and as exemplified by the history of the French Revolution. Through analysis of the techniques of representation in works by Balzac, Stendhal, and Zola, Petrey suggests that the expression of a truth depends on the same collective forces necessary to change a regime. According to Petrey, political legitimacy in the Revolution, the Empire, and the Restoration was established by means of a series of demonstrations that what words say cannot be interpreted without reference to the community to which they speak. Petrey first discusses the creation of France's National Assembly in 1789 as a foundational example of how speech acts can bring about historical transformation. He then challenges the most powerful twentieth-century assault on realist aesthetics, Roland Barthes's S/Z, and also considers the views of such contemporary critics as Jacques Derrida, Barbara Johnson, and Stanley Fish. During the Revolution, Petrey says, statements of truth were not descriptions of what was, but rather exhortations to produce what was not. Nineteenth-century French fiction represents in literary form a similar collectively authorized linguistic performance; the "real" in realism comes from representing facts not as they are in themselves but as they are produced and rejected in society. In the course of illuminating readings of three central realist works—Balzac's Pere Goriot, Stendhal's The Red and the Black, and Zola's Germinal—Petrey takes the position that the dilemmas of representation, far from being one of realism's blind spots, figure among its major narrative subjects.
Author: John Hawkes
Publisher: New Directions Publishing
ISBN: 9780811200653
Category : Fiction
Languages : en
Pages : 196
Get Book Here
Book Description
But it would be unfair to the reader to reveal what happens when a gang of professional crooks gets wind of the scheme and moves to muscle in on this bettors' dream of a long-odds situation. Worked out with all the meticulous detail, terror, and suspense of a nightmare, the tale is, on one level, comparable to a Graham Greene thriller; on another, it explores a group of people, their relationships fears, and loves. For as Leslie A. Fiedler says in his introduction, "John Hawkes.. . makes terror rather than love the center of his work, knowing all the while, of course, that there can be no terror without the hope for love and love's defeat . . . ."
Author: Devin Fore
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
Get Book Here
Book Description
The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these "rehumanized" works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.
