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Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740797719
Category : Art
Languages : en
Pages : 226
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Book Description
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740797719
Category : Art
Languages : en
Pages : 226
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Book Description
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
Author: Keith Waldrop
Publisher: Deep Vellum Publishing
ISBN: 1564788385
Category : Fiction
Languages : en
Pages : 159
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Book Description
One of the unheralded masterpieces of twentieth-century American fiction, Light While There Is Light is acclaimed poet Keith Waldrop's autobiographical novel about the myriad ghosts left behind by his family. Born to a deeply religious mother, the narrator and his siblings are led across the US as she searches for the "right" religious sect—a trip that ends with her speaking in tongues, and finally her total isolation. But no synopsis can do justice to the beauty of Keith Waldrop's measured, wise, and unembroidered prose, illuminating the fear, madness, and destruction within hearth and home—though never repudiating his love for same. In a tradition that stretches back through Flannery O'Connor and William Faulkner to Hawthorne, Melville, and Poe, Keith Waldrop and Light While There Is Light are American treasures.
Author: Joseph Sheppard
Publisher: North Light Books
ISBN:
Category : Art
Languages : en
Pages : 146
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Book Description
Realistic Figure Drawing offers hundreds of beautiful figure drawings executed in Sheppard's classical, timeless style. Each of the ten chapters opens with a brief introduction, followed by illustrations presenting the key ideas about drawing the figure. Through studying these drawings, and honing your own skills through practice, you'll learn how to: &break;&break;Capture the dynamic action of the figure &break;Render the figure in light and shade &break;Proportion the figure so it has dignity and grace &break;Draw the masses and forms of the figure accurately
Author: Sandy Petrey
Publisher: Cornell University Press
ISBN: 150172441X
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Sandy Petrey here looks at the emergence of nineteenth-century French realism in the light of the concept of speech acts as defined by J. L. Austin and as exemplified by the history of the French Revolution. Through analysis of the techniques of representation in works by Balzac, Stendhal, and Zola, Petrey suggests that the expression of a truth depends on the same collective forces necessary to change a regime. According to Petrey, political legitimacy in the Revolution, the Empire, and the Restoration was established by means of a series of demonstrations that what words say cannot be interpreted without reference to the community to which they speak. Petrey first discusses the creation of France's National Assembly in 1789 as a foundational example of how speech acts can bring about historical transformation. He then challenges the most powerful twentieth-century assault on realist aesthetics, Roland Barthes's S/Z, and also considers the views of such contemporary critics as Jacques Derrida, Barbara Johnson, and Stanley Fish. During the Revolution, Petrey says, statements of truth were not descriptions of what was, but rather exhortations to produce what was not. Nineteenth-century French fiction represents in literary form a similar collectively authorized linguistic performance; the "real" in realism comes from representing facts not as they are in themselves but as they are produced and rejected in society. In the course of illuminating readings of three central realist works—Balzac's Pere Goriot, Stendhal's The Red and the Black, and Zola's Germinal—Petrey takes the position that the dilemmas of representation, far from being one of realism's blind spots, figure among its major narrative subjects.
Author: Matthew Specter
Publisher: Stanford University Press
ISBN: 150362997X
Category : History
Languages : en
Pages : 409
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Book Description
In The Atlantic Realists, intellectual historian Matthew Specter offers a boldly revisionist interpretation of "realism," a prevalent stance in post-WWII US foreign policy and public discourse and the dominant international relations theory during the Cold War. Challenging the common view of realism as a set of universally binding truths about international affairs, Specter argues that its major features emerged from a century-long dialogue between American and German intellectuals beginning in the late nineteenth century. Specter uncovers an "Atlantic realist" tradition of reflection on the prerogatives of empire and the nature of power politics conditioned by fin de siècle imperial competition, two world wars, the Holocaust, and the Cold War. Focusing on key figures in the evolution of realist thought, including Carl Schmitt, Hans Morgenthau, and Wilhelm Grewe, this book traces the development of the realist worldview over a century, dismantling myths about the national interest, Realpolitik, and the "art" of statesmanship.
Author: Bert Dodson
Publisher: Penguin
ISBN: 1440350736
Category : Art
Languages : en
Pages : 194
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Book Description
Draw with Confidence and Creativity! New in paperback! Creativity occurs in action. It is not a trait; it is something you do. To be creative, you need to engage in the art-making process. When you are "in the flow," you shift out of the future and into the present, making connections, generating variations and surrendering to the process. This ten-year edition of Keys to Drawing With Imagination is a course for artists in how to take something, do something to it and make something new. Bert Dodson, author of the best-selling Keys to Drawing (more than 250,000 copies sold!) presents fun techniques and mind-stretching strategies to get you drawing better and more imaginatively than you ever have before. In every section, he offers you basic guidelines that help you channel your creative energies in the right direction. Before you know it, you'll lose yourself in the process, enjoying the experience as you create something gratifying and worthwhile. The subjects covered in this hands-on book are as vast as the imagination itself. Through 58 strategies, 36 exercises and 13 step-by-step demonstrations, you'll explore how to: • Take your doodling from mindless to masterful • Create your own reality by crumbling, melting or breaking objects • Flip the familiar on its ear to create something utterly original • Experiment with visual paradox and metaphor • Tell vivid stories through the details in your drawings • Play with patterns to create captivating compositions • Build your drawings by borrowing ideas from different cultures • Develop a theme in your work Along the way, Dodson offers you priceless advice on the creative process culled from his 70 years of drawing and teaching. For additional inspiration and encouragement, he includes the work of 30 other outstanding artists, including R. Crumb and Maya Lin. So what are you waiting for? Grab this book and start drawing! You'll be amazed at what you can create. *Note to readers: This book is a 10-year anniversary paperback reprint of the Keys to Drawing with Imagination hardcover edition (2006).
Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740785508
Category : Art
Languages : en
Pages : 228
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Book Description
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
Author: Michael Fried
Publisher: University of Chicago Press
ISBN: 9780226262154
Category : Art
Languages : en
Pages : 416
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Book Description
"'This book,' Michael Fried's work opens, 'was written not so much chapter by chapter as painting by painting over a span of roughly ten years.' Courbet's Realism is a magnificent work and its very first sentence brings us up against the qualities of mind of its author, qualities that make it as impressive as it is. It allows us to reconstruct the keen eye, the commitment to perception, the gift of rapt concentration, the conviction that great paintings are not necessarily understood easily, and the further conviction that a great painter deserves to get from us as good as he gives. By drawing on these qualities, Fried achieves something out of reach for all but a handful of his colleagues. In his writing, art history takes on some of the character of art itself. It is driven by the same stubborn resolve to open our eyes."—Richard Wollheim, San Francisco Review of Books Courbet's Realism is clearly a major contribution to the highly active field of Courbet studies. . . . But to contribute here and now is necessarily also to contribute to central debates about art history itself, and so the book is also—I hesitate to say 'more importantly,' because of the way object and method are woven together in it—a major contribution to current attempts to rethink the foundations and objects of art history. . . . It will not be an easy book to come to terms with; for all its engagement with contemporary literary theory and related developments, it is not an application of anything, and its deeply thought-through arguments will not fall easily in line with the emerging shapes of the various 'new art histories' that tap many of the same theoretical resources. At this moment, there may be nothing more valuable than such a work."—Stephen Melville, Art History
Author: Rae Greiner
Publisher: JHU Press
ISBN: 1421406535
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
Rae Greiner proposes that sympathy is integral to the form of the classic nineteenth-century realist novel. Following the philosophy of Adam Smith, Greiner argues that sympathy does more than foster emotional identification with others; it is a way of thinking along with them. By abstracting emotions, feelings turn into detached figures of speech that may be shared. Sympathy in this way produces realism; it is the imaginative process through which the real is substantiated. In Sympathetic Realism in Nineteenth-Century British Fiction Greiner shows how this imaginative process of sympathy is written into three novelistic techniques regularly associated with nineteenth-century fiction: metonymy, free indirect discourse, and realist characterization. She explores the work of sentimentalist philosophers David Hume, Adam Smith, and Jeremy Bentham and realist novelists Jane Austen, Charles Dickens, George Eliot, Joseph Conrad, and Henry James. -- Adela Pinch, University of Michigan
Author: K. L. Evans
Publisher: Northwestern University Press
ISBN: 0810136147
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
One Foot in the Finite inspires a radical shift in our view of Melville’s project in Moby-Dick, for its guiding notion is that Melville uses his book to call into question the naturalism that distinguishes the early modern period in Europe. Naturalism is not only the idea that reality is exhausted by nature, or that there exists a domain of physical entities subject to autonomous laws and unaffected by human ingenuity; it also implies a counterpart, a world of pretense and deception, a domain of mental entities ontologically distinct from physical entities and therefore constituting a different realm. To naturalists, whales are part of the background of existing objects against which man assembles his various, subjective, rather arbitrary interpretations. But in Moby-Dick Melville casts upon the world a more ingenious eye, one free of the dualist veil. He confronts a basic misconception: that the contents of consciousness comprise a different order from physical life. He rubs out the dividing line modernity has drawn between the human world of names or concepts and the nonhuman world of plants, creatures, geological features, and natural forces. Melville’s philosophizing, carried by fiction, has dramatic consequence. It overturns our view of language as a system of mental representations that might turn out to represent falsely.
