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Author: Mark Kurlansky
Publisher: Penguin
ISBN: 1594632731
Category : History
Languages : en
Pages : 339
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Book Description
Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the beginning of the Vietnam War, the passage of the Civil Rights Act, and the lead-up to a dramatic election. As the country grew more radicalized in those few months, “Dancing in the Street” gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all changing as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.
Author: Mark Kurlansky
Publisher: Penguin
ISBN: 1594632731
Category : History
Languages : en
Pages : 339
Get Book Here
Book Description
Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the beginning of the Vietnam War, the passage of the Civil Rights Act, and the lead-up to a dramatic election. As the country grew more radicalized in those few months, “Dancing in the Street” gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all changing as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.
Author: Mark Kurlansky
Publisher: National Geographic Books
ISBN: 1594632731
Category : History
Languages : en
Pages : 0
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Book Description
Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the beginning of the Vietnam War, the passage of the Civil Rights Act, and the lead-up to a dramatic election. As the country grew more radicalized in those few months, “Dancing in the Street” gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all changing as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.
Author: James A. Cosby
Publisher: McFarland
ISBN: 1476693692
Category : Music
Languages : en
Pages : 297
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Book Description
The history of rock and roll music can be seen in a long arc of Western civilization's struggle for both greater individual expression and societal stability. In the 1960s, the West's relationship with authority ruptured, in part due to the rock revolution. The lessons and implications of this era have yet to be fully grasped. This book examines the key artists, music, and events of the classic rock era--defined here as 1964 to 1980--through a virtual psychoanalysis of the West. Over these years, important truths unfold in the stories of British Invaders, hippies, proto-punks, and more, as well as topics to include drugs, primal scream therapy, the occult, spirituality, and disco and its detractors, to name just a few. Through a narrative that is equal parts entertaining, scholarly, and even spiritual, readers will gain a greater appreciation for rock music, better understand the confusing world we live in today, and see how greater individuality and social stability may be better reconciled moving forward.
Author: JJ Heller
Publisher: WaterBrook
ISBN: 0593193253
Category : Juvenile Fiction
Languages : en
Pages : 41
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Book Description
This heartwarming picture book reassures children that a parent’s love never lets go—based on the poignant lyrics of JJ Heller’s beloved lullaby “Hand to Hold.” “May the living light inside you be the compass as you go / May you always know you have my hand to hold.” With delightful illustrations and an engaging rhyme scheme, this book offers the promise of security and love every child’s heart longs to know. From skipping stones and counting stars to climbing trees and telling stories, every moment is wrapped snugly in the certain warmth of a parent’s presence and God’s blessing. With poignancy and joy, this bedtime read captures the unconditional love parents want their children to know but so often fail to express amid the chaos of daily life.
Author: Caetlin Benson-Allott
Publisher: University of California Press
ISBN: 0520300416
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
Author: Mark Kurlansky
Publisher: Penguin
ISBN: 0698186966
Category : Fiction
Languages : en
Pages : 322
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Book Description
All-new stories about the urban worlds where animals and humans fight, love, and find common ground, from the nationally bestselling author of Cod and Salt. In these stories, Mark Kurlansky journeys to his familiar haunts like New York’s Central Park or Miami’s Little Havana but with an original, earthy, and adventurous perspective. From baseball players in the Dominican Republic to Basque separatists in Spain to a restaurant owner in Cuba, from urban coyotes to a murder of crows, Kurlansky travels the worlds of animals and their human counterparts, revealing moving and hilarious truths about our connected existence. In the end, he illuminates how closely our worlds are aligned, how humans really are beasts, susceptible to their basest instincts, their wildest dreams, and their artful survival.
Author: Riverhead Books
Publisher: Penguin
ISBN: 0698141644
Category : Biography & Autobiography
Languages : en
Pages : 59
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Book Description
Riverhead Books is proud to present our Summer 2013 Insider which gives readers more information about the stories behind—or sometimes from within—our Summer 2013 list. Included in the Riverhead Books Summer 2013 Insider are: A Q&A with Khaled Hosseini, author of And the Mountains Echoed, an unforgettable novel about finding a lost piece of yourself in someone else. An interview with Pransky, the layabout mutt turned therapy dog at the heart of Sue Halpern’s A Dog Walks into a Nursing Home: Lessons in the Good Life from an Unlikely Teacher. Ramona Ausubel’s essay, “Transformation,” about the inspiration for A Guide to Being Born, her enthralling new collection that uses the world of the imagination to explore the heart of the human condition. “The Story in the Mountains,” an essay by Anton DiSclafani about writing her debut novel, The Yonahlossee Riding Camp for Girls, a lush, sexy evocative story of family secrets and girls’-school rituals set in the 1930s South. “Looking through the Looking Glass,” an essay by Anna Badkhen on how she came to write The World is a Carpet, her unforgettable portrait of a place and people shaped by centuries of art, trade and war. A note from Mark Kurlansky about “Dancing in the Street,” the iconic song he uses as a lens to examine the story of the civil rights movement’s genesis in his new book, Ready for a Brand New Beat Matthew Berry’s essay, “It’s Fantasy Sports World, You Just Live in It,” about the growing world of fantasy sports and how it has shaped his career and personal life which he details in his new book, Fantasy Life. “Noodles of the Silk Road,” a field guide by Jen Lin-Liu, author of On the Noodle Road, in which she immerses herself in a moveable feast of foods and cultures and discovers some surprising truths about commitment, independence, and love A brief history of the historic raid on Harper’s Ferry which plays a key role in James McBride’s new novel, The Good Lord Bird, the story of a young boy born a slave who joins John Brown’s antislavery crusade—and who must pass as a girl to survive. Juan Gabriel Vásquez’s essay, “Memories of the Years of Chaos,” about how Colombia’s recent history informs his new novel, The Sound of Things Falling Each of these pieces is an engaging and informative introduction to these truly wonderful books.
Author: David Temperley
Publisher: Oxford University Press
ISBN: 0190653779
Category : Music
Languages : en
Pages : 313
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Book Description
In all of the books about rock music, relatively few focus on the purely musical dimensions of the style: dimensions of harmony and melody, tonality and scale, rhythm and meter, phrase structure and form, and emotional expression. The Musical Language of Rock puts forth a new, comprehensive theoretical framework for the study of rock music by addressing each of these aspects. Eastman music theorist and cognition researcher David Temperley brings together a conventional music-analytic approach with statistical corpus analysis to offer an innovative and insightful approach to the genre. With examples from across a broadly defined rock idiom encompassing everything from the Beatles to Deep Purple, Michael Jackson to Bonnie Raitt, The Musical Language of Rock shows how rock musicians exploit musical parameters to achieve aesthetic and expressive goals-for example, the manipulation of expectation and surprise, the communication of such oppositions as continuity/closure and tension/relaxation, and the expression of emotional states. A major innovation of the book is a three-dimensional model of musical expression-representing valence, energy, and tension-which proves to be a powerful tool for characterizing songs and also for tracing expressive shifts within them. The book includes many musical examples, with sound clips available on the book's website. The Musical Language of Rock presents new insights on the powerful musical mechanisms which have made rock a hallmark of our contemporary musical landscape.
Author: Olaf Kaltmeier
Publisher: Routledge
ISBN: 0429753489
Category : Political Science
Languages : en
Pages : 364
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Book Description
This volume analyses the narration of the social through music and the seismographic function of music to detect social problems and envision alternatives. Beyond state-driven attempts to link musical production to the official narrative of the nation, mass musical movements emerged during the 20th century that provided countercultural and alternative narratives of the prevailing social context. The Americas contain numerous examples of the strong connection between music and politics; Woody Guthrie’s "This Land is Your Land" envisioned a socialist transformation of the U.S., the Chilean Nueva Canción created a narrative and affective frame for the recognition of popular culture as a central element of the cultural politics of the Chilean way to socialism, and Reggae emerged as a response to British colonialism, drawing inspiration and guidance from the pan-Africanist visions of Marcus Garvey. Providing a significant contribution to the study of music and politics/social movements from an inter-American perspective, this book will appeal to students and scholars of U.S. and Latin American Cultural Studies, Transnational Studies, History and Political Studies, Area Studies, and Music Studies. For additional information, please see the authors' Sonic Politics webpage: https://www.uni-bielefeld.de/cias/sonicpolitics/index.html
Author: Chris Rossdale
Publisher: Routledge
ISBN: 1317298756
Category : Political Science
Languages : en
Pages : 171
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Book Description
This book explores a variety of forms of radical political subjectivity. It takes its cue from the 2011 uprisings in the Middle East and North Africa, the Occupy Movement and the European Anti-Austerity Movement, alongside the wider opposition to authoritarian and neoliberal forms of governance from which they sprang, in order to ask an urgent series of questions about the subject of radical politics: Who or what is it that engages in resistance? Who or what should they be? And how are we to negotiate the many complexities of that second question? The contributions, drawing on a wide range of theoretical traditions, offer a rich series of provocations towards new ways of conceptualising, evaluating and imagining radical political praxis. They engage different kinds of subjects, including protestors, dancers, self-burners, academics, settlers and humans, in order to think through the ways in which contemporary subjects are constituted within and work to unsettle dominant relations of power. Together, the chapters open up spaces to think about how political and intellectual commitment to social change can be enlivened through attention to the subject of radical politics. This book was published as a special issue of Globalizations.
